That makes enjoying its anticlimactic story even more difficult, because it's hard to care what happens to
anyone in the film when they're as naïve, selfish and just plain boring as the characters here.
Not exact matches
In the
film when he gave her the ring, he explains why he chose a black diamond, «Because you are not like
anyone else».
When the action pauses you can count on
anyone in the
film bursting into an ABBA song.
At no point does
anyone in the
film even vaguely resemble an actual 21st - century teenager;
when these kids text each other, it comes across like science fiction.
Moyer seemed brutally uncomfortable both
when singing and
when not singing, and while no one is obligated to replicate the performance of
anyone else, the sly, sexy humor that Christopher Plummer brought to the Captain
in the
film was sorely missed
in Moyer's read.
Can
anyone conjure up a cuter image of (literal) puppy love than
when Lady and the Tramp share a strand of spaghetti
in their eponymous
film?
The most notable example of this occurs early on
in the
film when Zuri (Forest Whitaker) asks if
anyone is willing to challenge T'Challa for the power of Black Panther.
However,
when it does work, it works well, touching all of the required bases
in order to pay homage to the men and women of the Coast Guard, restoring its reputation
in the minds of
anyone that views the
film that it is much more than a place to avoid more dangerous military service.
Lynne Ramsay is a tremendously talented director, as
anyone who has seen her
films We Need to Talk About Kevin and Ratcatcher can tell you, which makes the latest ripple
in her career quite a bummer:
When production began Monday on her latest
film, the Natalie Portman - fronted Western Jane Got a Gun, Ramsay was nowhere to be found.
To give the
film some credit, I appreciate
when anyone — even unintentionally — pokes fun at society's reality TV obsession, but
in this case the mashing of two well - worn horror subgenres only makes it twice as annoying that the
film couldn't do either of them well.
The
film would be completely nonsensical to
anyone who hasn't seen or read the first instalment, and even so, it's initially a bit hard to follow
when so many characters» names are thrown at us
in the first half hour.
When: July 17th Why: Emma Strong is one of the most charming and entertaining actresses working today, but after the disaster of «Magic
in the Moonlight,» does
anyone really want to watch another Woody Allen
film where she plays the beautiful young woman who helps an older, slightly neurotic man snap out of his midlife funk?
The only reason
anyone has had to doubt its dominance came
when it shockingly failed to earn a nod for the Best Director Oscar, but as we saw just five years ago, «Argo» didn't even need one to take the top prize, so
in terms of which
film has the least number of obstacles to overcome AND everything else that a
film ultimately needs to win Best Picture, it would seem that «Three Billboards outside Ebbing, Missouri» is far and away the obvious choice.
What is does seem to be is a
film that is thoroughly convinced of its own cleverness, setting up twists
in the narrative
anyone could see coming and paying them off like some grand revelation
when the time comes.
It's easy to forget that Julianne Moore, Scoot McNairy, Michelle Dockery, Nate Parker, Corey Stoll and Lupita Nyong» o are all
in the
film as well, but
when you've got Neeson doing things like bribing unruly passengers with free international flights to save the day, there's just no way
anyone else can come close to stealing the spotlight.
When I first started this website
in 1999, Cannes took place way too early to matter at all
in the Oscar race — so much so that hardly
anyone even reported on it
in terms of
films headed for the Best Picture race.
Anyone who loves Michael Gondry «s magnificent Eternal Sunshine of the Spotless Mind knows how important that single piece of dialogue is
when it's whispered into Jim Carrey «s ear by Kate Winslet, and next month fans will have the opportunity to meet
in Montauk themselves for an unbelievable, special screening of the
film in honor of Focus Features» 15th anniversary.
Anyone who's a major fan of the man will be looking for him
in whatever newest Marvel
film is coming out, taking us out of the story entirely
when he appears.
Cage never seems
in synch with the role, leaving the
film without
anyone to really identify with, and while attempts are made to provide character development,
when deaths do start to occur to main characters we have seen so many people die that their deaths seem like just another casualty
in an endless string of them.
I knew after concluding the story of «Z», and my participation
in this discussion thread, that I would be drawn into F. Scott and Zelda's writings,... I didn't iron out a direct plan of what I would read next, and so,
when I realised that the
film would release
in May, I decided to make that my next book to read, to bring me full circle: I started out with a superficial knowledge of both husband and wife, as
anyone who reads literature knows of certain authors and their wives, but might not have a working knowledge of who they were
when they lived.
Why would
anyone want a dedicated e-reader to add to the clutter they carry around,
when in 6 months or so there will be single devices you can (1) read books and magazines on, (2) make phone calls on, (3) type and dictate into, (4) number crunch on, (5) watch
films on, and (6) play games on?
When the first
film took off
in 1977, it captured a feeling: nostalgia, yes, but also a stirring call to action that could make
anyone feel that just outside their door was the promise of adventure and undiscovered greatness.