OMOT: has
anyone seen the film interstellar?
Before
anyone saw the film it made sense (on paper, at least) that we should take it seriously.
If
anyone saw his film «Big Fan», this is another great role for him.
Not exact matches
«I think my movie, personally, is one of the most important
films that have ever been made in America... I don't know if
anyone is going to
see it, but I feel the
film is going to take care of itself in time and be around as long as there are
films.»
But, as
anyone involved with any
film anywhere will attest to, the most important goal behind any movie is to get it
seen by people.
Does
anyone else
see the humor in the creationists debating their point of view over the Internet (invented by science),
filmed on cameras (based on science) in a hall lit by electricity (harnessed by science).
I don't believe
anyone is going to watch the same
film I
saw and come away thinking he has a ton of untapped potential.
I came across this on a blog — for
anyone who has never
seen the
film «Being There» this will make no sense — for those that have they may find it quite funny.
Anyone who has watched a Buffalo Bills game in Western New York has probably
seen Schumer's commercial
filmed at a tailgate party in front of the team's stadium.
This
film allows you a high level of privacy during the day, preventing
anyone from
seeing what's going on in your private life.
Moyer: Yes excuse me, the excess mass gets converted into energy and quite a bit of energy, as
anyone who's ever
seen one of those
film reels of hydrogen bombs going [off can][at] test; that is just a little bit of hydrogen converted into helium, and wow!
That said,
anyone of a younger generation who wishes to
see why Elvis was ELVIS, need look no further than this
film.
Other names are less familiar, but their faces are recognizable to
anyone who has
seen independent
films recently: Kevin Corrigan, Debi Mazar, Michael Imperioli.
I believe you; I just don't
see a lot of
film PR material and it hadn't occurred to me before that
anyone would do such a daft thing with this particular trilogy.
It happens to be one of the most wildly (and disturbingly) inventive animated
films I've
seen, but will
anyone notice?
Some things that probably factor into the industry's disagreement: Peter Jackson adapted books fifty years old and respected as great literature, the Potter books were being written alongside the first movies; Lord of the Rings centered on adult characters and played to a wider audience with PG - 13 ratings, the first Potter movies were PG, skewed younger, and starred kids (though
anyone can
see the
films matured and so did the fans, many already wrote the series off); finally, where Jackson provided one distinct vision and a cast of respected performers, Potter had a rotating director roster (all of them secondary to Rowling) and limited opportunities for its accomplished actors, giving the brunt of the work to the three kids and spectacle.
There's plenty of bad hair and cheesy rock hits, which may explain why reviewers have not been kind to the
film, though
anyone dreaming of
seeing Cruise sing «Pour Some Sugar on Me» or Brand and Baldwin duet on «Can't Fight This Feeling» may still have reason to visit their local cineplex.
The Cabin in the Woods WOW it was a great
film the actors and actresses are great the writers the directors, producers and everyone who was involved, The
film has a understanding story im not going to give it away for
anyone who has not
seen it.
Don't let that be daunting to you or
anyone who hasn't
seen that
film because this movie does a solid job at filling in the gaps without having to
see that movie.
It's unlikely
anyone who hasn't
seen Wiseau's
film will feel lost as the players are all well established over the course of the movie (not to mention that intro), and the surprise of how the
film's story unfolds is certainly enjoyable the first time you hear it (no matter the medium).
This is one of the most thrilling documentaries that I have
seen and
anyone interested in the subject owes it to themselves to
see this
film.
I guess it's a pretty good sign that he played Oscar Wilde at one point, although, it's not like
anyone remembers or even
saw this
film, oddly enough.
If they come out with more
films, i would definitely go
see them and i advise
anyone that enjoys effective horror to do so as well.
I'm suggesting this
film to Simon M., The Creep, Brantastic16, Wisenheimer, and
anyone who want to
see this great drama.
The only draw of the
film was the dancing talent that was shown, which, as I feel that
anyone else in that theater can support me on, would be better
seen at a REAL dance studio today.
Both
films are insular if one hasn't
seen «The Room» or «Plan 9 From Outer Space,» and yet there is an accessibility to the
film if
anyone has ever been a dreamer.
See it if you're a die hard fan of the other Jack Ryan
films, other than that, i can't really recommend this to
anyone.
The
film clearly wants to be taken seriously as the story of a man searching for his identity, but I can not
see how
anyone involved thought that was possible.
The same accident plays out twice more elsewhere in America, on the plains of Wyoming and in the Florida Everglades:
anyone who has played the game or
seen the trailer will already know the results, but the
film has so much fun unveiling them it would be a pity to give them away in print.
With a load of cameos ready to be
seen and references ready to be heard and being a huge improvement over the 2011 novel, Ready Player One is guaranteed to bring
anyone who are fans of at least one of the many cameos and references this
film holds.
This is the finest portrait of the trials that I have
seen, and
anyone looking for the definitive portrait of the trials should watch this
film.
The
film engages both the head and heart and should be
seen by
anyone looking for a thoughtful respite from the summer's car chases, hyperactive aliens and gratuitous
To list exactly what happens to the visitors would spoil it for those who haven't yet
seen the
film, but it's fair to say that
anyone who's expecting sedate chills is in for a shock.
As
anyone who has
seen Maddin's stunning 2000 short
film «The Heart of the World» (possibly the pinnacle of his career) can attest, he can cram more complex storytelling and memorable imagery into a few minutes of screen time than most filmmakers can muster in an entire career.
The
film engages both the head and heart and should be
seen by
anyone looking for a thoughtful respite from the summer's car chases, hyperactive aliens and gratuitous bloodstained mayhem.
The student's pesky mother also gets involved, in ways which shouldn't be a surprise to
anyone who's
seen a typical
film noir, and the story turns into a rather backward - looking tale of sin and wrongdoing.
Given that the Russo brothers are also directing the Infinity War
films after Captain America: Civil War, look forward to a lot of Blu - ray commentary tracks by this creative team, saying things like, «Well, as
anyone who
saw the fleeting shot of Starfox at the 35:42 mark of the last
film knows...»
It is a must -
see film for
anyone curious about the origin of Wonder Woman's origin story, starring Luke Evans as Professor Marston, the man who created the iconic female hero.
I marvel at his Thomas Hardy adaptations — the devastating Jude and the redemptive The Claim (his take on The Mayor of Casterbridge)-- and I hadn't thought, before I actually
saw him do it, that
anyone but Charlie Kaufman would have a shot at turning Tristram Shandy into a viable
film.
Anyone who has
seen Farhadi's last
film A Separation will know what to expect here.
Seeing as how the victims weren't present in his life, I'm not sure why
anyone would expect them to be present in his
film.
As
anyone who knows anything about LA, its police organization has had long standing problems with corruption and racism, but the
film never addresses that even though one can
see the roots of it in the material.
Anyone who has
seen «Lady Bird» knows how instrumental Gerwig's all - girl Catholic high school years were to the creation of the
film.
However, no matter how odd the
film gets, Mikkelsen keeps it grounded, making this
film one to
see for
anyone who just wants to watch the actor be awesome.
The main beats of Timur Bekmambetov «s Ben - Hur should seem familiar to
anyone who's
seen the earlier
film.
It relates to a song in Frozen, but I don't want to ruin the joke for
anyone that has yet to
see the
film.
See Also: There's not a lot comparable to «The Lobster» in Farrell's (or anyone's) filmography, but to see him ugly up to more grotesque effect, you could always check out «Horrible Bosses» which is fun enough until it loses steam, while the black comic vein of Lanthimos» film is maybe closest to a more surreal take on Farrell's collaborations with Martin McDonagh («In Bruges» and «Seven Psychopaths») inasmuch as it's close to anything at a
See Also: There's not a lot comparable to «The Lobster» in Farrell's (or
anyone's) filmography, but to
see him ugly up to more grotesque effect, you could always check out «Horrible Bosses» which is fun enough until it loses steam, while the black comic vein of Lanthimos» film is maybe closest to a more surreal take on Farrell's collaborations with Martin McDonagh («In Bruges» and «Seven Psychopaths») inasmuch as it's close to anything at a
see him ugly up to more grotesque effect, you could always check out «Horrible Bosses» which is fun enough until it loses steam, while the black comic vein of Lanthimos»
film is maybe closest to a more surreal take on Farrell's collaborations with Martin McDonagh («In Bruges» and «Seven Psychopaths») inasmuch as it's close to anything at all.
If your kids are old enough to watch a
film without constant supervision, you'd probably to well to drop them off and check out another
film in the cineplex while its showing, as this is almost completely devoid of interest for
anyone who has
seen more than five movies in their lifetime.
While the
film does go its own way on a couple of fronts — playing up the Mr. Bojangles theory —
anyone who's
seen the documentaries will be hopelessly distracted.
For
anyone who's
seen Efron's work — most recently That Awkward Moment, quite possibly the year's worst
film to date — this could spell disaster for the
film, which already seems like it's on a galactic crash course.