Not exact matches
Overall, «STEM CELL REVOLUTIONS» is a great
film for
anyone wanting to learn more
about the history of stem cells, hear legendary researchers
talk about their ground - breaking work and patients
talk about how stem cell therapies have changed their lives, and still get a down - to - earth idea of what is realistically being accomplished with these cells.
I
talk about films longer than
anyone is willing to listen.
Disturbingly, Bertolucci, a poet raised on the cinema in Langlois's Cinematheque, a «true artist» now refusing interviews to
anyone not associated with a «major daily,» has crafted a
film that
talks about growing out of movie love as something inevitable and to be accepted with resignation.
Hollywood may be home to the
film industry, but amid all the shop
talk, it's tough to find
anyone there who'll open up
about how a movie actually made them feel.
The one thing
anyone could
talk about at last night's New York
film critics was Harry Belafonte's speech to Steve McQueen.
Lynne Ramsay is a tremendously talented director, as
anyone who has seen her
films We Need to
Talk About Kevin and Ratcatcher can tell you, which makes the latest ripple in her career quite a bummer: When production began Monday on her latest
film, the Natalie Portman - fronted Western Jane Got a Gun, Ramsay was nowhere to be found.
Almost everyone is
talking about Cooper getting an Oscar Nomination for his role as Pat, however, I feel that if
anyone in this
film deserves an award it's Jennifer Lawrence.
Anyone who writes
film criticism (at least the «serious» kind), or reads it on a semi-regular basis, probably knows exactly what I'm
talking about here.
Anyone who's been following me at all this year knows the
film I'm
talking about, especially since I already brought up again as recently as yesterday.
Such moments don't add much to the
film either, since you don't really understand what
anyone's
talking about.
Detroit, written and directed by white filmmakers, is suddenly decried as a story that never should have been told by the only people who wanted to tell it, and The Beguiled is not a
film anyone can
talk about without being made to feel guilty.