Sentences with phrase «anything about any of the characters»

Not exact matches

My colleague, Kirsten, had to sign an NDA promising she wouldn't reveal anything about Smith's character ahead of the film release in order to receive a making - of book on the film.

If you are concerned about Muslims — or anybody else — not being willing to abide by American principles and the Constitution, is there anything else we can do to prevent this, beyond the Draconian and character - destroying (our character and theirs) discussion of deportation or internment camps.

So if what Jesus said to Philip can't be used to teach us about the nature and character of God because it's historical narrative, then this same argument applies to every text in the Bible, and you can also not use anything from the Law, the Writings, the Prophets, the Gospels, or the Epistles.

but, im ok with this vardy transfer... it shows us many things: 1) wenger is changing, something some of us have been demanding for a long time; 2) it shows that wenger is taking risks: think about it, he is buying a men for a not cheap price, knowing he could not getting anything after, with a future sell i mean... this is an act that shows wengers intentions to win something, the buy is not motivated by any financial or economic reason but only for a «get the f epl once again» reason... this is an act that shows us hungry, even if we fail, we could said we try... first ever, we really try; 3) finally but very important... vardy is the kind of player we need... he is a warrior, a fighter... he has character... look at how he celebrate his goals... full of energy... he, like alexis, can motivate the team when the things are not going in our way (something wenger cant do because of his age and because he has never been an active coach on the pitch)... the vardy transfer, if it finish well, is a demostration of a change, and a good one... lets take care of winning things and do nt look the economic side for once... vardy is a bit old, but we can give a chance to welbeck after maybe, or akpom... u are not thinking about the future when we talk about ibra... guys: u complain when wenger do nt spend or because he is always looking for the bargain when u are the guys who has to pay the very expensive tickets... u complain when wenger buy the always for the future guy... like morata... stop to complain for everything and be consequent with yourself... i would love auba, but it is not going to happen... lukaku is awesome but the asking price is stupid... lets try with vardy, give us the throphy..

Statement is baffling and is in fact the very thing that guys like cap and others are fighting against the truth is Colin didn't orignaly kneel during the anthem he sat on his bench he was then approached by vets who asked why he was sitting and asked him to do something else because sitting was disprectful it was those army vets who told cap to kneel because it shows your fighting against something and not just sitting to sit they told him it would be a better look and it's funny how people turn around and say he is disrespecting the very people who told him what to do and how to do it to get his message across this is the ignorance of America and everything cap fights against you judge a man by the color of his skin and his upbringing and not the content of his character you don't know anything about cap yet you pull this entire story out your ass go sit down clown

Anything less than four will have a better than expected feel about it but I fear it will be worse, particularly with the lack of character and leadership on the field.

For you to vote for Mr. Weiner who has shown he lacks character and self control says more about the low expectations of New Yorkers than anything else.

In one, Deanna's fear of speaking in front of a class, completely unmotivated by anything we know about her character up to that point, causes her to regress from sweaty - pit dread to phlegmatic panic to total, collapsing bodily rejection.

In one of the strongest scenes in this final film, a character tells Harry about the importance of words and how things that exist only in the mind are as real as anything else.

Walt Disney with his early shorts of singing and dancing bunnies or skeletons; Tim Burton with his Jack Skellington and Sally in «The Nightmare Before Christmas»; Nick Park with his man - and - dog team in «Wallace and Gromit» and his prisoner - fowl in «Chicken Run»; Chuck Jones with just about anything — there's a long and varied list of individuals who have imbued cartoon characters with bottomless expressiveness without the help of anything as sophisticated as DreamWorks» Express - o - matic (or whatever it's called).

Except for Grand Moff Tarkin, who was basically a bunch of Peter Cushing - shaped pixels, none of the major players were people we knew; most of them were characters we'd never heard of, the grunts and redshirts of the galactic war, and that meant anything could happen to them, and that the film didn't have to set aside a certain amount of space for enacting things we'd heard about but never seen dramatized.

Although Viola Davis offers a fantastic performance here, this disgusting melodrama is much more concerned about making you cry than saying anything meaningful, while most of the characters are one - dimensional and several unnecessary details are constantly added to the story with the sole purpose of cheap sentimentality.

Rarely does so much talking say so little: Even after 30 - plus minutes of shocking pronouncements and sweeping exposition, no explanation has been offered for why we should care about any of these characters or anything that happens to them.

I am frustrated by the lack of modern - or future - set films without strong female characters, but I'm aware that, historically speaking, women haven't been given much training in warfare or an equal share of about anything.

As for Johnson's character, he's a San Diego - based primatologist named Davis Okoye, who seems capable of doing just about anything that the movie requires him to do.

If there is anything I didn't like about the film, it's Cameron's lack of realism when dealing with the roles of children, especially Jonathan Lipnicki's (Stuart Little, The Little Vampire) character as the boy that Maguire forms a bond with, as he's too unrealistic in demeanor and too strange looking to buy as a real kid, and for that matter the same goes for Tyson Tidwell's (Suarez, The Ladykillers) demeanor (son of Rod) as well.

But fortunately, the characters of this world are so lovable you're willing to watch them do just about anything, even if it doesn't make much sense.

As I've been told again, time after time from anyone and everyone who knows anything about comic books is that the characters actually are really deep with intriguing stories and layers of complexity.

And any time spent thinking about how ridiculous what they're actually talking about is, is still more entertaining than some of the antics the supporting characters get up to, be it John Malkovich trying to kung fu a robot or a former Special Forces soldier complaining stress or all the running he was having to do, or dear God anything having to do with Sam's parents who offer nothing to the film but reminders why they shouldn't be in it.

The film doesn't have anything meaningful to say about this pattern or the reason it exists for these characters, save for what a few of the characters themselves have to say for those things.

If you've already had your fill of games about characters who are seemingly incapable of stopping whenever common sense dictates, you won't get anything out of Wind - Up Knight.

, these quirks are hung on the character in lieu of real development; like Steve Carell's obsession with Proust, or Paul Dano's desire to be a pilot, they don't reveal anything meaningful to us about these people, it's just lazy writing.

An epigraph before the movie warns us not to take anything we're about to see too seriously — probably because, while Hughes was a real figure, the movie compresses various events of his life and inserts fictional characters, eventually taking on the cast of an old, fictional Hollywood narrative closer to Sunset Boulevard than a biopic.

He's a character who puts in a lot of effort to make it appear that he doesn't care about anything.

Now, if you know anything about NintenDogs, PlayStation Vita Pets will seem quite familiar as you start out by choosing from four different puppies, each with their own personality, sense of humor, and character traits.

We don't really know anything about their characters, but the basic setup of the show is that it's an anthology series where each episode is about a different person in the present day who believes that they're descended from the Romanoffs, the former Russian royal family who were (supposedly) all killed off by the Bolsheviks in 1918.

Much of this positivity can be credited to the casting of Gal Gadot in the title role, a role that she will no doubt be associated with for pretty much the rest of her career in the same way that Christopher Reeve was with Superman, and that isn't to say either actor is typecast but they just nailed everything about the character they portray so much that it is difficult to think of them as anything else.

I know it's the reveal day of the game and I don't know anything about it, but really, it's another Mario vs DK game and we already have Tipping Stars on the Wii U. And I really hope «Mini Spec» doesn't end up turning another recurring Mario character.

The character models of Top Spin aren't overly detailed, but they are so crisp and so clean that is hard to really say anything negative about them.

Be aware of a definite mean streak which runs through the movie as well as a complete lack of humor (or anything close to that emotion), despite the fact that Azaria (who voices about a dozen characters on «The Simpsons» TV show) does his best with what little he is given.

John Lasseter has said that the story «takes place inside of a girl's mind and it is about her emotions as characters, and that is unlike anything you've ever seen.»

What could have been a super fun, super cool superhero adventure about a character that wears a ring that allows him to literally make anything he wants with it actually turned out to be one of the year's silliest films, not just the ins, outs and whathaveyous of the story but just the overall look and feel of it.

Before we say anything about that part of the story, I have to say there is clearly an obstacle when you introduce your new character in a sports movie as less of an underdog, and Ryan Coogler manages that roadblock nicely.

The fact that Travolta's evil character seems unmotivated by anything but his macho rivalry with Slater is just about the only vestige of Woo's usual themes.

We don't know anything about the relationship between the Buscemi and Stormare characters — except that it seems to have begun recently — nor of the latter's precise connection to Shep Proudfoot.

The idea of some answers to these mysteries could perhaps be enticing if I cared about any of the characters, anything about their world, or the film did anything to ignite an interest in its plot rather than offering up vague teases at answers that never come and do nothing but try to hook the bait in for the next entry.

Built around the notion that anything outrageous is funny, the makers of «American Wedding» bank on the idea that easy teen - and college - age audiences won't care about tediously underwritten characters, a general lameness of humor and flaccid attempts at emotional investment (Jim takes Michelle on a romantic walk on the beach) as long as those audiences leave the theater with one or two over-the-top howlers to talk about.

Paradoxically, while the main group (played by Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard who all do their best at understating as much as possible) feel well - defined and realistic as characters, the tone of the film is so distant it's impossible to feel anything about them.

That's the setup, and while Bell's screenplay doesn't exactly dig into anything unique or revelatory about crumbling relationships, there is at least a bit of honesty to these characters, despite how broadly drawn they are.

Overall, The Lost Legacy doesn't bring anything new to the Uncharted series but if you're curious about what these less - discussed characters from the franchise get up to when Nathan isn't around and you're happy with more of the same gameplay and scenery then you'll definitely want to check out Chloe and Nadine's adventure.

Though the main characters of Clint Eastwood's HEREAFTER have all been profoundly affected by their brushes with the afterlife, the film is about anything but death.

No news has been released about Williams» character, which is expected (we don't know anything about Thandie Newton, Emilia Clarke, or Phoebe Waller - Bridge «s characters, either) but also a little frustrating — based on his varied and impressive roles in The Wire, Boardwalk Empire, The Night Of, and Hap and Leonard, Williams could be playing a Wookie and we wouldn't be surprised.

Plenty of other female critics, besides me, are flagging the problem, which includes a scarcity of substantial and complex female characters in narrative films, whether Hollywood or indie, that fail to pass the Bechdel test (at least one scene with two female characters who have names, talking to each other about anything other than a man).

While I don't know anything about the character other than the fact that she is a Russian spy, I am pretty sure these images are going to get a lot of people even more excited about the movie.

None of the characters are particularly likeable, and that situation does not improve — they never redeem themselves and at the end viewers are left wondering if they have learned anything at all about themselves through their experiences.

The Macau - born, Hong Kong and American raised actor is our first confirmed new addition to Joss Whedon «s S.H.I.E.L.D. pilot (not counting Clark Gregg, since his Agent Coulson is a known character), in the role of Melinda May, and just because that name isn't familiar might not mean we don't know anything about her.

I'm not saying anything bad about their performances, as they were really good, but just starting to get tired of seeing them play the same characters over and over.

But one of the great things about Sundance is that anything can surprise you, and not only does Tillman redeem himself here, but this movie seems destined for larger things thanks to its memorable characters and terrific performances.

The second half of the film focuses its attention on the whodunit story, but since most of the characters lack anything interesting about them for the viewer to connect with, the stakes never feel particularly high.

Although the film ends with a hopeful note about putting the past behind and building upon happiness for the future, the downsides of pat characterizations is that we never get the sense that the burdens they carry and flaws in their character will ever allow them anything more then a temporary lift up out of the abyss of misanthropy.