Sentences with phrase «anything about making films»

Not exact matches

My colleague, Kirsten, had to sign an NDA promising she wouldn't reveal anything about Smith's character ahead of the film release in order to receive a making - of book on the film.

Well the picture was made under the title of Magnifico Straniero, so when it was Fistful of Dollars I didn't think anything of it, and then about the fourth or fifth time that they mentioned this film they said Fistful of Dollars with Clint Eastwood, little tiny letters down there and I said - I said oh god, that's it, huh?

Paul David Kennamer Jr. and Merrilee Jacobs discuss this, what do doctors really know about nutrition — if anything at all!?! -LRB-: 60 clip here)-- and the making of their film, Eating You Alive on Awesome Vegans with Elysabeth Alfano.

Trying to underplay conventional plotting as much as it can, this film is seriously meditative upon the life of a man who we barely known anything about, and makes matters worse by portraying gradual exposition in too abstract of a fashion for you to receive the impact of the would - be remedies for characterization shortcomings that do indeed go a very long way in distancing you from a conceptually sympathetic and worthy lead.

An accident involving a fire is about as far as the film gets to explicitly revealing anything, leaving viewers to make their own conclusions based on the sometimes cryptic dialogue.

LaBute is in a league of his own when it comes to making a film about completely repulsive and unlikeable people and having his film be anything but.

If you find out anything further about the costuming for this film, I would love to know who makes the leather jacket worn by Joseph Gordon - Levitt.

His work also refuses to be pigeonholed; for example, defying his reputation as a period film director, 1957's The Eleventh Hour is an ensemble - cast, social realist melodrama about a rescue at a caved - in mine that equals anything made by Hollywood during the same era.

If Saving Private Ryan taught us anything, it's that you can make a damn great film about a Damon in distress.

You get a chatty commentary track from Corbijn, about five minutes of deleted scenes (none of which add much of anything to the film), and a pleasant 11 - minute featurette detailing the making of the film.

A beautifully - made and beautifully - written film about people stuck in a place that won't let them lead anything but a crummy, second - rate life.

If this was the direction he wanted the film to take, perhaps it should've been a documentary as opposed to masquerading as a love story that doesn't take the time make us care anything about it.

The film can't quite make up its mind about Franco's Holy Fool character, either; we're meant to laugh at his naïveté and his malapropisms at one moment, then we find out he's a resident in a group home so we can admire his can - do attitude, and later it's revealed that he has made valuable and intelligent contributions to the sales report even though he never indicates in conversation that he understands anything about the deal.

The interview is packed with information on the making of the film, but as always, they were being very guarded about spoilers, so don't worry — reading this will not spoil anything that hasn't already been glimpsed in the trailers.

What could have been a super fun, super cool superhero adventure about a character that wears a ring that allows him to literally make anything he wants with it actually turned out to be one of the year's silliest films, not just the ins, outs and whathaveyous of the story but just the overall look and feel of it.

Paul Thomas Anderson for teaching me that it's ALL about the script and if you have the right actors directors don't have to do anything on set but be a fan, Lumet for his films and his book, a young directors» must read, Coppola for his courage in filmmaking, Steven Soderberg for refusing to ever be put in a box and pushing the form as far as he can, Kathryn Bigelow for giving masterclasses in action, James Cameron for Terminator 2 and prove big budget cinema can still be perfect cinema, Sean Penn for bringing his acting chops to directing, David Mamet for his scripts and his dialogue, Nolan for having more heart than most people seem to give him credit for (Memento, Rises, Inception and Interstellar all made me cry.)

It was one of those rare times when a major film studio — United Artists, in this case — allowed him to make pretty much anything he wanted, even a sophisticated and very personal British movie about an openly gay Jewish doctor sharing his lover with a woman.

It's always fun to chat with him about almost anything, from making films to seeing films to the amusing life of a British geek, but that's why we all love Edgar as much as we do.

Obviously Campbell isn't going to say anything negative about the film he produced but he makes some undeniably good points about the remake.

This is the second, more serious problem with the film: it's fictional status means the filmmakers could have done anything they wanted to, and this is what they chose to film — a fabricated and unflattering characterization of a real person disguised as a documentary about the making of her film.

Few filmmakers could do anything original or vibrant by making yet another film about a creative yet difficult man (who's also in a relationship with a younger woman), but that's what Paul Thomas Anderson does in Phantom Thread.

The Breakfast Club made $ 45 million (adjusted for inflation, that's $ 115 million today) and inspired a wave of more angsty films about growing up, including Pretty in Pink and Some Kind of Wonderful (also written by Hughes), Stand by Me, For Keeps, Dead Poets Society, Say Anything, and School Ties.

In fact, regarding the use of Dunkirk in the film, Churchill actually didn't want anything made about that at the time.

«A lot of people don't want to tackle race in anything they talk about,» rapper and «Bodied» co-star Dumbfoundead told The Times after the film from director Joseph Kahn («Detention») made its buzzy premiere at the Toronto International Film Festival.

Funny, gripping and as perceptive as anything ever made about the power and process of advertising, it was also one of the most visually bold films of the year, thanks to Larrain's decision to shoot on bona - fide 1980s - style video.

The film feels it was made specifically for Greek viewers, as all of the allegorical elements feel poignant and intentional, but not knowing anything about contemporary Greek society leaves you with the feeling of «this means something; I just don't know what it is.»

Just when you thought Hollywood studios were incapable of making anything original comes Looper, an endlessly creative mind - blowing film that captures everything right about the movie going experience.

While there isn't anything particularly original about the core plot, the dramatic and comedic beats, as well as the character depth, make for a well - executed and mature film that manages to be enjoyable and thoughtful.

Twitter had endless jokes to make about the pairing of Eisenberg and Segel in a film about David Foster Wallace, but The End of the Tour gets the last laugh with each of them pulling off remarkably interesting and endearing performances in a film that feels more than anything like two writers waxing vulnerably about staving off impostor syndrome.

European in style without being austere (it's a textured, tendered film, even funny in places), beautifully lensed throughout, it's perhaps above and beyond anything else a ghost story about how the past can haunt and change us long after the fact, how time shifts and changes us, and how unearthed secrets can make you reevaluate everything in your life.

But don't worry, each time the film makes sure to spell it out for the laypeople in the audience by having a character state something along the lines of «Tell me this like I don't know anything about finance or accounting!»

News EW Emily Blunt hears what Julie Andrews says about her casting as Mary Poppins Returns Guardian Anne Hathaway to star in Live Fast Die Hot the adaptation of a bestseller about new motherhood and responsibility Variety Richard Linklater is making a sequel (of a sort) to The Last Detail (1973) called Last Flag Flying / Film early photos from Woody Allen's Crisis in Six Scenes, his new streaming series Towleroad Matt Bomer has signed on to play a trans sex worker in a new film called Anything.

Although Star Wars has always been head and shoulders above anything else, visually speaking, I have a slight technical complaint: why is it that Lucas makes such a big deal about digital filming having such superiour colour and brightness when most of what he shoots is black space and brown desert planets (TWO this time!)?

Combined, the two form an ego / shadow duality that of course has to merge for Wendy to find individuation in the film's gunmetal Wizard of Oz Kansas of rural America — though if Reichardt is trying to make a picture about how we tend to overlook or be unkind to the homeless and the broken - down, it's not anything that feels terribly compelling.

If the trailers for Avengers: Infinity War have made anything clear, it's that this film is all about match - ups — putting characters together that have never met before and watching the sparks fly.

This was the film that showed the world Marvel Studios really can make a success out of just about anything.

Digital storytelling can be used in education in many different ways, and films can be made about anything.

Perry's also sells sandals, boogie boards, volleyballs, beach shorts, t - shirts, kids toys, film, a wide assortment of hats, and just about anything else that might make your day at the beach more enjoyable.

The Transformers franchise hasn't had it easy — games haven't been brilliant, we don't even talk about the films anymore, but High Moon Studio's War of Cybertron was a great example of how you could take a really fun IP, not tie it to anything, and simply focus on making a great game... and then making an even better game.

Make a joke about how Darth Vader breaths and they get it, but talk about anything more obscure within the films and they don't, revealing that they've never actually watched the trilogy.

The film is called «Pandora» — a reference to the Greek myth about the woman created by Zeus to punish humans — and its slick special effects are equal to anything made by Hollywood.