Not exact matches
But most of the
traditional songs are
traditional for a reason: they're sturdy enough to stand up to almost
anything the Yuletide pits
against them — Herb Alpert and the Tijuana Brass, or a grade - school Christmas recital, or even my own adventures in shower - singing.
So, when faced with the choice of wasting more time throwing queries
against the
traditional wall to see if
anything sticks or focusing on building my own little publishing enterprise, it really was a no brainer.
Since the tides are moving
against traditional bookstores, is there
anything they can do to prevent their inevitable demise?
I don't have
anything against those that do, or
traditional publishing in general, but my current path took a different direction.
Throughout the 20th - century, as part of the modernist revolt
against the use of
traditional materials in fine art and the consequent desire to demonstrate that «art» can be made out of
anything, artists have been creating sculpture, assemblage, combined paintings / sculptures and installations from an ever - widening range of unusual objects and materials.
Among the highlights will be the social practice artist Theaster Gates singing his own rendition of «God Bless America,» «The Battle Hymn of the Republic» and other
traditional patriotic tunes; the filmmaker Arthur Jafa presenting his lauded short movie about racism, «Love Is the Message, the Message Is Death»; the artist Shirin Neshat showing films about violence
against women; the composer David Lang performing and also speaking about «danger and honesty in both pop and classical music»; the poet Elizabeth Alexander reading her own work; and the artist Hank Willis Thomas presenting and discussing his film «A Person Is More Important Than
Anything Else» (2014) on James Baldwin.
From mixing blue and green to playing
against proportion, if you challenge the
traditional diktats about colour, pattern, texture and you'll have a unique scheme that's individual, confident and
anything but run of the mill.