I would never sign a contract that said net returns, because you could deduct
anything out of the author's slice.
Not exact matches
By a geographical expansion shattering
anything that either his cosmopolitan detractors within paganism or, for that matter, the
author of the Book
of Acts within Christianity could have imagined, his name has moved
out far from that «small corner
of the earth somewhere» and has come to be known «unto the uttermost part
of the earth.»
The
author uses the words «sin willfully» (note that in the Greek it does NOT say «go on sinning») which can be taken
out of context to mean just about
anything, but IN context it specifically is referring to the forsaking
of Christ in the face
of persecution.
And may no noise - making busybody interfere to snatch me
out of my carefree content as the
author of a little piece, or prevent a kind and benevolent reader from examining it at his leisure, to see if it contains
anything that he can use.
The
author points
out that the former works
out very well, as the current standard
of living in developed countries is way beyond
anything even princes could have dreamt
of just a century ago.
The
authors point
out one caveat in their methods — that some irisin is lost during sample preparation, and therefore the amount
of irisin detected is, if
anything, a slight underestimation.
Another wake - up call It turns
out that prediabetes isnt really «pre»
anything, according to Mark Hyman, MD,
author of UltraMetabolism and The UltraMind Solution: Fix Your Broken Brain by Healing Your Body First.
Often, that reputation comes from
authors putting
out sub-par work, but in a corner
of an artistic industry where anyone can make
anything go, contractors deserve some
of the blame.
If there's not a readily - defined, ready - to - shell -
out - cash market segment, a regular publisher won't take a chance on something unless they know there are hordes
of sheeple to shell
out that cash without worrying about
anything but the
author's name on the cover..
I only point this
out because a professional
author — such as yourself — would never publish
anything with so many mistakes in it,
of course, knowing it would appear to be absolute bollix, so you must have intended to appear utterly inept at the craft you propose to be so knowledgeable about, right?
As David Gaughran points
out,
Author Solutions's strategy is to take advantage
of writers who don't know
anything about the industry.
I've been extremely stubborn and resistant because I do believe that I could have major success as an
author and I don't want to cheat myself
out of anything.
Knowing that there are people
out there who are going to not only sneer at
anything I write just because I'm female (and prone to writing heroines
of color, women in positions
of power, and queer people), but who will actively work to shout down
anything I and
authors like me try to do.
Others say traditional publishing is a scam, they use their
authors, and only the top sellers get
anything out of the relationship.
We all know the readers in our social group and most
of them follow particular
authors and devour
anything they put
out.
Rich - and - famous
authors who pull
out aren't doing
anything wrong,
of course.
But the problem is that there is a glut
of content that has taken those fringe readers
out of the mix for indie
authors, as they're struggling to digest 1000 free books, and so aren't buying
anything right now.
A self - published book can mean almost
anything... from what gets spilled
out of the fingers and mind
of the
author to the presentation from the local printing shop and sometimes looking like it was put...
It is only when the
author decides to use another service that they find
out that they had been sold a «Pig in a Poke» and that they didn't own
anything of value (Other than the movie rights,
of course).
I'm grateful to him, Geller, Morris, and the many others whose comments on their articles have played into this two - week exchange, corps - à - corps... even as the wider, battered industry apparently is too caught up in its daily hysteria to mount
anything but a passata - sotto, a dropping
out of sight, an evasion, on the knotty issue
of publisher -
author relations.
This isn't
anything new —
authors paying for positive reviews on the big sites like Amazon, Goodreads etc, despite policies on those sites that warn against paid reviews — but it's definitely interesting to read about someone making a career
out of it.
Three reader favorites also return next month: Elizabeth Strout is back with
Anything Is Possible,
out in late April; A Man Called Ove
author Fredrik Backman publishes Beartown late in the month; and Anita Shreve will share her tale
of a woman in a small 1940s town, The Stars Are Fire, on April 18.
Writers guilds responded with our very own Toronto Declaration — pointing
out that, if
anything, the writer should be regarded as the «primary»
author of a film, and that their declaration flies in the face
of the whole notion
of filmmaking being a collaborative medium.
Don't say
anything about the ALA enabling the sexualization
of our communities that is so bad that the
author of CIPA has to speak
out.
Do not rely on the publisher's word that the contract is «hybrid» or «fair» — and don't forget: a traditional publishing house will never expect the
author to pay
anything out of pocket (and none
of the publishing costs, except for unreasonable changes demanded by the
author after the proofs are approved).
A self - published book can mean almost
anything... from what gets spilled
out of the fingers and mind
of the
author to the presentation from the local printing shop and sometimes looking like it was put together at the kitchen table with a glue - stick; to a vanity press like a LuLu, AuthorHouse / Solutions (known as the publishing predators); or one
of the pay the other pay to publish services that claim to offer different types
of packages / templates for the
author to select from; to Ingram Spark or Amazon's CreateSpace; to the
author doing the publishing himself with his name or a «looks like a publishing company» name on it (always recommended).
Legitimate traditional publishers never make
authors pay for
anything out of pocket, either as part
of the publishing contract or in a separate (but required) agreement.
disclosure about the real
author, and book sales took off as much
out of curiosity as
anything else... the true test will come when JK publishes the sequel.
Traditional deals don't require the
author to pay for
anything, either
out of pocket or by allowing the publisher to recoup expenses before calculating the
author's royalty share.
It doesn't do
anything to take
out the middleman, which would have put more money into the hands
of the publishers and
authors.
Deanna Cabinian shares a detailed analysis
of using Amazon ads to sell her books, Scott La Counte explains how to tweet like a best - selling
author, The Passive Voice explores if there is
anything better than BookBub
out there, and Jane Friedman lists the 4 key elements that belong on an
author website homepage.
They make up 25 % (according to the article), so if we are going to single
anything out to interpret this data with the goal
of helping
authors find the truth, it shouldn't be the minority that we use to make points, but that dropped 75 %.
A self - published book can mean almost
anything... from what gets spilled
out of the fingers and mind
of the
author to the presentation from the local printing shop and sometimes looking like it was put together at the kitchen table with a glue - stick; to a vanity press like a LuLu, AuthorHouse; or an Outskirts Press that offers different types
of packages / templates for the
author to select from; to Amazon's CreateSpace; to the
author doing the publishing himself with his name or a «looks like a publishing company» name on it.
A self - published book can mean almost
anything... from what gets spilled
out of the fingers and mind
of the
author to the presentation from the...
A self - published book can mean almost
anything... from what gets spilled
out of the fingers and mind
of the
author to the presentation from the local printing shop and sometimes looking like it was put together at the kitchen table with a glue - stick; to a vanity press like a LuLu, AuthorHouse / Solutions (known to many as publishing predators); or any
of the pay to publish operations that claim to offer different types
of packages / templates for the
author to select from as well as claiming to do more personalization and hand - holding than a vanity press operation; to Amazon's CreateSpace and the Ingram Spark (higher quality); to the
author doing the publishing himself with his name or a «looks like a publishing company» name on it (always recommended).
A self - published book can mean almost
anything... from what gets spilled
out of the fingers and mind
of the
author to the presentation from the local printing shop...
«I've seen what indie
authors call Amazon Derangement Syndrome, which is when folks in the traditional system decry
anything Amazon does as being some kind
of Lovecraftian Evil — any change in the way they do business is just them building a throne
out of the bones
of innocent children.
It SAYS it doesn't believe in
anything other than
Author Reader to scare the crap
out of everyone else and draw attention from the fact that it is building a platform to provide really good publishing services to
authors and really good reading services to readers.
But
out of fear
of losing revenue to people who aren't going to ever buy
anything, publishers have put themselves in the interesting and losing position
of making
authors» works almost completely inaccessible — like closing the ice cream store and shutting
out thousands
of potential paying customers, just because one kid stole a sugar cone.
Perhaps maybe... I du n no... I don't want to be
out of line or anything... but perhaps the FUCKING AUTHORS GUILD CAN WRITE SOME FUCKING LETTERS TO THE FUCKING HEADS OF THE FUCKING BIG 5 AND FUCKING DEMAND HIGHER ROYALTIE
of line or
anything... but perhaps the FUCKING
AUTHORS GUILD CAN WRITE SOME FUCKING LETTERS TO THE FUCKING HEADS
OF THE FUCKING BIG 5 AND FUCKING DEMAND HIGHER ROYALTIE
OF THE FUCKING BIG 5 AND FUCKING DEMAND HIGHER ROYALTIES.
Now that Nook are pulling
out of the UK, for a UK
author, is it worthwhile doing
anything with Nook now?
Friday July 22, 7:30 pm: Find
out what makes DEAD ISLAND's zombies tick as GamePro's science editor, Andrew Groen, joins Dead Island writer Haris Orkin, Harvard psychiatrist and
author of The Zombie Autopsies, Dr. Steven C. Schlozman,
author of The Zombie Survival Guide Max Brooks, and UC Berkeley's neuroscience expert Brad Voytek to explore the misunderstood monsters in a panel that will be
anything but dead simple.
MACUF - Museo de Arte Contemporáneo Gas Natural Fenosa, La Coruña Under the title «Almost
Anything», the exhibition
of the american artist Alex Katz at the Contemporary Art Museum Gas Natural Fenosa, MACUF, presents a selection
of 22 paintings
of landscapes, scenes and portraits, mostly
of them large size, with the plain style
of this
author of flat compositions, silhouettes and «cutouts», as well as portraits on cut
out wood he has been made since the sixties.
Judith — apart a couple
of authors, I can not for the life
of me see
anything serious / positive / trustworthy coming
out of AR5.
I would hope that you'd give the
authors of the paper a chance to post here (as opposed to real science) and heavily moderate comments to those with the appropriate technical expertise plus strip
out anything that could be perceived at personal jabs.
There isn't
anything about social media,
author tags, or any
of the other speculative stuff
out there — just core strategies.
Wayne Besen is the Founding Executive Director
of Truth Wins
Out, the Center Against Religious Extremism (TWOCARE.org) and
author of «
Anything But Straight: Unmasking the Scandals and Lies Behind the Ex-Gay Myth» (Routledge, 2003) and «Bashing Back: Wayne Besen on People, Politics, and Culture.»
Don't make an issue
out of anything that happened during your split, advises Michael Broder, Ph.D.,
author of «Can Your Relationship Be Saved?»