Sentences with phrase «apexart exhibitions»

• The Selection Process: apexart exhibitions attempt to expand the selection process by making it as democratic and meritocratic as possible.

The guest organizers / curators work closely with the apexart team to turn their ideas into apexart exhibitions and retain the original concept.

Not exact matches

Between B @S and Kuras, he has realized exhibitions and projects with art fairs like NADA Miami, EXPO Chicago, PULSE Miami, and Volta NYC, and institutions like the Contemporary Art Museum of St Louis, The Queens Museum, The Walker Art Center, and apexart NYC.

• The Results: The organizers of the three top rated proposals are notified that their exhibitions will be part of apexart's upcoming season.

He has curated, among other exhibitions, To Be Political it Has to Look Nice (2003) at apexart and Art in General in New York; PR04 Biennale (2004, co-curator) in Puerto Rico; Incidents of Mirror Travel in Yucatan and Elsewhere (2011) at Museo Tamayo, Mexico City; Bananas is my Business: the Southamerican Way (2011, co-curated with Julieta Gonzalez) at Museu Carmen Miranda, Rio de Janeiro; Bienal Tropical (2011) in San Juan, Puerto Rico; Under the Same Sun: Art from Latin America Today (2014 - 15) at the Guggenheim Museum in New York and Museo Jumex in Mexico City.

«OPEN CALL: apexart Unsolicited Exhibition Program 2017 - 18 Main PAS Performance Art Studies # 50 roots in motion»

From February 1 - 29, NYC's apexart will accept submissions for its Franchise Program: an opportunity to propose and produce an exhibition that takes place anywhere in the world outside of New York City.

The organizers of the four highest - ranked proposals receive an exhibition budget of up to $ 6,000, a location rental budget of up to $ 2,000, an honorarium of $ 2,000 for organizing the exhibition and writing an accompanying essay, and administrative support and involvement necessary to present their proposals as apexart Franchise Exhibitions.

Past performances and exhibitions include: Indianapolis Museum of Art, Performa 11, Andrea Meislin Gallery, apexart, The X-Initiative, Socrates Sculpture Park, Contemporary Jewish Museum SF, Herzelia Biennial ARTTLV, RH Gallery, The Queens Museum, Center of Contemporary Art Tel Aviv and The Jewish Museum NYC.

apexart's International Open Call accepted ideas for group exhibitions to be presented anywhere in the world.

León de la Barra has curated or cocurated more than a dozen exhibitions in the past decade, at institutions including the David Roberts Art Foundation and the Architecture Foundation, London; Centre de Art Contemporaine, Geneva, and Kunsthalle Zürich; apexart and Art in General, New York; Casa Luis Barragán, Casa del Lago, and Museo Tamayo, Mexico City; Museo La Ene, Buenos Aires; Museu Carmen Miranda, Rio de Janeiro; Beta Local, San Juan; Centro Cultural de España, Guatemala City; Casa Encendida, Madrid, Spain; and Proyecto AMIL, Lima.

He has curated, among other exhibitions, To Be Political it Has to Look Nice (2003) at apexart and Art in General in New York; PR04 Biennale (2004, co-curator) in Puerto Rico; George and Dragon at ICA (2005) at the ICA London; This Is Not America (2009) at Beta Local in San Juan, Puerto Rico; Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere (2010) at the CCE in Guatemala; Incidents of Mirror Travel in Yucatan and Elsewhere (2011) at Museo Tamayo, Mexico City; Bananas is my Business: the Southamerican Way (2011, co-curated with Julieta Gonzalez) at Museu Carmen Miranda, Rio de Janeiro; and MicroclimaS (2012) at Kunsthalle Zurich.

She curated the first exhibition exploring the phenomenon of crowdsourcing in art (Phantom Captain, apexart, New York, 2006), and, with artist Jon Rubin, organized an exhibit in which worldwide participants created a photo - sharing album of their imaginings on Tehran (Never Been to Tehran, Parkinggallery, Tehran, Iran, 2008).

Group exhibitions and performances include: LaMAMa Galleria (2014), Kunsthalle Galapagos (2014), Van Allen Institute for PERFORMA 13 (2013), Abrons Art Center (2013), Socrates Sculpture Park (2013, 2012), apexart (2012) Contemporary Jewish Museum SF (2012), Herzelia Biennial ARTTLV (2011), Boston University Gallery (2011), RH Gallery (2011, 2012), The Queens Museum (2010), Williamsburg Art Historical Center (2010), Center of Contemporary Art Tel Aviv (2009), The Jewish Museum NYC (2009), among others.

Visit apexart online to read the original proposals in full, and find out more about the upcoming NYC Open Call for Group Exhibitions in October.

apexart announced the four exhibitions selected by its International Open Call for Group Eexhibitions selected by its International Open Call for Group ExhibitionsExhibitions.

apexart (NY), International Call for Submissions: 2017 — 2018 Unsolicited Exhibition Program Deadline: October 31st, 2016 apexart is accepting proposals for its Unsolicited Exhibition Program (UEP) beginning October 1.

Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

Group exhibitions and performances include: La MaMa Galleria (2014), Kunsthalle Galapagos (2014), Van Allen Institute for PERFORMA 13 (2013), Abrons Art Center (2013), Socrates Sculpture Park (2013, 2012), apexart (2012), Contemporary Jewish Museum in San Francisco (2012), Herzelia Biennial ARTTLV (2011), Boston University Gallery (2011), The Queens Museum (2010), Center of Contemporary Art Tel Aviv (2009), The Jewish Museum NYC (2009), among others.

León de la Barra has organized or co-organized more than a dozen exhibitions in the past decade at institutions including the David Roberts Art Foundation and the Architecture Foundation, London; Centre de Art Contemporaine, Geneva, and Kunsthalle Zürich; apexart and Art in General, New York; Casa Luis Barragán, Casa del Lago, and Museo Tamayo, Mexico City; Museo La Ene, Buenos Aires; Museu Carmen Miranda, Rio de Janeiro; Beta Local, San Juan; Centro Cultural de España, Guatemala City; Casa Encendida, Madrid, Spain; and Proyecto AMIL, Lima.

He has had solo exhibitions at the de Saisset Museum, California; apexart, New York; and Art in General, New York.

On April 4th apexart's Franchise Program will accept 500 - word proposals for group exhibitions to take place anywhere in the world except New York City.

An international jury of more than 100 people in multiple disciplines evaluates proposals and the three winning exhibitions will be presented in apexart's 2014 — 2015 season.

Deadlines: Proposals for exhibitions outside of NYC are accepted February 1st — March 1st, 2018 for program season 2018 — 2019 Proposals for exhibitions in apexarts NYC space are accepted October 1st — 31st, 2018 for program season 2019 — 2020