Drawing imagery and phrases from popular media sources, he created block - letter
aphorisms such as «DO N'T PANIC» and «THE TIME IS ALWAYS NOW.»
in 1944, indulged in
aphorisms such as «life feeds on negentrophy.»
Not exact matches
Such education will not always succeed, as for instance there exist people who are unable to acquire a taste for Alexander Pope even after earnest striving, but the method is more likely of success than adverting to a list of beloved
aphorisms.
Marty quoted
such Allen
aphorisms as «Death is one of the few things that can be done as easily lying down» and «I do not believe in an afterlife, although I am bringing a change of underwear.»
One of the more famous of the innumerable quotable
aphorisms from the pen of Russell would seem to discount
such a move from the outset.
But in view of the oft - emphasized
aphorism that the fear of the Lord is the beginning of wisdom, it is certain that the author thinks of religious faith and conduct as holding also an honored, if not primary, place among
such human treasure.
Justice Antonin Scalia, in his blistering dissent, contrasted
such passages with «disciplined legal reasoning,» describing them instead as «mystical
aphorisms of the fortune cookie.»
The writing is also rife with platitudes and
aphorisms,
such as pictures being worth a thousand words and exhortations to always look on the bright side.
Holzer's texts —
such as the
aphorisms «Abuse of power comes as no surprise» and «Protect me from what I want» — have appeared on posters and condoms, and as electronic LED signs and projections of xenon light.
During the 1970s, Dieter Roth published a series of ads twice - weekly in a Swiss newspaper called the Luzerner Stadtanzeiger - ads which consisted of
such aphorisms as «A good beginning is an evil end,» «A tear is as evil as a good word» and «Two tears are better than five stones.»
Among other
such Neo-Pop artists as Ashley Bickerton, Allan McCollum, and Haim Steinbach, Jenny Holzer's text - based installations distilled contemporary life to a series of scrolling
aphorisms, ultimately earning her the Golden Lion at the Venice Biennale in 1990.
They include the use of wit and
aphorisms, and metaphors (especially, where appropriate, extended metaphors) and devices
such as alliteration and chiasmus (the repetition of words in reverse order).