As I assess my own understanding of the kingdom, I find myself accepting all three, except for some serious questions about
an apocalyptic end of history.
Not exact matches
He noted that «Those who expected exciting
apocalyptic revelations about the
end of the world or the future course
of history are bound to be disappointed.
As time went on and the concept developed, all kinds
of pictures and ideas were associated with it, especially in the
apocalyptic literature: the transformation
of the earth, the
end of history, the resurrection
of the dead, and many others.
For the first time on the stage
of world
history, we humans can envisage the possibility — some would say, the probability —
of a self - inflicted, abrupt, and
apocalyptic nuclear
end of the drama as we have lived it till now.
Thus in the
end, the
apocalyptic writers who use the horizon
of universal
history have recourse to angelic instrumentalities
of God's will.
The kingdom, therefore, is not to be viewed either as an
apocalyptic breakthrough from another world to put an
end to this one or as the goal
of a long - continued social process within earthly
history.
Radical theology's «new forms
of faith may be seen to have an
apocalyptic form: the new humanity that they proclaim dawns only at the
end of all that we have known as
history; its triumph is inseparable from the disintegration
of the cosmos created by historical man, and it calls for the reversal
of all moral law and the collapse
of all historical religion.
It is to be remembered that Christianity began with an
apocalyptic proclamation
of the
end of history, one which dominated the earliest Christian communities, and one which was renewed at each
of the great crises or turning points
of Christian
history, just as it was renewed in each
of our great modern political revolutions, and equally if not more deeply renewed in the advent
of our deepest modern thinking and imaginative vision.
Situated in an alternate
history at the
end of the Second World War, when Nazis managed to release a deadly virus over US territory, the game tells the story
of two brothers and their intricate relation with the
apocalyptic world rising in the leftovers
of the Z0M81 Pandemic ravage.»
The narrative
of An Answer, begins with myths
of classical antiquity, moves towards Renaissance intellectual
history, modernity, and,
ends finally, with an
apocalyptic time beyond our time where that dripping paint has become the form
of trees and archways.