One passage subjects the stoic subject to crawling insects and conjures
apocalyptic images of biblical plagues.
And instead of deploying
apocalyptic images of landfills overwhelmed by waste or melting ice caps swallowed by the sea, artists are finding new, conceptual ways to depict landscape.
Not exact matches
The app, Apple users say, is inferior to the previous Google Maps apps, with misplaced locations and visually confusing
images (such as an
apocalyptic depiction
of the Manhattan end
of the Brooklyn Bridge).
These theological visions come from many sources, including:
apocalyptic books
of the Bible from Daniel to Revelation; a nineteenth - century viewpoint on the end
of times known as dispensational premillennialism; and
images of the so - called «rapture» popularized in novels such as Hal Lindsey's The Late Great Planet Earth (1970) and the more recent Left Behind series.
If the earlier liberals were guilty
of distortion in their attempt to make Jesus over in the
image of a historical evolutionist, Albert Schweitzer's work made it impossible for liberal scholarship ever again to ignore the authentically
apocalyptic theme which is present in Jesus» teaching.
And the
image of the woman fleeing the dragon in Revelation 12, popular in the New England imagination since the Puritans» own flight, gave an
apocalyptic intensity to the sermons
of Samuel Sherwood.
«The «Divine
Image» dies in Jesus so as to abolish the solitary and transcendent [150] God who is the source
of judgment and bring about an
apocalyptic union that is a full coming together
of God and man.»
And yet perhaps a very benign judgement, in comparison with some
of the
apocalyptic images in scripture in which, for instance, the rich man is in torment in Hades with no possibility
of surcease (Luke 16:19 - 31), the unrepentant evil are cast into the lake
of fire (Rev. 10:11 - 15), etc.?
7.13 exhibits a concept we may speak
of a Son
of man conception in Jewish
apocalyptic, but it would be better to speak
of an «
image», and, therefore,
of the varied use
of «Son
of man imagery» in Jewish
apocalyptic and midrashic literature.
Part wish fulfillment and part social moralizing, the film never resolves its point
of view, but a few
of the
apocalyptic images stay in the mind.
Ironically, this manufacture is so inconsequential and rote that what the filmmakers hope will tie their film together is a mere nattering and easily overlooked distraction that does little to support or enervate the power
of the
apocalyptic images and ideas on parade.
Stateside, we will wait to hear word about our own release date, but until then we'll have to enjoy this new batch
of images from the film (courtesy
of The Playlist and Purple Snow), featuring anyone and everyone you can think
of from the
apocalyptic thriller — Octavia Spencer, Ah - Sung Ko, Chris Evans, Allison Pill and a truly bizarre Tilda Swinton, which is a lot for her.
Some
of the
images of the post-disaster Los Angeles have a nice pop -
apocalyptic glow to them.
Stålenhag's artbook was produced with the help
of a Kickstarter campaign, where you can see a pitch video for the project and number
of images that reveal the world - building and visual scope
of Stålenhag's vision for
apocalyptic America.
Like The Savage Eye, Chain uses documentary
images to create a powerful sense
of time - capsule reality that's often ethnographic and
apocalyptic in its implications.
But rather than just info and a few
images of the game, we're enjoying the game's brutal, devastating and
apocalyptic urban racing in full motion with the latest trailer above.
Bunkley designs his work using digital 3D modeling, video, and
image editing program emphasizing majestic landscapes, human revelry, and an oblique sense
of apocalyptic anxiety tempered with whimsy and irony.
That series» domestic scenes retained part
of their edge by the inclusion
of contextual photographs, taken
of cityscapes and pastoral scenes, ripe with danger, as in the 2001
image Apocalyptic Sky over Manhattan, NYC, which immediately calls to mind the September 11 attacks and the terrifying billow
of smoke and ash that engulfed the city in their aftermath.
http://www.o-matic.com/ Joy Garnett on Wednesday, November 28, 2012, 12:45 p.m., Myrtle Hall 4E - 3 «Painting and the Technical
Image World» Joy Garnett is New York - based artist whose paintings are based on news photographs, scientific imagery, and military documents she gathers from the Internet and uses to examine the
apocalyptic - sublime at the intersections
of media, politics, and culture.
The radical transformation
of the landscape in the early industrial era is powerfully evoked in Victorian
images of factories ablaze at night, shown alongside an
apocalyptic painting by John Martin.
Yehudit Shlosberg - Yogev's first solo exhibition, titled «Brighter Than a Thousand Suns» (after the book
of that title on the Manhattan Project) contains
apocalyptic and poetic
images that are fascinating and disturbing at the same time.
The radical transformation
of the landscape in the early industrial era is powerfully evoked in Victorian
images of factories ablaze at night, shown alongside John Martin's
apocalyptic The Destruction
of Sodom and Gomorrah (1852).
An albino deer is camouflaged in a lattice
of trees, shadow and light in one
image; in another, a weeping willow is enshrined in an
apocalyptic fog.
From
apocalyptic expectations in our present environmental, financial and political climate, this «threat»
of proximity signifies the potential collision that reflects our changing ideology
of past modernity, concerns and
images.
Despite the political underpinnings
of these
images, Maisel's work refuses didactic interpretation, arriving instead at a surreal and abstracted intersection
of beauty, mystery, and horror that the artist has referred to as the «
apocalyptic sublime.»
His
images exude a frenetic,
apocalyptic energy reflective
of urban experience.
Despite the political and environmental underpinnings
of these
images, Maisel's work refuses didactic interpretation, evoking instead an experience that the artist has called the «
apocalyptic sublime.»
Some works incorporate stylistic devices and subject matters that seem dated, passé or quasi-extinct; others capture traumatic moments
of the historical past; some are recreations
of previous works, creating the sensation that they are pursued by a lost or distant original; there are ghostly
images and morbid symbols
of the past as ruins and
apocalyptic landscapes; and, finally, there are creations that analyze the role that archives play in collective memory and personal obsession.
Mr Cox said his study showed there was less need to worry about
apocalyptic visions
of the future, such as those presented in the 2007 award - winning science book Six Degrees — Our Future on a Hotter Planet, which had an
image on the cover
of a tidal wave breaking over Big Ben.
Indeed, as the authors rightly conclude,»... actions must not be predicated on speculative
images of an
apocalyptic vision
of life by 2100»,» Stott wrote.
The surreal
image of deer browsing in a forest
of piping brings up
apocalyptic thoughts such as those explored by Alan Weisman.