Sentences with phrase «apocalyptic open»

The video shows off many of the unique aspects that this apocalyptic open world game boasts such as fort building, combat, and co-op.

Features: — post apocalyptic open world, which will immerse you in the atmosphere of the world that survived its end — diverse story missions and plenty optional additional jobs — intriguing comic story — variety of vehicles, from fast passenger to unstoppable truck — variety of weapons, designed for destroying your enemys and zombies — vehicle and weapon upgrade system — variety of enemys, among wich decayed corpses, selfish military and local bandits

Biomutant is an apocalyptic open world rpg where players can completely adjust their little creature for Xbox One, Playstation 4 and PC.

Earth: Year 2066 was quoted, by its creator, to be a «first person sci - fi apocalyptic open - world RPG game...

Not exact matches

As Altizer phrases it, only in the dialectical vision can we «be open to the actuality of our dark emptiness as a sign of the light of the apocalyptic Christ.»

A contemporary faith that opens itself to the actuality of the death of God in our history as the historical realization of the dawning of the Kingdom of God can know the spiritual emptiness of our time as the consequence in human experience of God's self - annihilation in Christ, even while recovering in a new and universal form the apocalyptic faith of the primitive Christian.

The text on this plate is saturated with apocalyptic imagery; it opens with a vision of the sun and moon leading forward the «Vision of Heaven & Earth,» which is immediately followed by an apocalyptic epiphany of Jesus as the Son of Man: «And the Divine Appearance was the likeness & similitude of Los.»

Government propaganda encouraged an apocalyptic worldview during the cold war, as it does now, when we wage an open - ended «war on terrorism.»

Insofar as apocalyptic is open to the new, it is not because its authors «liked» the new, but because they could not tolerate the existing world.

angel, open, number, lamb, star, book, thunder, dragon (snake), seven, animal, beast, throne, horse, smoke, white, great, repent, temple, conquer, like, wear (clothing), blow («plague»), gate, fire, blow (trumpet), mouth, seal, four, third, vial, voice, thousand, and gold — all of them characteristic of apocalyptic - symbolic writing.

As a reform movement within Judaism, the communal praxis of inclusive wholeness and the Basileia vision of Jesus both transformed apocalyptic messianism and led those he converted into a paschal - metanoetic egalitarian discipleship wherein faith in his resurrection would open the Covenant of God to the «lowly» of all nations.

Nowhere in modernity is apocalypticism more open and manifest than it is in our great political revolutions, and if these begin with the English Revolution, this was our most apocalyptic revolution until the French Revolution, a revolution which innumerable thinkers at that time, and above all Hegel himself, could know as the ending of an old world and the inauguration of a truly new and universal world.

No one can really know how any of us would face an apocalyptic scenario, but it's safe to say that the average person, let alone a minister, would simply open the door to save longtime friends and fellow Christians from being eaten alive.

To designate the social - ethical kingdom as prophetic is open to misunderstanding since to many a prophet means a foreteller or predicter, which is closer to the apocalyptic view.

Yet Schweitzer's apocalyptic interpretations of Jesus are open to challenge.

It is to be remarked that when, at last, the way was open for Christians to become potently effective in the affairs of state and society, not all the apocalyptic ideas in their scriptures or in their current thinking prevented their acceptance of the responsibility.

Jesus» proclamation of the coming kingdom of God was open - ended, although clothed in the specific apocalyptic imagery of the day.

’10 Elsewhere he identifies the evolutionary thought which he opposes as «a basic acceptance of technical rationality».11 He speaks of Wolfhart Pannenberg's «extremely valuable attempt to develop a universally historical hermeneutics», complaining only that his «anticipation of a total meaning in history as... too little interrupted or irritated by what is described in the apocalyptic tradition as a universal catastrophe, in other words, the reign of the Antichrist».12 Metz is more open to an Overview than some of his statements imply.

It had opened in 1512 with the glorious announcement that Reform had at last arrived, and a claim that the apocalyptic Third stage of Time, of Joachim, was in sight — an announcement by Giles Viterbo, Superior General of the Augustinians, Luther's own Order.

(But presumably keeping this open depends on pressure to not escalate violence to the catastrophic apocalyptic endgame the authors write of, if the regime retains sufficient control of the military to wreak such havoc).

We love apocalyptic themed movies but are open to just about everything as long as it had a good storyline!

Players take the role of Mad Max, in a post apocalyptic world, in an action packed open world third person action game.

TUC opened its doors in 2010 with a double bill of Clue: The Movie and Big Trouble in Little China and will close September with screenings of apocalyptic horror film Night of the Comet and concert Doc, The Last Waltz.

That was a exercise in paranoia that felt aptly stagey and claustrophobic on screen; this is much more opened out, with a fine eye for apocalyptic urban wreckage - the very nastiest kind of car park.

Unlike the similar apocalyptic claustrophobia of last year's 10 Cloverfield Lane, the tension in It Comes at Night isn't based on whether the threat is real (that's made clear in the opening scene), but whether it can be kept at bay and who might be bringing it home.

Dawn of the Dead opens gangbusters, its prologue — which segues into a title montage scored just right to Johnny Cash tune — the most nihilistic - feeling bit of cinema I've seen since the first broadcast of The Day After, and right in line with our apocalyptic cinema environment.

Both Rogen and Franco will be seen in the upcoming apocalyptic comedy «This Is The End» (opening in Cinemas June 14) which Rogen directed with collaborator, Evan Goldberg («The Pineapple Express», «Superbad»).

This apocalyptic film concerns the provocative idea of horror books producing schizophrenia in readers, while simultaneously opening the doors to unnamable horrors from beyond.

Granted, the picture's early scenes are comfortable enough, happily building the suspense as the ground splits open, scientists stare feverishly at apocalyptic forecasts, and Jackson slowly grasps the frightening end of the world scenario standing before him.

Opening May 15, the AWFJ Movie of the Week is Mad Max: Fury Road, director George Miller's high octane reboot of his 1979 post apocalyptic action classic.

Both games are set in a sprawling land with a sweeping map, both games feature an apocalyptic dragon as the main antagonist, and both games — despite coming from opposite corners of the globe — blend the action - RPG mantra within an open - world setting for epic effect.

Open world 3rd person apocalyptic wasteland which looks likes it comes straight or of the films.

With the upcoming Spring 2018 release of RAGE 2 teaming up original developer id Software and veteran developer Avalanche Studios, it's clear that Bethesda is going for a sort of new gold standard that combines id's FPS expertise and Avalanche's penchant for massive and massively entertaining open world games with that post apocalyptic vibe that's guaranteed to sell a few million copies right out of the gate.

See It On Amazon: PS4, Xbox One Dying Light is an amazing open world playground that takes place in post apocalyptic Zombie setting.

Pumping the accelerator and gripping the wheel as you drift your muscle car through a tight city corner at break neck speeds feels incredible, and when an apocalyptic earthquake aftershocks kick in and tears open the ground beneath your wheels — while you're trying to avoid gangs of crazy looters and rivals throwing their weight around in monster trucks — it ups the ante even more.

Developed by Avalanche Studios, Mad Max is an open world, third person action game set in an apocalyptic wasteland.

Basically, all that we know about The Tomorrow Children is that it is an open - world sandbox style game with similarities to Minecraft, but set in a Soviet Union - run post apocalyptic dystopia.

An open - world adventure game where you play as Fury, an anti-hero who operates in the apocalyptic ruins of earth.

The Skyrim - style open world and the bleak, almost apocalyptic tone were not things I knew I wanted so badly from the series.

Yes, it's another apocalyptic zombie game, but this time, rather than a straightforward narrative adventure, players get a vast open world to explore and survive in, crafting tools and developing strategies to deal with vast swarms of intelligent monsters.

Whilst it makes little effort to contextualize it within this apocalyptic world, it opens up and attempts a discussion on idol culture within Japan, touching on ideas such as the rules, debuts, retirement and public image.

Rail: Two years ago, I had a conversation here at Marie Walsh Sharpe open studios with Katy Siegel about her book Since» 45: America and the Making of Contemporary Art, and at one point she talked about the theme ofblack and white, which refers to different things, like the apocalyptic light of Protestant Evangelical ecstasy, the American gothic, the strong sun of the Southwest that creates blinding light and casts deep shadows, and above all the issue of race — the obsession of writers like Melville and Faulkner.

The exhibition David Maisel / Black Maps: American Landscape and the Apocalyptic Sublime opens at the University of New Mexico Art Museum on Friday, September 12, 2014.

And as if on cue, Istanbul was deluged on the biennial's opening night by an apocalyptic storm, one that killed 32 people in a suburb built on sand during the last speculative building boom.

There are recently published macro studies like Max Tegmark's Life 3.0 which opens with an apocalyptic (fictional) vision of a dystopian future from w which we are to be (putatively) saved by the (real) intervention of such as Elon Musk and Stephen Hawking to support the work... Continue reading Artificial Intelligence, Legal Services and Justice →