Closing Night It Stains the Sand Red Colin Minahan, USA, 2016, 92m The solo feature directorial debut of Colin Minahan, one half of the Vicious Brothers (Grave Encounters, Extraterrestrial), makes his strongest impression yet with this engaging, visually striking film, set
during apocalyptic times, about a woman, Molly (a fearless Brittany Allen), who finds herself stranded in the desert after her dumbass boyfriend is killed by a zombie.
In a note to Betty Parsons, Reinhardt mused about his upcoming exhibition at Virginia Dwan's Westwood gallery, his very first solo show in Los Angeles, while highlighting its
seemingly apocalyptic timing.
When messianic expectations lose their «orthodox» mooring in the daily life of faith communities and their members attempt to live
in apocalyptic time, catastrophic consequences ensue.
This is the awful truth that we have yet to recognize: We are living in
an apocalyptic time disguised as normal, and that is why we have not responded appropriately.
With chapters on God, Jesus,
apocalyptic time, and hope, Alison displays an extraordinary ability to hit just the right example to make his theological claims come alive.
Millenarians who live in «
apocalyptic time» believe that «now is the time.»
The game takes place in
apocalyptic times.
But it is perhaps Camplin, who has looked into the internet abyss and survived, who seems best equipped for
these apocalyptic times.
The narrative of An Answer, begins with myths of classical antiquity, moves towards Renaissance intellectual history, modernity, and, ends finally, with
an apocalyptic time beyond our time where that dripping paint has become the form of trees and archways.
It is only once we have radically changed our relation to time — what is called living in
apocalyptic times — that we might be spurred into action without delay.»