Not exact matches
These theological
visions come
from many sources, including:
apocalyptic books of the Bible
from Daniel to Revelation; a nineteenth - century viewpoint on the end of times known as dispensational premillennialism; and images of the so - called «rapture» popularized in novels such as Hal Lindsey's The Late Great Planet Earth (1970) and the more recent Left Behind series.
Apocalyptic thought provokes resistance, because it fuses an alternative
vision of history's telos with warfare and final judgment, all within the context of a prophetic claim to have removed the veil that keeps humans
from truly perceiving the world.
Inevitably, the orthodox expressions of Christianity abandoned an eschatological ground, and no doubt the radical Christian's recovery of an
apocalyptic faith and
vision was in part occasioned by his own estrangement
from the dominant and established forms of the Christian tradition.
If we allow Blake's
apocalyptic vision to stand witness to a radical Christian faith, there are at least seven points
from within this perspective at which we can discern the uniqueness of Christianity: (1) a realization of the centrality of the fall and of the totality of fallenness throughout the cosmos; (2) the fall in this sense can not be known as a negative or finally illusory reality, for it is a process or movement that is absolutely real while yet being paradoxically identical with the process of redemption; and this because (3) faith, in its Christian expression, must finally know the cosmos as a kenotic and historical process of the Godhead's becoming incarnate in the concrete contingency of time and space; (4) insofar as this kenotic process becomes consummated in death, Christianity must celebrate death as the path to regeneration; (5) so likewise the ultimate salvation that will be effected by the triumph of the Kingdom of God can take place only through a final cosmic reversal; (6) nevertheless, the future Eschaton that is promised by Christianity is not a repetition of the primordial beginning, but is a new and final paradise in which God will have become all in all; and (7) faith, in this
apocalyptic sense, knows that God's Kingdom is already dawning, that it is present in the words and person of Jesus, and that only Jesus is the «Universal Humanity,» the final coming together of God and man.
Thus the
apocalyptic story, with its
vision of an all - encompassing end, tends to shift the new
from being a surprise in the plot to being a final cessation of new occurrence at all.
They said she confided in them three secrets - foretelling
apocalyptic visions of hell, war, communism and the death of a pope - and urged them to pray for peace and a conversion away
from sin.
If we can free ourselves
from the dominant sense of endless time and recover the
apocalyptic vision, then the New Testament experience of hope can become real for us.
Nothing so clearly unveils Hegel's system as an
apocalyptic system as does this ending, but such an ultimate ending is unique to apocalypticism, for even if it parallels archaic
visions of eternal return, it wholly differs
from all primordial
vision in knowing an absolute and final ending, an ending which is apocalypse itself.
They are reading the book of Revelation,
from chapter 19, verse 11, to the end of chapter 20, a sequence of
apocalyptic visions, as if they were prophecies.
Michael Shannon stars as a young man plagued by a series of
apocalyptic visions who questions whether to shelter his family
from a coming storm, or
from himself.
Take Shelter (R for profanity) Paranoia drama about a working - class family man (Michael Shannon) plagued by
apocalyptic visions who finds himself struggling with whether or not to have his wife (Jessica Chastain) and daughter (Tova Stewart) hide in a backyard bunker he's built as protection
from the conflagration he believes is imminent.
Russell Crowe stars as the title character, who sees a
vision from God that prompts him to build an ark in preparation for an
apocalyptic flood.
Plagued by a series of
apocalyptic visions, a young husband and father (Michael Shannon) living in rural Ohio questions whether to shelter his family
from a coming storm, or just
from himself and his delusions.
Gist: The Biblical Noah suffers
visions of an
apocalyptic deluge and takes measures to protect his family
from the coming flood.
Beyond
apocalyptic scenarios or utopian
visions, the artists included propose a reassessment of our current condition and look towards the future - present
from an empowering stance that challenges boundaries.
In Edward Struzik's new book Future Arctic: Field Notes
From a World on the Edge, he avoids the
apocalyptic and offers a
vision of how pragmatists could tackle some of the region's many environmental problems.
, Mooalem's article shows how Transition is helping folks move
from apocalyptic fears to a unifying and inspiring
vision:
It's poetry, not science — one of those late 20th century
apocalyptic visions like Jefferson Airplane's «House at Pooneil Corners» (
from the great Crown of Creation album) or REM's «The End Of The World As We Know It.»
There are recently published macro studies like Max Tegmark's Life 3.0 which opens with an
apocalyptic (fictional)
vision of a dystopian future
from w which we are to be (putatively) saved by the (real) intervention of such as Elon Musk and Stephen Hawking to support the work... Continue reading Artificial Intelligence, Legal Services and Justice →