Sentences with phrase «appear as viewers»

Not exact matches

Be sure to invite viewers to subscribe to future videos, as subscribing ensures that your videos appear in people's newsfeed any time you make a new video.

If you expect your AdWords AMP pages to appear in organic search results, I would ensure that all AMP functionality works as expected when delivered from the Google AMP cache inside the Google Viewer: input your AMP article in the Structured Data Testing Tool and click Preview link (trust me this is will save you time).

But more important, men were presented to the hearer of the poetry or to the viewer of the play objectively — as they would appear to a dispassionate observer.

The video shows Jones, the CBS sitcom's «half man,» describing the show he has appeared in for nearly a decade as «filth» and discouraging viewers from tuning in — which has attracted a crush of media attention.

Viewers looked on in horror on Monday night as officers appeared to stand aside while looting and violence took place.

Loyal Capital Tonight viewers might remember the appearance of new JCOPE member Ravi Batra on the show back in 2006, when he appeared on the show as legal council to troubled Democratic Senator Ada Smith.

Thus a rainbow appears to move as a viewer moves (hindering the search for a pot of gold).

But as several of our authors warn, it's not always as glamorous as it may appear to the casual viewer!

As you already know the country that appears at the top of choice on Registration and Search forms is geo - targeted by the IP - address of the viewer.

It's quite tough to imagine the sequences as they would have appeared in the film because the viewer's eyes are drawn to the personality pitching more than what they're pitching.

By the time Deschanel appeared in such features as Cold Mountain and The Alamo, viewers were already beginning to pick up on her talent, while she could also still be seen acting on - stage, frequently appearing in plays for the Interact Theatre Company.

Viewers familiar with Dekalog may spot the appearance of the silent, watching young man (played by Artur Barcis) who appears in eight of the ten episodes, and a brief walk - on by Krystyna Janda and Alexander Bardini as the lead characters of Dekalog II.

Add to that a sensual teen kiss (where an imagined portrayal has the couple appearing to be naked, even though bare backs and shoulders are all that is seen) as well as themes of racial supremacy and genocide, and families may be pretty certain this cauldron is conjuring up a brew fit mainly for older viewers.

Yes, the Hoff's cameo will pick up a few laughs, appearing as he does to the strains of Jimi Jamison's Baywatch theme I'll Be Ready, and yes, some viewers will feel a prickle of nostalgia during a super-slo-mo of Pamela Anderson.

Although some might have reservations about casting the former Dawson's Creek actress as Monroe, it's hard for viewers to hold onto those doubts when Williams appears onscreen.

Working with a strategized network narrative — one that stands out from the many in Bordwell's samples, the year 2000 film had appeared as less all - encompassing and oddly mapped out, but after the screening I felt that device was no less disciplined as it engages the viewer by revealing some information, dispelling some, while omitting others — those countless fades to black are welcome beats for analysis.

British Oscar - winner Emma Thompson, also appearing as a guest on the programme, appeared to glare at Sandler, while some viewers said they «felt very uncomfortable» watching the footage.

Newman's music has appeared as re-recorded themes, in an original score suite, on a bootleg CD, and on an authorized CD (remixed from dual audio elements in stereo), so this release allows viewers to flip between the final mono mix and original score elements as they appeared in mono in the final mix.

Coloured by verdant green nature and the red stain of rusting metal, Abbasi steeps the viewer in the sorrow and beauty of this poverty stricken milieu, yet an over reliance on elaborate cinematography soon becomes distracting, and those familiar with the early work of David Gordon Green, won't be surprised to see the director's name appear as an executive producer.

While Sue seems attracted by Dundee's rugged approach to life, viewers likely won't be sure if this character is really as naive as he appears or if he's just playing games with some gullible New Yorkers.

The sitcom also boosted the careers of supporting actors Martin Freeman, now familiar to BBC1 viewers as John Watson in Sherlock and as Bilbo Baggins in Peter Jackson's big - screen adaptations of The Hobbit, and Mackenzie Crook, who has appeared in the Pirates of the Caribbean movies and hit fantasy show Game of Thrones.

After each of the above features, Justin Bartha appears (vocally) as Riley Poole to give the viewer a couple of seemingly random letters for safe - keeping.

It appears that Marvel is eager to use Doctor Strange as a shotgun blast of magic, introducing viewers to this whole new aspect of the Marvel Cinematic Universe all in one go.

While Lanthimos appears intent on growing only more alienating over time, as if in defiant response to his harshest critics, viewers with a healthy funny bone and a sadistic side will tear this open like a Christmas present.

While the film may initially appear to follow a similar track of ever - increasing confusion, the many fragments of Ashes of Time do assemble into a clear picture; the film ultimately reveals itself as a meticulously constructed puzzle that rewards the patient and attentive viewer.

HeinOnline provides exact full - page images of documents in the PDF format, allowing viewers to see all charts, graphs, tables, pictures, handwritten notes, photographs, and footnotes exactly as they originally appeared in print.

By customizing the magazine viewer, for example, Joomag publishers can have their personal and / or company logo appear as their publication loads, near the upper - left corner of the viewer, or set it as the entire viewer background.

As the lights dimmed, the orchestral music steadily increasing in volume, the Naughty Dog logo appeared, and attendees as all viewers all over the world no doubt felt the hairs rise on their bodies and then, finally, we saw iAs the lights dimmed, the orchestral music steadily increasing in volume, the Naughty Dog logo appeared, and attendees as all viewers all over the world no doubt felt the hairs rise on their bodies and then, finally, we saw ias all viewers all over the world no doubt felt the hairs rise on their bodies and then, finally, we saw it.

As you'd expect, the awards will be shown on Spike; it appears that this channel's only available in the US and Canada, so if anyone has any tips for worldwide viewers who might want to watch this please leave a comment!

As emphatically analogue and even vegetal as it appeared, the installation also spoke to the digital lifestyle; the viewer was surrounded by clusters of images that scrolled and meandered without fixed starting or end pointAs emphatically analogue and even vegetal as it appeared, the installation also spoke to the digital lifestyle; the viewer was surrounded by clusters of images that scrolled and meandered without fixed starting or end pointas it appeared, the installation also spoke to the digital lifestyle; the viewer was surrounded by clusters of images that scrolled and meandered without fixed starting or end points.

Terrin says his style has been referred to as «modern pointillism»: bold strokes that appear abstract when viewed up close and come into focus only when the viewer steps away from the canvas.

With his 1986 Self - Portrait, Durham asks the viewer to see his body as a series of distorted parts, notably his dandelion - colored penis and his absence of a heart (feathers appear in its place).

The larger than life - size portraits appear to be featureless black and white silhouettes upon first glance, but as the viewer becomes more intimate with the image, each woman's individuality unfolds in the rich textures and skin tones barely visible.

Figures that appear to float and dissipate off the paper break down as the viewer approaches the drawings.

But the combination of recognizable referents that appear to leave her figures nearly paralyzed — their partially opened eyes in a continuous state of rueful pondering — is what the viewer will recognize as disconcertingly familiar, a state of mind that syncs up perfectly with the contemporary moment.

A simple scene of a woman ironing takes on layers of meaning: the viewer finds that a mirror doubles as a map of the world; a strategically placed framed painting of a mountain appears within the painting; antique vases contrast with domestic, electric appliances.

The veil - like field of color, the feathered and rounded superimposed forms appear almost as a unitary image, riveting the viewer to a single place before it.

What resulted remained true to painting's basic materials while turning its traditionally flat surface into a field of topographical undulations that, interacting with light, appear to change a great deal as the viewer moves around them.

Removed from their intended location, their arched forms and cutout shapes appear arbitrary until the viewer imagines the resulting negative space as doors, windows and arches.

Trees, flowers, clay, fruit, ice, sugar, and chocolate have all appeared as regular protagonists in her work, including a carpet of 10,000 flowers left to wilt on a museum floor; a room whose walls the artist painted in chocolate and then invited viewers to lick its sweet but precarious surfaces; and a thirty - two - ton minimalist grid of ice cubes melting in a nineteenth - century water pumping station in east London.

The artist often appears as the subject of her paintings, depicted with her back turned to the viewer, looking away or in partial view, amidst large family gatherings, in quiet contemplation, or in private moments with her husband.

As the clear glass transmits more light than gray glass, the lighter panels can be nearly invisible whereas the darker ones reveal stunning reflections when, for instance, the two panels appear to be doubled, or when floor lines suddenly run crosswise, and windows both in front of and behind the viewer are all reflected on the same plane.

From a distance, Prada Marfa appeared to be a large minimalist sculpture, but as the viewer got closer and closer, he or she saw a luxury boutique with a display of Fall 2005 high - heel Prada shoes and bags.

Standing in front of it, as far as the eye can see, the viewer is confronted with a myriad of dots that appear to vibrate elaborately through an optical effect.

The resulting quiet, which can at first appear as isolation or melancholy, transforms into a stillness that allows the viewer complete access into the nuances and resonances of each scene.

The act of assembling physical elements adds a tactile layer to the video art which integrates the props and in doing so breaks the boundaries between us as viewers and the artist themselves as we are reminded that they have actively engaged with what appears on screen.

As viewers approach these mind - bending pieces of art from a distance, Provosty tricks them into discovering that pictorial space in the work is not as flat as it appeared from a distance, despite the apparent reductivism of her monochromatic palettAs viewers approach these mind - bending pieces of art from a distance, Provosty tricks them into discovering that pictorial space in the work is not as flat as it appeared from a distance, despite the apparent reductivism of her monochromatic palettas flat as it appeared from a distance, despite the apparent reductivism of her monochromatic palettas it appeared from a distance, despite the apparent reductivism of her monochromatic palette.

I mainly paint trees with a composition that allows them to move beyond their borders into the room... My work on acrylic will at first appear to the viewer as a 2 - D painting.

In images when the body does not appear, objects such as dead flowers, a mirror, two clocks, soiled underwear, or a string of lights serve as a series of memento mori, reminding the viewer of the abject frailty and transience of life lived during the plague years of the AIDS crisis.

Harsha's first engagement with these ideas resulted in the recent work Spot an innocent civilian, in which rows of standing halo - adorned figures appear as though they are part of an identification lineup, presumably for the viewer to appraise and determine the «innocent» of the title.