The 120 exhibits, including antique vases, medieval sculptures, the finest works of old Italian and Netherlandish masters, as well as valuable
applied arts objects dating from various periods, conjure up the atmosphere of the collector's homes thanks to the enterieur - like arrangement.
Not exact matches
A new kind of political - economic - moral order was rising — under the hand of Providence, he thought — and perhaps the most striking thing about this new order was that in it «men have in our time carried to the highest perfection the
art of pursuing in common the
object of common desires, and have
applied this new technique to the greatest number of purposes.»
Students
apply their passion for
art to create and animate environments, characters, textures, props and collision
objects utilizing 2D and 3D platforms.
It's a simple act, one player signs, and an artist puts their materials onto it in an act of co-creation, both
apply their
art onto the same
object and charge it with intent.
Through the collection of fine and
applied arts,
objects document the meeting of diverse cultures.
The multifarious artist's colorful geometry, rendered in a range of techniques, was
applied to so many surfaces and
objects that it irritated the distinction made between
art and design in the 1920s and»30s — and continues to provoke thoughts about such distinctions here, featured in an
art exhibition at an institution devoted to design.
Matisse described this composition as «a composition of
objects that do not touch but nonetheless participated in the same intimacy», a statement that can be
applied more generally to the way he portrayed his
objects in his
art.»
He proposes that artefacts that have lain dormant for millennia suddenly have interpretation
applied to them when discovered, while in contrast,
objects of contemporary
art come into the world laden with meanings, both intended and unintended.
The collection consists of over 500,000
objects dating from the Palaeolithic era 200,000 years ago to the present and embraces fine and
applied arts, archaeology and social history.
Applying strategies of mass production to handmade
objects, McCollum's labor - intensive practice questions the intrinsic value of the unique work of
art.
He
applied his stringent visual standards to everything around him, not only his collection of
art and furniture, but also
objects of everyday use.
Applying strategies of mass production to handmade
objects, McCollum has spent nearly fifty years exploring how works of
art achieve personal and public meaning in a world largely constituted within the manners of industrial production.
Stories are a starting point for all of Taus Makhacheva's works and they are told in local vernacular: ordinary people, everyday
objects, works of
applied decorative
arts, landscape, traditions, family lore and institutional archives.
Francis Upritchard (b. 1976, New Zealand) incorporates a vast variety of materials and found
objects within her practice and draws upon the legacy of
applied arts.
For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation
art, one that
applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned
objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.
This idiom takes on special meaning when
applied to the West's preoccupation with certain stereotypes in contemporary Chinese
art — images of the Red Guards, Mao Zedong and panda bears — as well as to the fetishized mass - consumption of cultural
objects that satisfy its imagination of a new China in transformation.
With over 200
objects by artists, artisans, and architects of the fin de siècle from the collection of Seattle residents Wayne Dodge and Lawrence Kreisman, the exhibition provides an overview of ornamentation of the day in the fine and
applied arts and the desire to unite all artistic disciplines in the Gesamtkunstwerk (total work of
art) as proposed by composer Richard Wagner.
Born in Los Angeles in 1944, McCollum
applies strategies of mass production to handmade
objects — such intricate labor raises questions about the role of the artist and the intrinsic value of the work of
art.
In responding to Donald Judd who made «specific
objects,» Le Va provides the viewer with «non-specific situations,» inviting us to complete the work of
art through bodily interaction with materials and our sense of perception: «What I want [viewers] to do is place themselves in the work, and search out some kind of meaning that fits the
object, as opposed to immediately seeing something and
applying some readymade explanation... I want the work to set up a dialogue.
In contrast to the artist's carefully wrought paintings, the sculptures consist of
objects to which, pointedly, no artistic action has been
applied, offering instead a space for the contemplation of non-productivity and a rare moment of silent, solo interaction with a work of
art.
But not everyone who painted hard - edge chose this route, and not all painters were willing to relinquish their hold on painting and declare their practice in terms of «objecthood» — the notion Michael Fried critically
applied to
art - as -
object in 1966, thereby redefining this approach to
art as a type of theater.
An abiding interest in the crossover between the fine and
applied arts has led him, more recently, to extend his visual and figurative language to walls, floors and three - dimensional
objects; Gorlizki creates immersive environments layered with wallpaper and
objects made, variously, of brass, marble, wood and glass.
Tennenbaum explains that her aim is to, «explore the frontiers between graphic
arts, artisan work and
objects design through the development of de-construction and reconstruction techniques to
apply with industrial waste.»