Through his thickly
applied brushstrokes, Scully adds a dimensionality to his pseudo-architectural composition, using his grid - like composition to recall a familiar image, connecting with the viewer on a nostalgic level.
A major group of Guston's lush abstractions from the 1950s and 1960s anchor the center of the exhibition with works such as To B.W.T. (1952), Painting (1954), Zone (1953 — 54), Beggar's Joys (1954 — 55) and For M (1955), in which rich, delicately
applied brushstrokes come together to suggest floating, abstract forms.
Instead of covering his works in an even white slip, he allows thickly
applied brushstrokes to drip down the surface of the receptacles.
I apply brushstrokes in multiple directions so that light, hitting the ridges or marks made by the brush in the paint, causes some areas to read matte and some glossy.
Not exact matches
The researchers identified the pigments used by the artists and the order the paints were
applied and to which regions, as well as sources of materials and the style of
brushstrokes used.
Using the angled brush tip,
apply light, natural
brushstrokes of Long Last Brow gel or Powder Gel to the top of the brow that has the lower arch, matching the angle of your reference brow.
Using M · A · C Pigment in Silver combined with Mixing Medium, we
applied feathery
brushstrokes over the Black Swan's eyes.
Note though, how the thickly
applied «choppy» and multi-directional
brushstrokes provide a subtle suggestion of foliage beyond the wonderful beast.
The work perks up in the 1980s when Close begins to
apply oil paint with a pointillist
brushstroke aligned to a grid.
Borne out of Modernist painting as well as «action painting» — a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully
applied — this theme extends to present day, where
brushstrokes fade away to innovative mark - making techniques or performance and video.
Without even working on all that large a scale, he filled both rooms of his West 24th Street gallery with large, facile
brushstrokes of thinly
applied, bright color and no apparent shape.
Using torn pieces of blue painters tape
applied directly to large glass windows, Feher employs geometric and star burst patterns that call to mind antique mosaics and criss crossed
brushstrokes.
Heavily painted, pigments are
applied in a variety of ways, including
brushstrokes, drips, impasto, and squeezed directly from the tube.
As the artist describes, «When I am carving a linoleum block or
applying watercolor to paper, a single knife - cut or
brushstroke is like reliving each step that I walked or ran.»
Avery insisted on a rigorous study of his subject, and most of these mature works were the result of sketches or drawings made with color notations, later enlarged and simplified into watercolor or oil crayon and finally translated to oil
applied in luminous, thin washes of closely valued colors overlaid with swiftly
applied expressionist
brushstrokes.
In Confirmation (2014), the artist
applies one color, a burnt Sienna, with similar horizontal
brushstrokes in a variety of values.
Appearing as a mirage of mechanical
brushstrokes applied in graduating grey, the painting creates a subtle optical illusion as the colours dissolve into the gallery walls and manipulate our trust in its structure.
Both the studies and the paintings are typically in one colour — sometimes vivid and saturated, other times diluted to the point of invisibility and sparely
applied — with the particular qualities of the paint and
brushstrokes left visible to allow for subtle variations in tone and irregularities in line.
Their vibrant palette greens, blues, pinks, yellows and reds
applied with alternating heavy impasto
brushstrokes and thin washes of oil paint — create canvases bursting with visual excitement.
With the key focus optimizing all that is nature and its many contrasts, the color arrangement transpires as being chromatically saturated in a higher key, where expressive gestural
brushstrokes are
applied throughout in a rich arrangement.
Employing the old technique of «layer painting», Fomenko
applies the practice in a modernized way and injects bright primary shades of acrylic paint onto the canvas, before awakening his subjects of surrealism with oils by using broad
brushstrokes.
Twombly's paintings in the next decades expanded his previous use of color,
applied with gestural
brushstrokes that occasionally depicted more recognizable forms, such as flowers and landscapes.
His approach to painting is gestural, with
brushstrokes apparently
applied with great rapidity, vigour and movement.
The artist
applies paint to the canvas surface, millimeter by millimeter, often taking months to meticulously accumulate
brushstrokes into large - scale renderings of marble tile.
Richter
applied the paint in thick
brushstrokes, or with rollers and an aggressive sweep of a squeegee (ironically, a tool commonly used for window cleaning and clarifying one's scope of vision).
Maintaining the consistency of the
brushstrokes while varying the amount of paint and pressure
applied, Lee keeps «expression to a minimum in order to achieve the maximum» (L. Ufan, Lee Ufan, Tokyo, 1993, p. 3) The almost hypnotic repetition of marks that comprise From Line is created by the artist pressing a brush loaded with blue paint suspended in viscous glue directly onto the surface of the canvas, then repeating the process until there is barely any pigment left on the filaments of the brush.
Ouillette remarks: «Each
brushstroke is
applied in one single motion, one pass, from left to right with no revisions allowed, or necessary, like the mark of a calligraphers brush.
In them he used thick
brushstrokes rhythmically
applied in Neo-Impressionist style to create the heavy cloud and mountain shapes that remained as central motifs of his work.
Thus, for instance, the shapes drawn, the colours used, the thickness and texture of paint
applied, as well as the type of
brushstrokes used, will be chosen so as to best convey the painter's attitude to the object or scene represented.
She
applied multiple coats, alternating
brushstrokes between horizontal and vertical directions and sanding between layers.
Applying pigments to his canvases using a palette knife, he began to saturate his paintings with expressive swathes of luminous color achieved through wide, rhythmical
brushstrokes, which he then contrasted with raw, but graceful, lines that pulsated with emotion — a practice that he would continue to pursue for the remainder of his career.
But the paint is
applied with light, feathery
brushstrokes that blend softly into one another and nowhere permit the barest sensation of tactile pigmentation.
Georg Baselitz, Anselm Kiefer and Julian Schnabel employed thickly
applied paint, gestural
brushstrokes and emotive subject matter in a style which would later become known as Neo Expressionism.
A scrubby, sketch - like quality of similar color
brushstrokes is
applied in layers to create perspective.
The stripes are sometimes narrow and sometimes wide, are sometimes
applied flatly and at other times with a clearly perceptible
brushstroke — his abstract compositions become concentrated into optical border hoppers or expand our gaze to encompass almost landscape - like associations.
AbEx — the mashed up word for Abstract Expressionism — gets a showcase at Denise Bibro Fine Art with works rooted in the movement,
Brushstrokes, smears, and
applied paint conveys all the intense and bold emotions on each piece.
The broad
brushstrokes and thickly
applied paint, even on these relatively intimate canvases, reveal Scully's idea of the «artist as a builder, an artisan, in that sense of modesty that this profession implies... The «Doric» series refers to architecture and has a connection to stone.»
Painted segments seem almost
applied with a printing block, dots or harlequin - like rhombus patterns seemingly stamped, and individual color fields that reveal no trace of a
brushstroke and seem to be generated by a printing machine.
The PVC support is placed on the floor as the artist physically leans on top of it to
apply her fluid
brushstrokes, constantly moving and changing her position in relation to it in a spontaneous and intuitive flow.
An pioneer of first generation Abstract Expressionism, Philip Guston broke ranks with his peers toward the end of the 1960s when he transitioned to
applying his rich gestural
brushstrokes and jittery lines to figurative subjects, often derived from the gritty urban visions that came to the artist during insomniac nights of coffee drinking and cigarette smoking.
With such a reduced and minimal language, he is able to highlight qualities of a painting that he feels are often overlooked, such as different types of
brushstrokes, the methods of
applying paint to the surface of a support, variations within the color white, and the way the placement of an artist «Äôs signature affects a painting «Äôs composition.
Paint was
applied thickly in rapid, obvious
brushstrokes, using a muted or dark palette.
Silkscreening, xeroxing, and photoshopping are done here in a low - tech, low - key way, by directly
applying objects to the canvas (bubble wrap, footprints) and rubbing the surface with solvents in large areas of grayish
brushstrokes.
Each image is then built up through a series of incremental, abstract marks, irregular in length and density,
applied in various ways such as a
brushstroke, dot, dash, thumb print, threaded knot or particle of paper.
Through the contrast of the focused object and passing landscape, Sachs» pieces levitate between abstraction and reality, photography and painting, the latter suggested by the blurry quality of the landscape that, as if
applied by lavish
brushstrokes, becomes painterly.
An important yet overlooked figure of the Bay Area Abstract Expressionist movement, Gechtoff was known for producing vibrant large - scale works featuring expressive gestural
brushstrokes and thickly -
applied layers of oil paint.
It is still, above all, Campau's characteristic
brushstrokes, however, that engage the eye: now
applied to the underside of a clear acrylic sheet, now, pastose style, to the upper surface of a mirror sheet.
The energy of Martin's process is palpable in the rich swathes of colour
applied in thick, fluid, overlaid
brushstrokes.
In 1966, Marden developed a technique that emphasized this sensitivity, dipping an oil - covered brush into a mixture of melted beeswax and turpentine, and
applying it generously to the support, smoothing it with a spatula to eliminate the
brushstrokes while retaining the sense of the handmade.
She
applies layer upon layer of oil paint to build up a sumptuous, glowing surface of pronounced
brushstrokes.