It wasn't until I took a film course in college that I started to
appreciate earlier films.
Not exact matches
It's also the first
film in the series that probably necessitates watching the
earlier films to
appreciate fully, with its recurring characters and references to Indy's departed family and friends (Connery, who played Henry Jones I, has permanently retired from acting, and though tempted, turned down appearing in this
film — I guess just one drink from the Holy Grail isn't enough for his character's immortality), so do yourself a very big favor and, if you haven't seen them, or have forgotten the details, watch the other three
films prior.
In his
early 40s, he started helming his own
films, carving out a reputation for tales with heavy - handed, liberal messages that The Academy
appreciated («The Defiant Ones,» «Judgment at Nuremberg,» and «Guess Who's Coming to Dinner» all resulted in directing nominations).
The passage of thirty years has rendered the miniseries Under Capricorn quite obscure, but it's a decent period drama that should interest those who know the book and those who
appreciate Alfred Hitchcock's
earlier films.
I hear from his fans that to really
appreciate what he does, I have to see his
earlier films, and I intend to watch them some day.
But that's not all — the
film appeals to voters young and old (its macho theme and execution makes it really
appreciated by older voters and its AARP nomination
earlier this week is further confirmation for this).
I love the casting choice and
appreciate that most of the
early parts of the
film focuses on her villain.
While
earlier Kaurismäki
films like Shadows In Paradise and The Man Without A Past were deadpan, blue - collar subversions of melodramatic plot points and classic
film genres, this is pure self - commentary, best
appreciated by fans.
But you don't have to have seen the
earlier films to
appreciate this one.
Loosely based on actual events, this stark Australian import may sound wildly familiar to those who
appreciate crime fiction, but this
film manages to hook you
early and suck you in like quicksand, thanks in large part to some great actors, but also because of Mr. Young's gradual, persistent escalation of tension.
That's not exactly bad news for fans who
appreciate the lengths that Singer has gone to in an attempt to fix the continuity issues within the X-movies, but by doing so, he's tethered the prequels to the
earlier films in a way that ensures they'll never be able to exist on their own.
Zhivago's
earliest audiences
appreciated that journey, making it one of the highest - grossing
films ever.
In my view, this is unfortunate, not because I dislike his recent
films, but more because I
appreciate some of the darker themes of the
earlier work.