Sentences with phrase «approach future exhibitions»
Art Sonje Center will continue to investigate its collection and past exhibitions, and approach future exhibitions with the consciousness of sustainability, linking actions from yesterday and today with those of tomorrow.
http://www.lehmannmaupin.com/ Not exact matches
The exhibition showcases a variety of approaches and artistic processes, mapping a short yet historically important period, when new universal principles to engineer the future were found at the intersection of different art forms and disciplines, including metaphysics, science fiction writing, music, and poetry.
This exhibition brings together different approaches and «ways of seeing,» drawing inspiration from the present, facts from the past, and projections of the future.
He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.
Byrne's multi-layered approach to his work creates an exhibition that is both complex in its subject matter and recognisable in its imaginary reconstructions of the ongoing debates between the present, soon to be past, and the projected future.
This small - scale exhibition does not document the events of this year nor does it aim to predict the ones of next years, it rather sets to confront the deep and rapid changes brought to our culture by the historic developments, claiming that art's specific language possesses unique possibilities that allow us to identify the most intimate representations and aspirations of our times and to offer us the critical instruments for making sense of our reality and for approaching our common future.
The Brooklyn Museum has now taken up the approach with a future exhibition called GO: a community - curated open studio project.
Traveled to Nasher Sculpture Center, Dallas The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Norway The Contemporary Figure, Donald Young Gallery, Chicago 2009 Accrochage, Galerie Max Hetzler, Berlin Classified, Tate Britain, London DLA Piper Series: This is Sculpture, Tate Liverpool Donald Young Gallery, Chicago British Council Collection: The Third Dimension, Whitechapel Gallery, London 2008 The Vincent Award 2008, Stedelijk Museum CS, Amsterdam Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY Martian Museum of Terrestrial Art, Barbican Art Gallery, London Donald Young Gallery, Chicago 2007 Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery, New York Unmonumental: The Object in the 21st Century, New Museum, New York The Third Mind, Palais de Tokyo, Paris Makers and Modelers, Gladstone Gallery, New York No Room for the Groom, Herald St. London 2006 Turner Prize Exhibition, Tate Britain, London Tate Triennial 2006: New British Art, Tate Britain, London Toutes Compositions Florales, Counter Gallery, London Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago flutter, The approach, London If it didn't exist you'd have to invent: a partial Showroom history, The Showroom, London China Art Objects Galleries, Los Angeles 2005 The British Art Show 6, Hayward Gallery (catalogue) Trumpets of Justice, Counter Gallery, London Body: New art from the UK, Vancouver Art Gallery (1995); The Ottawa Art Gallery (2006); Oakville Galleries (2006); Edmonton Art Gallery (2006)(catalogue) 2004 Strange, I've seen that face before, Gallery of Modern Art, Glasgow, Scotland Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna Collage, Bloomberg Space, London 2003 Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York Still Life, Museo Nacional de Bellas Artes, Santiago, Chile.
It's the first in a series of future exhibitions that pair contemporary artists with niche cultural organizations around the Bay Area, furthering the museum's anthropological approach.
Holding meetings with those from fields other than art for an intense discussion for conceptualization is a new approach for exploring future models for international exhibitions.
This event will consist of a 45 minute tour with the curator of the Future City Lab at the Museum of the City of New York, an innovative, interactive exhibition that invites visitors to consider the big challenges facing New York City today and to imagine approaches and solutions for a better fFuture City Lab at the Museum of the City of New York, an innovative, interactive exhibition that invites visitors to consider the big challenges facing New York City today and to imagine approaches and solutions for a better futurefuture.