Sentences with phrase «approach gives his paintings»

This approach gives his paintings a sculptural aspect he very much enjoys in.

Not exact matches

But, given the disappointingly uneven picture of available professional development resources that the report paints, scientists who want to emerge from their graduate school or postdoc years ready to find and take advantage of nonacademic career opportunities must adopt an entrepreneurial approach to their own professional development and take the fullest advantage of all the chances they get to learn about the world of off - campus work.

This week the approach takes a major step forward with a combined genetic and linguistic study that paints a picture of how people entered and spread across Australia, giving birth to new languages as they went.

Field of Lost Shoes doesn't tread any particularly new ground, but it certainly treads over very solid ground and Wiedmann has painted on a particularly grand canvas, writing emotionally rich music that is very easy to like and will surely prove very popular amongst those people who like the no - holds - barred - when - it - comes - to - emotions approach of 1990s John Barry or James Horner (and who are willing to give this score a chance).

Given that the data presented is approaching three years old, the NFER conclusions may actually paint too cheerful a picture.

Since then he has given a lot of thought to how he wants to approach painting, and he is unafraid to confound viewers» expectations.

Mark Dagley is equally renowned for being a publisher and for playing guitar in the seminal punk bands the Girls and Hi Sheriffs of Blue during the 1970s and»80s, but given the strength of his current exhibition, he should be best known for being a reductive abstractionist — that is, an abstract artist who approaches painting through its most basic means and language.

Angel gave us a play by play of his approach, commencing with a large - scale, representational oil painting on Plexiglas installed on the wall.

As her approaches to still life diversified, so did her manner of painting, giving rise to a range of stylistic and installation strategies.

Kardon would like to see the «whatever» attitude so pervasive in contemporary painting today give way to a more rigorous, mindful approach.

Known for the purposefully wrought tension in his work, Wool frequently pits disparate styles, techniques, and even painterly approaches into a given painting.

It seemed that if one wanted to get away from such things as the American scene or social realism and perhaps cubism, this offered a possibility of a way out, and the hope that given a subject matter that was different, perhaps some new approach to painting... might also develop.»

Instead, the artist enhances his clinical approach with techniques more commonly associated with abstract painting, such as mathematically formulated compositions, and «all - overness,» where every part of the image is given equal importance.

Ryman remarks in his essay, «When I complete each group of paintings, I try to change my approach, as it gives me a new challenge so that I don't become too comfortable with my painting.

However, given the meltdown in the international contemporary art market, as well as the rise in popularity of traditional painting - as practised by many Eastern European schools - this conceptual / abstract approach may prove to be a long term weakness.

Ann Chamberlin approaches painting like an alchemist approaches a vile of life - giving succor — with tremendous reverence and passion.

Demester takes an experimental approach to his work, painting in oil, on bronze, in abstract and figurative styles, each potential tools to give form to light on a landscape,...

Her postmodern approach combined with fearlessness gives her paintings that «anything goes» charm and it clearly works.

Always comfortable with disrupting the traditional and expected approach of the unspoiled vistas within landscape painting, the new series is freely in direct opposition given its use of the problematic materials of asphalt emulsion, tar, oil, wax, powdered mineral pigments and shellac on canvas.

When in 1946 New Yorker critic Robert Coates identified an expressive, gestural and subjective approach towards abstract painting in American art, he inadvertently gave the name to a style popularly known as «Abstract Expressionism.»

[xii] In a series from 1956, Thomas dispensed with thin paint, giving the picture plane solidity with more densely painted architectonic forms locked in puzzle - like configurations, as in Highway II (1957), whose sage green, grays, and ultramarine blues are suggestive of the heaviness of the approach of dusk.

And a few small paintings by Karen Kilimnik and Elizabeth Peyton give an accurate sense of their miniaturist postmodern approach, in which reproductions of art and mass - media images become as important as the pictures themselves.

In the recent decision of Sharma v. Sharma Estate, 2016 BCSC 1397, Madam Justice Griffin's discussion on hearsay evidence and its admissibility paints a cautious approach in giving significant weight to such evidence.

Her long line of experience on shows like Freeform Furniture, Designer People, and Trading Spaces has given her a unique approach to DIY projects and a creative knack for the beauty and the transformative power of a fresh coat of paint.