Sentences with phrase «approach shots into»

Perfectly placed lakes and ravines accentuate the layout, placing a premium on well thought - out tee shots and accurate approach shots into large, manicured Bermuda - grass greens.

He drove the ball well enough, striped a few approach shots into tight pins and was nails with the putter.

His approach shots into the 2nd and 4th holes, and those birdies, brought the house down.

Like on No. 11 when he tried to recover from the pine straw, only to hit his approach shot into the water.

Jason Day's approach shot into the 18th green is legendary.

Ray Floyd lost his 1990 playoff to Faldo when he pulled his approach shot into the water left of the 11th green.

Byeong - Hun An got a little too cute with his approach shot into the 6th green, cutting it too close to a palm tree that comes out in front of the green.

Dufner then stuck his approach shot into the green and finished off the birdie putt to move to 10 - under.

That August, in the final round of the PGA Championship, García dumped an approach shot into the water on Oakland Hills» 16th and watched Padraig Harrington take a major from him for the second straight year.

Not exact matches

He compares the two like different approaches to basketball: vegetables are like a child throwing up a weak underhand shot and missing the hoop entirely while meats are like an NBA star soaring into a slam dunk.

Announcer Vin Scully's lyrical prose and Director Sandy Grossman's tight shots turned a stirring game into something approaching art.

After bogeying the 13th hole to go one over par for the tournament, White hit an approach into the rough at the par - 4 14th and flew his next shot over the grandstands and nearly onto the 15th tee.

We've still got a ways to go with the Olympics, the FedExCup and the Ryder Cup, but that shot, along with Dustin Johnson's approach into the 18th at the U.S. Open and Rory McIlroy's fairway wood from 252 yards to two feet at the Irish Open, may be the ones I remember most from this year.

At this week's Western Open the men will have to hit a «dead» approach — a shot with no spin — to keep balls from sucking back into the drink.

Approaching the hour mark, Welbeck went through on his own but again failed to capitalise, and Giroud saw a shot go into the stands.

Your approach shot is a smother hook which runs erratically diagonally away from the green and into the deep rough.

Last year's Frys.com Open winner caromed two approach shots off the rocks and into the drink and then went all Rory - McIlroy - at - Doral with his 3 - iron that obviously was the cause of the two splashdowns.

Quigley had the look of a champion as he clung to a two - shot lead deep into the final round, especially when he saved par after flying his approach shot way over the elevated 16th green.

Short - siding himself into the green - side bunker on his approach shot in two, Mendoza would not be able to get up - and - down for birdie, thus forcing extra holes.

For example, a bullet gains speed when it ricochets off an approaching artillery shell, but looses almost all of its kinetic energy when shot into a wooden block.

This could be achieved using a simple approach, where when harriers breed at levels that have a significant economic impact on grouse shoots, the excess chicks would be removed from the grouse moors, reared in captivity and then released into the wild elsewhere.

They use experimental approaches to induce the protein to condense into a tightly packed crystal lattice, then shoot x-rays at the crystal, and finally calculate the protein's structure from the resulting diffraction patterns.

By combining Innovation, Collaboration and Scale, the MDS and AML Moon Shot ™ is revolutionizing the conventional medical research approach to rapidly adapt pre-clinical findings into MDS and AML treatment options.

By combining Innovation, Collaboration and Scale, the Lung Cancer Moon Shot ™ team is revolutionizing the conventional medical research approach to rapidly adapt pre-clinical findings into lung cancer treatment options.

This can be complicated due to the combining of multiple vaccines into one shot, but its still a comparably reasonable approach.

The Star Trek Into Darkness actress strips down for her Allure photo shoot — and talks about her approach to sexuality and her thoughts on dating actors (one ex is Bradley Cooper).

So far we've only had a real look at Disney's version of Stephen Sondheim's INTO THE WOODS via that very early shot of Meryl Streep as the Witch and a slight controversy when it was announced that parts from the original have been rewritten, or will be approached differently.

A helicopter approaches a hotel rooftop and people gathered there move toward it until it turns and opens fire on them; we see several people shot and blood splatters as they fall dead until the helicopter becomes caught in cables attached to the roof and spins out of control before crashing into the roof and exploding.

Robinson takes out - of - focus shots of an improvisatory dance troupe, footage from Dario Argento's Phenomena (1985), and a Gloria Estefan instrumental track and combines them all into an evocative and affecting work that embodies the filmmaker's distinct craft — an approach that be can described, in just one way, as a form of cinematic alchemy.

Not an essential track, it nevertheless gives a little insight now and again into the filmmaker's thought process behind a shot — the difficulty of arranging proper coverage under certain circumstances — and the philosophies that govern how this director approaches performance and shot selection.

At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.

Almayer's Folly: In what is easily the most eye - grabbing introductory sequence so far in the festival, an extended tracking shot follows a man into a nightclub where a lounge lizard mimes a Dean Martin chanson before a row of swaying, sequin - studded dancers; a knifing ensues, and the one girl left onstage afterward approaches the camera for a close - up and launches into a grave aria in Latin.

So Mario + Rabbids takes the X-COM approach to battle — a turn - based strategy where players hide behind cover and take shots at enemies, all while laying devious traps for your enemies to fall into — and despite Mario not being the most violent of chaps, he's more than happy to shoot down some fools in the Princess and Country.

By folding competency - based learning into the state's primary funding formula, all school systems have a shot to pursue this approach.

On the Ed Next blog, Mike Petrilli writes about some of the approaches education reformers should consider embracing if we want to give less affluent kids a better shot at moving up: 1) working harder to identify talented children from low - income (and middle - income) communities and then providing the challenge and support to launch them into the New Elite via top - tier universities, and / or 2) being more realistic about the kind of social mobility we hope to spur as education reformers.

The first is important because you can't predict success — You have to take quite a few shots and try out quite a few different approaches before things fall into place.

Even John Daly has trouble during challenges and will approach the putting green to only have his ball slide 100 yards into the rough despite only chipping the shot.

- split up into three waves - each wave gives the team a quota of eggs to collect, as well as a time limit - goal is to defeat enemies, causing them to drop eggs - haul those eggs back to the basket - if you meet your quota (and you're still alive) when time expires, all remaining enemies retreat and you move on - when you start out, the difficulty can be set to 5 % out of a possible 100 % - heavy Salmonids have armor in the front, so you have to him them in the back - when Inklings take too much damage in Salmon Run, they can be revived by a teammate shooting them with ink - another boss character is a tall, slender creature that approaches from the shoreline - this boss is made up off pots, which you have to shoot to make disappear - another boss is a massive metal eel that rains down ink - the eel is piloted by a Salmonid creature, which you have to take out to stop the eel - another boss has two trashcans attached to the side of it, and it hovers over the battlefield, - a trashcan opens and it rains down blobs of ink onto you - you can take him out by tossing bombs into the open trashcans - Nintendo says that 40 % difficulty is the highest difficulty people on the Nintendo E3 team could beat.

They occasionally reveal themselves to the enemy even though you're trying a stealth approach, even if you haven't fired a shot, or constantly run into a hazard, like a burning field or incoming explosives, knocking themselves out in the process and requiring players to run in and save them.

So Mario + Rabbids takes the X-COM approach to battle — a turn - based strategy where players hide behind cover and take shots at enemies, all while laying devious traps for your enemies to fall into — and despite Mario not being the most violent of chaps, he's more than happy to shoot down some fools in the Princess and Country.

YO: If you want to adapt what were originally 3D shooting games (such as Space Harrier) into stereoscopic 3D, porting the arcade versions is the most effective approach.

After about three hours worth of total playing time I was able to perform three consecutive swings into the middle of a troop of soldiers, shoot one as I approached, drop a grenade on two others, and dispatch the last one by snagging him with the bionic arm and slamming him into Spencer's boots all without losing momentum.

Formally complex and abstract from afar, these photographs unfold upon approach into more seemingly journalistic shots.

As the viewer approaches the work, the moving images gradually morph into shots of one - on - one confrontations of tourists taking photos ostensibly of the spectator.