Sentences with phrase «approach to painting over»

His approach to color is less theoretical and more empirical as evidenced by his highly systematic approach to painting over the past four plus decades.

Not exact matches

Field of Lost Shoes doesn't tread any particularly new ground, but it certainly treads over very solid ground and Wiedmann has painted on a particularly grand canvas, writing emotionally rich music that is very easy to like and will surely prove very popular amongst those people who like the no - holds - barred - when - it - comes - to - emotions approach of 1990s John Barry or James Horner (and who are willing to give this score a chance).

Some music scores can completely take over a scene, however Dave Porter has a different approach when it comes to aurally painting characters» emotions and exchanges, especially in Vince Gilligan's work: the 16 Emmy - winning Breaking Bad and this year's third season off its spin - off Better Call Saul.

Famed for painting over iconic and medical packaging, from McDonald's to Dior, Australian artist Ben Frost's work forces us to look at our modern capitalist society, and our attitudes towards branding, advertisements and blasé approach to medications.

Works on paper and a selection of studies accompany over a dozen paintings in oil and acrylic that demonstrate the evolution of the artist's interest and approach to color, balance, and symmetry.

Each painting was evenly brushed over a gessoed ground with a disregard for brush strokes, in other words a laissez - faire approach to surface.

Using light as a conceptual manifestation of the physicality of paint itself, works such as Three Fluorescent Tubes (fluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculptural impulses.

Smaller, juicier paintings such as «Goldenrods» and «Field of Wildflowers» see Katz using motifs from nature to experiment with the «all - over» approach to composition, whereby no one part of the composition is allowed to prevail over the others.

Mike Calvert, ever independent in his attitude to group excursions, takes an almost contrarian approach, choosing painting as his medium for representing a «new style of computer aesthetic» at #ETINTERBRO, while — during an obliviously dangerous first night swim in the buoyant salt water of a pitch black Dead Sea — he describes a Milan gallery's outrage over an exhibition with fellow brotherhood member Miltos Manetas in 2001.

As the 40th anniversary of the epoch - making events of May 1968 approached, Quaife embarked on a series of over 30 paintings which would take him three years to complete.

Over the past four decades, Peter Halley has pursued a rigorous, theoretical approach to painting that takes influence f...

It includes another African American, Sam Gilliam, whom she approaches with all - over paintings, but with greater discipline and a greater openness to white.

[iv] This new approach led first to his «imaginary landscape» paintings and the to the «burst» paintings — immediately recognizable for their large round bursts of color placed over dark lines — which distinguish his mature style.

Abstract expressionist paintings share certain characteristics, including the use of large canvases, an «all - over» approach, in which the whole canvas is treated with equal importance (as opposed to the center being of more interest than the edges).

Over the last decade, 2017 — 18 Gabriela and Ramiro Garza Distinguished Artist in Residence Cheryl Donegan has made paintings that are as irreverent and subversive as her widely acclaimed political, feminist approaches to video.

On view in the Contemporary Wing from June 29 — November 2, 2014, Front Room: Seth Adelsberger features nearly a dozen works produced over the past five years that demonstrate the artist's innovative approaches to painting.

Most were encouraged to discover new approaches to Canadian landscape by the fact that prairie subjects had been passed over by the GROUP OF SEVEN who had dominated Canadian painting before the war.

This tradition, carried forth, expanded, and transformed over the course of the 20th century, continues into the present with innovative approaches to the genre by: Patrick Wilson Ruth C. Horton Gallery Los Angeles artist Patrick Wilson creates luminous, sumptuously colored abstract paintings composed of richly layered geometric forms — lines, squares, and rectangles.

Moving to Washington, D.C., in 1962, the artist loosened his painterly approach over the course of the decade as he began creating works with thinned acrylic paint.

This exhibition brings together over 150 works in different media, including painting, sculpture, photography and the applied arts, revealing the Pre-Raphaelites to be advanced in their approach to every genre.

She achieves much the same effects in watercolor, on sheets up to a meter in height, while her paintings over the years have approached calligraphy.

2012 Pothole, Salon 94, New York, NY, United States Cellblock I & II, Andrea Rosen Gallery, New York, NY, United States California, Charles Riva Collection, Brussels, Belgium Spheres 2012, GALLERIA CONTINUA / Le Moulin, Boissy - le - Châtel, France Crossing Mirrors, Rosenblum Collection & Friends, Paris, France Americas, Modern Collections, London, England Sõida tasa üle silla (ride gently over the bridge), ART IST KUKU NU UT, Tartu, Estonia The Mash Up: Collage from the 1930's to present, L&M Arts, Los Angeles, CA, United States Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL, United States The Painting Factory: Abstraction After Warhol, Museum of Contemporary Art, Los Angeles, CA, United States, (cat.)

This union will come as a surprise to those who know Albers only for his association with the Bauhaus, his influential approach to color, and his famous Homage to the Square series, a group of over two thousand paintings each consisting of three or four concentric squares of different chromatic values and hues.

This approach was famously codified by critic Harold Rosenberg in his seminal article «The American Action Painters,» which was published in ARTnews in December 1952 and became a hot topic of conversation in New York art circles the following year.19 Rosenberg identified a revolution in recent approaches to painting that conceptualized works of art as the result of a process that was begun in complete uncertainty and unfolded over time.

While painting using the model, students will develop strong explorations into the unique abilities of watercolor, applying several principles, which include: anatomy, the use of light over form, color sensitivities, movement through space and form over time, construction and deconstruction, abstraction and approaches to composition.

Grimes writes: «Although Ms. Freilicher... studied with Hans Hofmann, the influential teacher and theorist of abstraction, she put her expressionist style of paint - handling and all - over approach to the canvas at the service of recognizable images, a course that made her an outsider in an era dominated by abstraction.

Though primarily photography, A Green and Pleasant Land includes film, painting and sculpture by over 50 artists, illustrating the various concerns and approaches to landscape pursued by artists from the 1970s to now.

This exhibition, which includes paintings, photographs, video and sculpture, examines diverse approaches to portraiture through the work of over twenty contemporary Canadian and international artists including: Stephen Andrews, Shuvinai Ashoona, Barbara Astman, Greg Curnoe, Colin Muir Dorward, Wyn Geleynse, Sky Glabush, Kirtley Jarvis, Jim Kost, Richard Hamilton, Jason McLean, Shelley Niro, Dennis Oppenheim, Gillian Saward, Becky Singleton, Gerard Pas, Jamie Q, Angie Quick, Michael Snow, Jeff Thomas, Joanne Todd and Joyce Wieland.

However, for Hofmann, the possibilities of painting always encompassed divergent approaches; the geometric and the curvilinear, the thickly impasted and the thinned surface were all concurrently viable throughout his career, although there were periods when one set of problems seemed to take precedence over another, such as in his 1941 - 1943 landscape studies.

This exhibition shows the artist's approach to this subject over different phases in his career, and spans from the 1980s to his latest paintings of monumental landscape.

Multiple times over the course of her career Krasner completely redirected her approach to painting.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Seven of the nine large paintings that Hugonin has made over the past six years will be exhibited, all identically sized and each continuing the artist's unique exploration of the dualities of order and chance within a very personal approach to abstract painting.

«If you add funny puppy dogs over an image of someone being tortured, then in a sense what we're doing is that we're asking whether the pathos of the Goya work can be taken seriously,» says Jake Chapman about their approach to Francisco Goya to whose surreal and dark paintings, brim - full of pathos, they add unexpected elements.

Inspired by the fine detail and luminous colors of the Flemish masters, she has sought out information on their techniques and has cobbled together a personal approach to painting with thin glazes of color over a grisaille.

She put these ideas into practice in the development of what has come to be called her All Over style, an approach to painting that covered the entire surface of her works with abstract motifs evocative of nature.

The artist's distinct approach to painting unfolded over his lifetime and largely without outside influence.

Olivier Mosset has been rigorously pursuing his work over the deconstruction of painting for fifty years now, which he started in the 1960s next to Daniel Buren, Michel Parmentier and Niele Toroni through their group B.M.P.T.. Following his research upon the concept of a painting referring only to itself and to its history as a medium, he challenges the notions of «savoir - faire», originality and the alleged unity of a painting in order to better approach the limits of what painting really is.

Organized by the Tate with over 60 oil paintings and watercolors, the show demonstrates the artist's determinedly radical approach to his technique and subject matter, his awareness of his contemporaries and the market.

While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture - driven iconography to an array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels.

Over the last decade, Schutz has honed her approach to painting, creating tightly structured scenarios and compressed interiors.

Birk creates monumental series developed over the course of many years, often working across media to support his ideas through a multi-disciplinary approach — painting, drawing, printmaking, writing, film, video, and sculpture.

Looking back on the trajectory of these solo shows, I can see that my approach to the subject matter and painting changed over time.

Having been deeply influenced by Joan Mitchell, my early paintings took on an all - over approach to composition and color.

Anyone at all interested in painting might want to start with the early 20th century in Mayfair and move to Wharf Road for more recent work, witnessing the abundantly various approaches to abstraction over time — conceptual, geometric, gestural, hard - edged, romantic, numinous, optical, comic.

Though his early work allied him with the emerging minimalist approach, Stella's style has evolved to become more complex and dynamic over the years as he has continued his investigation into the nature of abstract painting.

In that sense, several trends converge to paint a picture of greater buyer control over the supply chain: the growing role of procurement in legal buy, the material shift of work away from firms to in - house, new approaches to disaggregation across traditional and alternative service providers, and increasing in - house oversight of budgeting, reporting, billing, and matter management.

During the trial in February, lawyers for Waymo — the rebranded Google self - driving car project — painted a picture of a problem employee who clashed with his new boss over his slower, more cautious approach to self - driving cars.