Sentences with phrase «approach to painting through»

They evolved a realistic approach to painting through an increasingly rapid painterly handling which foreshadows some of the techniques adopted by the Die Brucke group.

He was constantly renewing his approach to painting through innovative techniques.

Pioneering an approach to painting through exploring the relationship between photography and painting, Richter was responsible for the process that was fundamental for the entire discourse of the post-WWII painting.

Fonseca developed his unique approach to painting through an unorthodox style, one that impresses the importance of the relationship between mentor and student.

provides students the opportunity to explore the technical, formal, historical and theoretical approaches to painting through a combination of studio and art history courses.

Not exact matches

«We have demonstrated, for the first time, through OCT and our image analysis approach, we are able to quantitatively and automatically measure the size, number and orientation of metal flakes in industrially applied car paint,» said Yaochun Shen, lead researcher on the project and professor at the University of Liverpool, UK.

By comparing individuals» subjective interpretations and feelings (through interviews) with large scale data (in reports) and laws (outlined by human rights and Thai national laws), the research utilizes the triangulation approach to come up with a study that attempts to respect both the micro (individual) and macro (context) and therefore paint the human faces of displaced persons affected by factors beyond their control (conflict in Myanmar and Thai politics and law).

Isaacson also elaborates on Leonardo's innovative approaches to painting, such as sfumato, the shading of edges through shadow rather than lines.

Ubud has been the cultural focus of Bali for decades and is the place to visit if you are searching for original carvings, sculptures, artifacts, and paintings from across the Indonesian archipelago as well as Bali itself.Villa Alamanda lies to the east of Ubud an approximate ten minutes away and as welcome guests approach the villas they pass through a traditional carving village known to most as Tengkulak.

In this course, you're going to learn how to use the loose, expressive approach to watercolour painting through a series of 5 landscape studies.

Challenging the heritage of his medium through an innovative approach to materiality, technique, and content, Colen pushes the boundaries of painting while imbuing his work with formal rigor and art historical richness.

When he resumed painting in 1945, Tworkov began experimenting with an academic approach to abstraction through the study of still life and the figure.

This display explores Heilmann's formal approach to painting and abstraction, and considers the autobiographical themes that run through her work.

This will be followed at 4:00 p.m. by a panel discussion with artists Mike Hoolboom, Willie Doherty and Uwe Wittwer about their approaches to documentary through film, painting, and installation.

Through a multi-disciplinary approach to painting, photography and sculpture, Barr and Rice explore the relationship between analogue and digital processes.

Investigating approaches to painting, the use of medium, the way we paint, challenging easel painting by holding the structure freely in one hand and applying paint through the other — this allows a more fluid approach to painting, an almost organic process in which artist, support, media and brush work in unison without normally rigid intervention of easel or wall.

She has worked across photography, film, and dance, but is best known for her experimental approach to painting, the medium in which she was trained, stretching its bounds and assumptions through conceptual and abstract works.

Revisited forty years later, these paintings of Reed's, which have a lilting, narrative quality even in their abstraction, invite an approach to Wool's word works through the themes of artistic progeny and cyclical exchange.

Through his rigorous physical approach to the material presence of painting, Bradford has addressed powerful issues of our time, including the AIDS epidemic, the misrepresentation and fear of queer identity, and systemic racism in America.

Entitled Tworkov Paints a Picture, the piece walked readers through Tworkov's approach to painting and demystified abstraction by presenting it as a deliberate process in which an artist uses color, line, and flame - like brushstroke to express a subject, much like in figural representation.

Influenced equally by music, storytelling, and individual history, McArthur Binion has described his approach to painting from the position of a «rural Modernist» and one through which he «abridges the lyricism of colour with a Black rural sensibility.»

Originally associated with the Chicago Imagists, Hanson's approach to painting possesses the Imagists» desire to capture the visceral and emotional aspects of what it means to be human, yet through the earnestness and sincerity that lives within the words of Emily Dickinson, William Blake, and William Shakespeare.

Quiet, reflective and mysterious, paintings by the Brooklyn - based artist continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological landscape.

Through his investigational approach, Otero combines the traditional act of painting with his innovative creation of «oil skins,» produced by layering oil paint on glass and then peeling it off in «sheets» before transferring it to canvas.

Quiet, reflective and mysterious, new paintings by Brooklyn - based artist Jules de Balincourt continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological landscape.

While celebrated for his paintings, Miró strove to «destroy painting» through an art form that transcended the two - dimensional plane and was an early pioneer of construction; a radical approach to making that forever transformed the discipline of sculpture.

By the mid-1950s, Calderara began to move away from figurative painting to embrace a more geometric approach, radically reducing both the scale and the compositional elements of his paintings through use of simple forms and flat blocks of nebulous and subtle colour.

Bartlett is acclaimed for her analytical and systematic approaches to painting, particularly through her self - fashioned medium of gridded enameled - steel tiles, which she has employed as a type of modular canvas since the late 1960s.

As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»

Approaches to Painting Today, an exhibition on view through Oct 21, 2012.

Chronicling an abstract personal account of his relationships, studio practice, and his sense of history through a spectrum of techniques, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all means.

While the haptic involvement in painting may carry through from one artist to another, each admits vastly different approaches in style and execution.

On view October 25 to January 29, 2017, «Kerry James Marshall: Mastry» examines the artist's unique approach to history painting, the African - American experience and his own personal journey of self - discovery through art.

Mara De Luca's works are a reflection on contemporary culture expressed through a diverse, project - driven and contextual approach to painting.

Featuring a 24 carat gold leaf wall painting, a 13 - storey high design on a tower block and 5000 - word film script handwritten directly onto the gallery walls, the exhibition draws visitors through the SLG's new and existing spaces with a variety of approaches to making art directly on the walls.

Exhibitions such as Paint Things (January 27 — April 21, 2013) at deCordova Sculpture Park and Museum and Phantom Limb: Approaches to Painting Today (May 5 — October 21, 2012) at Museum of Contemporary Art Chicago have brought together artists working through resuscitated painting traditions to rebrand process, materiality, and form in ways that are not easily Painting Today (May 5 — October 21, 2012) at Museum of Contemporary Art Chicago have brought together artists working through resuscitated painting traditions to rebrand process, materiality, and form in ways that are not easily painting traditions to rebrand process, materiality, and form in ways that are not easily labeled.

Rebecca Morris, Laura Owens, and Ruth Root address the legacies of abstraction through their distinctive but ever - evolving approaches to painting that are inflected by philosophy, history, memory, humor, irony, and more.

Though many artists share a comparable approach in portraying the painted subject, Yanai works within a different cognitive space; He paints with fine and calculated brushstrokes in an existential manner, with every mark laid down through a detailed application, keeping layering to a minimum.

As Alan Gouk pointed out recently, those somebodies often end up being Joan Mitchell and Philip Guston, American painters not without their own flaws, and it is on their account that scores of contemporary abstract artists readily and without question adopt a «hell for leather» approach to paint handling that through its complacency tends to have very familiar results.

Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready - mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, «post-medium» generation of artists.

Dianna Molzan, Tauba Auerbach, and Analia Saban blur the line between painting and sculpture through their experimental approaches to conventional materials and techniques.

Portal refers to an opening through which one passes with one's body, alluding to the the physicality of Gueorguieva and Nelson's approach to painting.

Through this process, the two - dimensionality of his paintings approach three - dimensional space; a space to which the viewer is challenged to adapt.

His art is characterized by the dynamic artistic process and creative approach to mundane objects of our environment that once transformed through his paintings and installations capture a range of social atmospheres.

SURFACE is a group exhibition exploring a variety of approaches to surface through painting, textiles, -LSB-...]

Quiet, reflective and mysterious, new paintings by Brooklyn - based artist Jules de Balincourt continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological...

Paco Pomet: For quite some time, I have deliberately taken an open approach to photography as a rich, endless and reliable supply of motifs, a starting point from which an idea can arise and be turned into something else through painting.

Known for his large - scale painting interventions based on vibrantly patterned Taiwanese textiles, Lin's practice has been hailed as a new approach to contemporary art and the museum through the creation of immersive and experiential environments.

Inscape — the Inner Nature of Things contrasts twelve artists» diverse approaches to expressing emotion through abstraction, ranging from basic forms combined with loose, expressive lines in paintings by Louisa Chase, Mary Heilmann, and Perle Fine; to pure abstract gesture that governs the work of Friedel Dzubas, John Ferren, Hans Hofmann, Raymond Parker, and Esteban Vicente.

He is influenced by the notion of «tensegrity», proposed by Kenneth Snelson, the paintings and prints of Terry Winters, methods of unifying conscious and subconscious thought such as through Surrealist Automatism, and the approach of Dadaists to question the meaning of symbols.