I think that
approach works fine while there is distress in the legal market, but I don't see it working once the market corrects.
For a 401 (k)- type plan, that
approach works fine: the employer's cost is nothing more than the amount contributed to workers» accounts.
That approach works fine for all practical purposes, but physicists and philosophers still engage in vigorous debates today about the true physical status of the wave function.
Not exact matches
While this strategy
works just
fine for large publishers that already have established brands and get thousands of shares on any new article they publish (such as Mashable or TechCrunch), a more pragmatic
approach is needed for just about every other business.It's true that getting quality inbound links starts with great content on your client's website, but the missing link is getting journalists, contributors, authors, and editors at quality publications to become aware of that content so that they can link to it when writing relevant stories / articles.
The beans are pliable and aromatic, and are without a doubt some of the
finest we've
worked with... Their
approach to
working with the vanilla growers is that they are not only trading with the farmers, but also providing support for sound agroforestry practices and crop diversification.
However, they're cutting it
fine with the deadline fast
approaching, «We are
working close together, the club and I, and we are trying to find the right solutions to improve this squad.
«Improving rice processing is one of two
approaches we're
working on to combat widespread malnutrition; the second involves
fine - tuning rice species to express more iron and other important nutritional minerals in the grain core during growth and during soaking, which can also reduce the glycaemic index (GI) of white rice.
This is a
fine approach — one that we wholeheartedly endorse — but it would be good if we could discover some general principles, an
approach to PM that
works especially well for science, that will assist new PIs investigating management issues for the first time.
The laser cleaning and LIBS analysis systems are now being
fine - tuned and would likely be used only in instances where more traditional
approaches — solvents, heat treatments, enzyme removal and others — are unable to conserve or restore a
work without damaging it.
Next month, we'll
work on
fine - tuning your
approach when applying for ads in journals and on the Internet.
Our
work extends over these different aspects, through the use of
fine developmental and molecular dissection, combined with genetic tools (CRISPR) and genome - wide sequencing
approaches.
For me this
approach works on many levels — it attunes me and
fine tunes me so that life becomes a continuous process of change and evolution.
Normalize your diet, optimize the bacteria in your digestive tract with fermented foods, and
work with your doctor to have some simple blood tests done to
fine tune your
approach.
Most regular sweaters and blouses
work fine with this
approach unless they are very fitted and not stretchy or particularly prone to wrinkling.
Fine tune your own and when something doesn't
work... Back up, regroup, and try a different
approach.
Touch controls
work fine, but the weapons you usually pick - up during the matches don't fit well with the manual fire
approach.
This is juxtaposed with interviews with Haneke and his lead actors, in which Riva and Trintignant both express the novelty of
working with a director so committed to
fine - tuning and exactitude, whereas Huppert, having
worked with Haneke twice before, is more philosophical, contemplative, and in - depth regarding his
approach.
A less effective version of the same fact - based story, even with the same actors doing the same excellent
work — it's Jake Gyllenhaal's
finest, truest two hours on film — might creak and groan with «inspirational weepie» biopic machinery, over-engineered Big Moments and an arm - twisting, melodramatic
approach to its subject.
None of these guys are doing their best
work, but they're all doing a
fine job nonetheless and that seems to suit Jolie's loudly conventional
approach quite comfortably.
Join me as I talk about director Lee Petty's
approach to design, shoot the heads off a lot of robots, and examine what does and does not
work in Double
Fine's latest charmer!
This Masterpiece Theater - ish
approach, however,
works just
fine.
While that
approach works just
fine for the first hour, the script's shortcomings become more apparent once Davis meets Karen face - to - face, resulting in a deluge of contrived plot developments that are pretty hit and miss.
Although captures weighing the fullscreen version of the SE (reviewed below) against the Superbit's 1.85:1 anamorphic widescreen transfer wouldn't prove much other than the disparity in aspect ratios, the Superbit platter boasts a much more expressive colour palette, blacks that
approach pitch for a change, and detail so microscopically
fine that, while Gobby's costume now officially looks stupid, the CGI has, conversely, never been more convincing, since all that compositing
work is finally discernible.
This
approach works from an assumption that there is a set of right sustainability behaviour that we just need people to adopt, and everything will be
fine.
For those interested in the
finer points of education policy, I'd also recommend: Alyson Klein on helping long - term English - language learners, Chad Aldeman on the difficulty of «raising the bar» for teacher preparation entry, Mike Petrilli's Education Next piece on a schools agenda for
working - class families, Kathleen Porter Magee on a great - news story for Catholic schools, Nat Malkus on the Title I funding fight, and Paul Peterson on the «Bush - Obama»
approach to reform.
Yes, there's a long list of skills that kids need to master and for which an individualized
approach would
work fine: decoding; spelling; writing letters and numbers; counting to one hundred; keyboarding; and so forth.
Todd Nelsoney (a.k.a. «Tech Ninja Todd») explained in his talk at FlipCon14 that he has had to use these types of
approaches in a few cases and it has
worked out
fine.
Working with Jason and Marina is a breeze: I mailed them the information and explained my vision for the book, they asked me some questions and we
fine - tuned the
approach to get it exactly how I wanted it.
It will take a lot of hard
work, sensitivity to your market, a strategic ability to
fine tune both your book and your sales
approach, and a bit of thick skin.
3:30 pm — 4:30 pm THE
FINE ART OF COMICS Locust Moon's Chris Stevens sits down with three of the most singular artists
working today, Bill Sienkiewicz (New Mutants, Daredevil: End of Days), David Mack (Kabuki, Dream Logic), and Ronald Wimberly (Prince of Cats, Sunset Park), to discuss the particular
approaches they bring to their comics
work as it connects to the broader art world.
When a trader strives to put the power of Adaptive Positioning to
work for them, the
finer or more precisely they can express their position size, the more benefit they get from this
approach.
So I use the same
approach as you and it has
worked fine for me as well.
Using old maps as a medium, he takes an inventive
approach to fusing
fine art painting with collage to create these stunning geographical
works.
The gallery owners responses to questions about «How To
Work With Galleries» was helpful, but as an award winning
fine art photographic artist, I would like more detailed information about how to find and
approach successful galleries to represent the art of photography.
In Dark Matters, currently on view at Steven Harvey
Fine Art Projects, the theme of darkness unites dazzlingly nuanced explorations of color and painterly
approach in
works by Ryan Cobourn, Arthur Dove, Andrea Belag, Bill Jensen, and Ellen Phelan.
Though many artists share a comparable
approach in portraying the painted subject, Yanai
works within a different cognitive space; He paints with
fine and calculated brushstrokes in an existential manner, with every mark laid down through a detailed application, keeping layering to a minimum.
Inscape — the Inner Nature of Things contrasts twelve artists» diverse
approaches to expressing emotion through abstraction, ranging from basic forms combined with loose, expressive lines in paintings by Louisa Chase, Mary Heilmann, and Perle
Fine; to pure abstract gesture that governs the
work of Friedel Dzubas, John Ferren, Hans Hofmann, Raymond Parker, and Esteban Vicente.
From the academic
approach to painting I learned in art school, I went to totally abstract
work, particularly influenced by the paintings of Clyfford Still who had been a major force at the California School of
Fine Arts just previous to my arrival.
D. Wigmore
Fine Art presents the exhibition New Materials, New
Approaches, featuring
work by artists Mon Levinson, Leroy Lamis, and Julian Stanczak.
South, who joined Pratt as
Fine Arts Chair in July 2017, is known for her dynamic
approach to practice and
work that cuts across disciplines.
The two venues in the United States — The Phillips Collection and the Museum of
Fine Arts, Boston — took different
approaches to the installation of Chase's
work, but both effectively demonstrated his stylistic and material virtuosity.2 The exhibitions included roughly ninety portraits, still lifes, genre scenes, landscapes, and, most notably, Chase's large - scale pastels.
The Bolted Book brought together the brilliance and depth of Depero's
work, which often blurred the lines between
fine art and advertising, and demonstrated his radical
approach to typography and book design.
Fine's distinctive use of undulating branch - like line
work distinguishes her from the usual gestural
approach seen throughout most of the show.
* The Mitchell - Innes & Nash exhibition presents diverse
approaches to abstract painting and includes
works by the following five artists: Phillip Allen - Allen is represented by The Approach Gallery (London); his solo shows include Kerlin gallery, Dublin in 2005 and P.S. 1 in Long Island City, New York, in 2003 Alison Fox - A 2005 MFA graduate from Hunter College, Fox had her first solo shows last year at ATM gallery in New York and at Marc Selwyn
Fine Art in Los Angeles Alex Kwartler - Represented by John Connelly Presents, Kwartler was included in last year's The Painted World, at P.S. 1 in Long Island City, New York.
He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his
work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A.
Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his
approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his
work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his
work.
In complement to Magnetic Fields: Expanding Abstraction 1960s to the Present, which focuses on African American women's
approaches to abstract painting and sculpture, the Museum of
Fine Arts, St. Petersburg is thrilled to be
working with composer Elizabeth A. Baker to present an afternoon of abstract sonic experiences by African...
The Morris and Helen Belkin Art Gallery is pleased to present object
approaching short blue waves, an exhibition of
work by the 2015 graduates of the University of British Columbia's two - year Master of
Fine Arts program: Eric Angus, Jamey Braden, Anyse Ducharme, Jessica Gnyp, and Michelle Weinstein.
Appropriately, curators Naomi Beckwith of the MCA and Valerie Cassel Oliver of the Virginia Museum of
Fine Arts have organized What Remains to be Seen into two sections, the first of which exhibits Pindell's experimentation prior to 1979, and the second of which arranges Pindell's
work after 1979 based on her multidisciplinary
approach as memoirist, activist, traveler, and scientist.
While Van den Dorpel speaks through the specialized language of computer programming and perhaps abstrusely anthropomorphizes variably folk or «traditional»
approaches to
fine art, his
work addresses more universal concerns related to ethics of economic austerity as well as those of inclusion, alienation, and social hierarchies.
There are many solo shows - Edward Burra at Lefevre
Fine Art, Kishio Suga at Blum & Poe and Alice Neel at Victoria Miro - and those who have group
works were very coherent in their
approach.