Sentences with phrase «approached particular projects»

Not exact matches

This approach has both merit and drawbacks, although, for his purposes, Newbigin can insist that any project in communication has to begin with a particular standpoint rather than in some abstraction.

Tampa Bay Buccaneers coaches told Ogden they were impressed with his ability to change his approach to suit particular game situations, as he did last fall against Cal defensive end Regan Upshaw, also a projected first - round pick.

«It's taxpayer dollars the governor is proposing,» said Amedore, the Albany - area Republican, «so you need to have an all - hands - on - deck approach and have communities with everyone involved in the process, from lawmakers to local officials to regional councils that are not just behind closed doors selecting projects that may be of interest to one or two particular people.»

For some projects, it is worth putting up with less - than - excellent writing for the authors» wonderful ideas on how to approach a particular topic or sometimes, in all honesty, the political clout they may have.

Soneja said he's done similar work for the United Nations Foundation previously, but that it's not uncommon for organizations to invest in projects without any evidence that a particular approach will work.

Ph.D. graduates are needed to carry out the research, and universities have all too often adopted a «hired hands» approach to Ph.D. employment, taking on the hired hands while research funds for a particular project last but terminating employment when the project ends.

The project takes advantage of yeast as a model organism and several reconstitution approaches to understand the particular function of the involved proteins.

One particular project that I am very proud of is development of an approach to reduce damage to the eyes of Members of the Armed Forces who encounter blast trauma injuries in the combat theater, a project supported by the US Army.

The involvement of so many real musical luminaries (in particular Aerosmith's Steven Tyler in a key rôle as himself, and Outkast's André Benjamin eating up his scenes as trigger - happy gangsta Dabu) may bring a certain postmodern edge to the proceedings, but it also goes some way to explaining the film's gently - gently approach to the record industry — an industry which would be unlikely to release its stars to a project that was aiming to score any real hits against it.

A successful approach to these kinds of refurbishment projects starts with a proper understanding of the significance of the buildings in question before embarking on developing the details of the scheme, Constructive Conservation is a term that English Heritage uses to describe the kind of approach that enables the modernisation and updating of sensitive and important historic buildings by carefully defining what is special or distinctive about a building and actively managing the change or redevelopment to reinforce this particular character.

The examples below are ways in which a classroom can approach and complete a particular project, not how they must do it.

Most recently, he has been working with industry and academia on projects related to alternative fuels, with a particular focus on approaches to achieving carbon - neutral growth.

When you are clear about your topic, the angle you from which you will approach it, and how you will provide benefits to a particular audience, you can determine if the project -LSB-...]

This course will use this particular project as a research tool to think through a collective approach to creating a «social document collaboratively.»

From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the viewer through an array of captivating approaches that challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.

5:30 — 6:30 pm Reanimation Library founder Andrew Beccone will talk about his project RL and perform an ongoing library project entitled An Incomplete Portrait of the Reanimation Library Reanimation Library founder Andrew Beccone will give an artist talk that will address the development of the library, an overview of its activities, and the particular approach he took in assembling the Corona Branch.

Continuing the long - standing collaborative approach to their work, for the current show in particular, Fitch and Trecartin have collaborated with Rhett LaRue, who has been deeply involved in the production and post-production aspects of this project.

8 Days a Week is the result of an informal exchange between Jason Meadows and Mateo Tannatt regarding their local practices and the cross-overs and differences in their approaches towards their projects, and in particular, their sculpturally based works.

For that particular project, the artist chose Edgar Degas's La Coiffure (ca. 1896); in her essay for the current volume, Higgie revisits the significance of the picture for Yiadom - Boakye in order to shift the conversation away from interpreting the meaning and significance of the paintings to a more straightforward discussion of Yiadom - Boakye's approach to her painting practice.

Here is a short list for the fun of it: everything Sina Najafi and crew do at Cabinet magazine, the goings on at Mildred's Lane, the projects, journals and exhibitions by the great collective E-flux (Anton, Juliete, Brian), the entire Occupy movement, Philly's own Basekamp — in particular the Plausible Artworlds project, Charles Esche, Maria Lind, Chus Martinez, Jens Hoffmann, Ralph Rugoff, Sofia Hernandez, my ol' colleague Mark Beasly (a great curator), the experiments and levity of Joseph Del Pesco, just recently the people at Weeksville Heritage Center, the awesome constant rethinking of Kate Fowle at ICI, at times the experimental approach of Hans Ulrich Obrist (the man has so much energy), the education programs at the Walker and the Hammer, the projects of Christine Tohme at Ashkal Alwan in Beirut, the work of Fulya Erdemci and Theo Teeglaers at SKOR, the writings of Sue Bell Yank, Shannon Jackosn, Gregory Sholette, Yates McKee, Jahleh Mansoor, Boris Groys (though I don't usually agree with him), and Claire Bishop (though I don't agree often with her either, haha).

Their guidelines state, «Of particular interest are projects that deploy the potential of new and alternative media in response to the increasingly complex and hybrid nature of current artistic practice, that target new or wider audiences, and that advance innovative approaches to conducting a public dialogue about art.»

Her particular project, based at the Rensselaer Polytechnic Institute in Troy, New York, is described in the Lush Prize handbook as «animal - free approaches for engineering physiologically relevant humanized skin models using 3D bioprinting technology,» which Catarino explained to me in lay terms.

The recent failure to meet a congressional deadline at the National Ignition Facility — a giant laser - centered fusion project at the Lawrence Livermore National Laboratory — generated commentary, including from the editorial page of The New York Times, arguing that it was time to shift limited federal resources away from this particular long - pass approach.

An important aspect of this particular project, as with all the winners, was its emphasis on the Passive House Standard in conjunction with the use of renewable energies — an approach that fits with the «Nearly Zero - Energy Building» of the European Building Directive.

Can you approach them to work with them on a particular project, whether it involves substantive law or firm management?

The profession rejected this strictly «formalist» approach to teaching writing processes as inadequate preparation for independent legal writing and analysis.44 The shift away from models in legal writing instruction accompanied a shift to teaching students to write from the social perspective.45 The social perspective integrates into writing processes an understanding of the purposes for which a particular document is written, the identities of its audiences, and the needs of those audiences.46 Part of the New Rhetoric evaluates students» work, in part, by how well it fulfills the audiences» needs.47 The difficulty for the first - year law student in this paradigm for learning analysis and writing processes is that she does not know the audience for her first legal writing projects, and she has no basis for comprehending the audience's needs.

In brief, the quality of law commission work must give it a reputation as reputable law research materials, whether it involves the long projects that allow for the completion of much diverse research or the short technical projects that are more limited in approach, but in addition must have value outside the particular project as a significant addition to the body of knowledge in a particular case.

The calculus in approaching or avoiding the Ombudsman should be based on a variety of factors, such as, the financial strength of the project and its potential or actual job - creation activities; the factually - demonstrable urgency in receiving an adjudication; the presence or absence of red - flag factual or legal issues; and the likelihood that the particular case presents issues that, once resolved, would benefit multiple EB - 5 stakeholders, and thereby allow the Ombudsman to husband its scarce resources, and get more bang for its intercessory buck; and other relevant considerations.

A great way to approach a student resume when real world experience is light is to spotlight your achievements and attributes in other areas, looking at particular projects as work or through inclusion of internships and volunteer efforts.

The particular, pragmatic advantage of this approach is, as a number of governments pointed out to the project team, that it reflects the political reality of federal / state relations, while still allowing for the goal of progressing towards some form of uniformity.

Modifying mainstream programs may not be the best approach and good consultation, which relies on strong relationships, in the planning stage of the project, could help to identify what and where interventions could be directed and if Aboriginal specific or mainstream approaches are more appropriate to that particular setting.