Sentences with phrase «approaches by contemporary artists»

The photographic works reflect a variety of approaches by contemporary artists that extend or break with traditional understandings of the photographic medium.

It re-emerges in the present moment with fresh approach by contemporary artists.

Not exact matches

Teaching Artists show students different approaches to writing, often using pieces by acclaimed contemporary poets and lyricists as a starting point, and give students writing prompts to begin the work of crafting individual and group poems.

Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

Offered in conjunction with the two solo exhibitions by John Currin and Berlinde De Bruyckere at DHC / ART Foundation for Contemporary Art from June 30 — November 13, 2011, Corpus is a unique project that links and considers the approaches of both artists.

From traditional approaches to the more challenging usage, Out of Easy Reach will investigate the contemporary and conceptual expansion of abstraction by female - identifying artists from the black and Latina diasporas.

The exhibition features drawings by nine contemporary artists whose approaches to drawings are as diverse as their backgrounds.

Impressions will feature mixed media paintings and ceramic sculpture by Sidonie Villere, a New Orleans - based artist whose works reflect her contemporary philosophies and non-traditional approaches.

The art exhibition «Triangles» features seventeen contemporary artists and their different approaches on the subject of the triangular shape and is curated by Brooklyn based abstract artist and curator Melissa Staiger.

As a part of an ongoing inquiry into the place of the human body in contemporary art (occasioned by the release of Phaidon's new book Body of Art), Artspace's Dylan Kerr spoke to Thomas about artists who have influenced his own approach to the body.

Co-organized by the Menil Collection and the University of California, Berkeley Art Museum and Pacific Film Archive, Silence takes a multimedia approach to understanding the ways contemporary visual and sonic artists such as John Cage, Joseph Beuys, Doris Salcedo, and Christian Marclay have practiced withdrawal as a response to the complications and multiplicities of contemporary life.

The exhibition features drawings by contemporary Korean artists whose approaches to drawing are as diverse as their backgrounds.

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach such as Chantal Joffe, Neal Tait and Dinos Chapman.

Several contemporary approaches by young international artists dealing with the spatial development of sculptures are taken up in the exhibition.

Through a collaborative approach, these artists create installations and video inspired by ancient Japanese art as well as contemporary anime.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Whereas some contemporary calligraphy artists have discovered ways to push art forward by altering Chinese characters and obfuscating their meaning, Mr. Fung has chosen a more subtle approach.

Sullivan Goss is pleased to announce a new exhibition of contemporary abstract works by nine artists with distinct approaches to the 100 year old tradition of non-objective art.

With the holidays approaching, we have made a list of the famous winter paintings from modern and contemporary artists inspired by the changes in nature the last season of the year is bringing about.

We'll continue to do this in 2011 by working in partnership with different artists and organisations to show different approaches to contemporary arts practice in the gallery.

United more in what they rejected than by any real unity of approach, these artists helped propel French painting beyond the dogmas of postwar abstraction toward a new engagement with contemporary life — or at least that's the claim being made in this exhibition of some 100 works.

The school's structure acknowledges that contemporary artists have to be trained at the intersection of several fields — an approach exemplified by the school's new pilot program, the Masters in Art and Public Space, a two year program starting in fall 2014 that focuses on art in spaces outside of the traditional museum or exhibition institution.

From exacting works created with traditional media to pieces that employ more experimental approaches and materials, New Work: Drawings Today presents a survey of contemporary drawings by 27 artists based primarily in New York, Los Angeles, and San Francisco.

We spoke to the Def Jam co-founder about the philosophy behind his art foundation, and his approach to collecting work by contemporary artists.

Today, the museum continues this rich history with new acquisitions, special exhibitions and permanent collection installations that offer dynamic new approaches to presentation and interpretation by placing these artists into conversation with some of the most iconic and established voices in modern and contemporary art.

The language it is using to describe its curatorial approach is striking and should serve as a model for peer institutions dedicated to collecting insightful work by politically and culturally astute contemporary artists addressing substantive social issues.

Jake Wood - Evans: Darkness Visible @ Leyden Gallery Inspired by the Prado, this emerging artist provide a contemporary approach to Old Masters with a fantastic use of suffused light.

Drawing Now, published to accompany the first major survey of contemporary drawings at The Museum of Modern Art, New York, in 15 years, contains more than 100 color reproductions of work by 26 international artists, both well - known and emerging, that demonstrate the fascinating variety of methods and approaches, mediums and scales, apparent in this old - again, new - again art.

The exhibition will showcase artists of the new millennium and offer a fresh approach to contemporary art by also expanding the viewing experience into the online realm.

This exhibition will bring together works by contemporary artists that explore multiple aspects of soil, documenting natural processes and human interventions, and proposing radically innovative solutions that combine leading - edge scientific approaches and fresh artistic and philosophical perspectives.

The most ambitious is «Wonder World,» a survey of approaches to «realism» by contemporary artists.

Fragments of an Unknowable Whole curated by Timothy Smith at Urban Arts Space, the Ohio State University's off - campus space for contemporary art in downtown Columbus, brought together twenty - one artists with varying approaches to lens - based art.

Begun by a collective of six art curators and organisers in 2001, ARTS INITIATIVE TOKYO is a non-profit space that organizes various artistic programmes and projects, including an artist - in - residence program and Making Art Different (MAD), which embraces new approaches to contemporary art.

The opposite of this approach, however, seems to be in play in «Oceanic feeling», a new show by New Zealand artist Sriwhana Spong and Filipina Maria Taniguchi curated by Susan Gibb and running until 20 October 2016 at the Institute of Contemporary Art Singapore.

Art Radar links to a video interview by ARTINFO with contemporary Chinese artist Xu Bing, known for his unique approach to Chinese characters, calligraphy and printmaking.

Caught in an unceasing dichotomy: colony and metropolis, white and black, poor and rich, progress and destruction of the earth, traditional and contemporary society are subjects approached by the artist via atypical sculptures.

The parallels and divergences at play in each exhibition offer a glimpse into the multifaceted approaches taken by contemporary artists responding to an age where digital technology has made images ubiquitous and shareable at an unprecedented level.

Creative Growth is part of a series of exhibitions and related programming presenting an array of approaches taken by contemporary artists who push the boundaries of drawing, the most direct and universal means of visual expression.

In 2015, Nathanson was one of six artists in Confronting the Canvas: Women of Abstraction at the Museum of Contemporary Art, Jacksonville, Florida curated by Jaime DeSimone, an exhibition focused on new, experimental approaches to the process of painting.

But as a «no - pain - no - gain» approach goes, on the flipside, Ardalan recounts «how exhilarating it was to take the risk and commission the first art work in 2006 — a marvelous film entitled No Snow on the Broken Bridge by revered Chinese artist, Yang Fudong, a really young artist at a time when the art world was enamoured with a totally different kind of contemporary Chinese art and painting.»

Organized by the Tate with over 60 oil paintings and watercolors, the show demonstrates the artist's determinedly radical approach to his technique and subject matter, his awareness of his contemporaries and the market.

A few works by contemporary artists Joel Meyerowitz, Tacita Dean, Matthias Schaller, and Wolfgang Laib are exhibited in conjunction with the installation, offering another means of approaching Morandi.

The show features drawings and watercolors by seven contemporary artists who, through very different approaches, explore their fascination with and connection to the natural world.

Curated by Elizabeth Neilson, Director, Zabludowicz Collection and Joseph del Pesco, Director, Kadist Art Foundation, the project was initiated as a collaboration between two significant international contemporary art collections.Works by nine international artists are drawn in equal measure from the two collections, encompassing a diverse range of media and approaches.

Circle Culture's innovative approach to contemporary art will be further reflected in the works by Italian artists Marco «Pho» Grassi and Teo «Moneyless» Pirisi.

CB1 Gallery is pleased to present Tight Ass: Labor Intensive Drawing and Realism, a group exhibition curated by Brett Reichman featuring 14 artists working in diverse approaches that contest the assumption that realism is incompatible with a critical engagement in contemporary culture.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

It begins with Duchamp and shows a range of strategies contemporary artists have used to approach the book — my favorites being the faux, punny Remainders (1991) by Alan Ruppersburg and Brian Bellot's collaboratively made Books, books, books, books, books, books, and books (2005 - 07).

But regarding my approach to the Biennial, I will organize my part of the exhibition by featuring artists who are dedicated to their ideas and to contemporary artmaking.