This demented look at destructive mass consumption barely
approaches feature length.
«Idiocracy's» demented look at destructive mass consumption barely
approached feature length.
Not exact matches
Cate Blanchett doesn't play 13 characters so much as embody 13 different ideas and
approaches to 20th century art in Manifesto, German video artist Julian Rosefeldt's
feature -
length version of his eponymous, multi-screen installation from 2015.
From his early days as a fresh and creative music video director for artists such as Fatboy Slim, The Beastie Boys, and Björk, Spike Jonze has continued his unique style and original
approach with his
feature length films, effectively carving out niche in the film industry for himself.
As far as zany dark comedies go, Moonwalkers never
approaches Dr. Strangelove territory, but Antoine Bardou - Jacquet's
feature -
length debut provides more than enough laughs and ridiculous entertainment.
It's too much of a «kitchen sink»
approach to comedy to ever sustain such a simpleminded storyline in a full -
length feature film.
Perhaps the best way to
approach All These Sleepless Nights, then, is not as documentary or even as drama, but as an abstract
feature -
length snapshot of youth in transition from the devil - may - care aimlessness of adolescence, to the initial agonized stirrings of adulthood.
At its best (Funny People, maybe), this
approach imbues lowbrow humor with genuine pathos; at its worst, as with Will Ferrell and Kevin Hart's
feature -
length (and Apatow - free) 2015 prison - rape joke Get Hard, it veers into plain old homophobia.
Taking the use of the age - old measurement unit the cubit (the
length of a forearm) in ancient art forms as a point of departure, this show
features artists who have developed their own systematic
approaches to artmaking.
While her work carries a sustained atmosphere of profound meditativeness, her strategies of
approaching art range broadly across the spectrum, from photography to paintings to performance to
feature -
length films — a diversity attested to by the fact that she has won both the Golden Lion at the Venice Biennale (in 1999) and the Silver Lion at the Venice Film Festival (in 2009).