Sentences with phrase «approaches to painting by»

She witnessed first hand painting's resurgence in the 1980s through the vibrant Köln - based art scene, where radical and experimental approaches to painting by artists such as Martin Kippenberger and Albert Oehlen began a dramatic expansion of the field.

«For more than twenty years, Laura Owens has pioneered an irreverent and innovative approach to painting by challenging its conventions while remaining deeply committed to its visual and emotional possibilities.

Not exact matches

Unfortunately for the Bank of Canada, market participants have struggled to accept that the paint - by - numbers approach to communication that became the norm during the financial crisis was never meant to last.

As far as the experiment, I was a part of an Eldership that was approached by the Youth group seeking permission to paint their youth room.

A more pictorial and naturalistic but no less conceptualized variation on this approach is the popular painting by William Holman Hunt, The Light of the World (1851 - 1853), in which Christ knocks at the allegorical door of the heart, waiting to enlighten it with his lamp of truth.

My patience almost as depleted as my phone battery, we approached the grotto proper to kneel before a large bright painting of the Virgin depicted in red robes and untying knots handed to her by nearby angels.

The neo-Thomistic revival of the early twentieth century was painted in dark colors by the nouvelles théologiens, and their criticism of «arid» scholastic approaches in theology contributed to the steep decline of Thomism after Vatican II.

This painting shows six humanlike figures and two bristly animals of no known species, one led by a thong attached to its nose, the other being approached by two men with spears.

In addition to presenting the general findings of the investigation by the NU - ACCESS team, Katsaggelos will highlight the use of super-resolution approaches to estimate high - resolution XRF images and how these data are used in the art historical interpretations of the painting.

My procrastination ended when I was approached by Ipaint to try out one of their amazing paint products.

When I was approached by DecoArt to work with their new Outdoor Living paints available at Hobby Lobby, I knew I wanted to take on a project and do something to help spruce up our yard.

As labor - intensive missions go, then, «Loving Vincent» — a fictionalized inquest into the Dutch - born, France - adopted genius Vincent van Gogh as his final days are remembered by those close to him — is an appreciation of one man's celebrated art by way of a startling approach: animating a movie out of 65,000 oil paintings, all done by hand, by 125 professional oil - painters.

By comparing individuals» subjective interpretations and feelings (through interviews) with large scale data (in reports) and laws (outlined by human rights and Thai national laws), the research utilizes the triangulation approach to come up with a study that attempts to respect both the micro (individual) and macro (context) and therefore paint the human faces of displaced persons affected by factors beyond their control (conflict in Myanmar and Thai politics and lawBy comparing individuals» subjective interpretations and feelings (through interviews) with large scale data (in reports) and laws (outlined by human rights and Thai national laws), the research utilizes the triangulation approach to come up with a study that attempts to respect both the micro (individual) and macro (context) and therefore paint the human faces of displaced persons affected by factors beyond their control (conflict in Myanmar and Thai politics and lawby human rights and Thai national laws), the research utilizes the triangulation approach to come up with a study that attempts to respect both the micro (individual) and macro (context) and therefore paint the human faces of displaced persons affected by factors beyond their control (conflict in Myanmar and Thai politics and lawby factors beyond their control (conflict in Myanmar and Thai politics and law).

The rationale for a quantitative approach to investing was first described by James Montier in his 2006 research report Painting By Numbers: An Ode To Quanto investing was first described by James Montier in his 2006 research report Painting By Numbers: An Ode To Quanby James Montier in his 2006 research report Painting By Numbers: An Ode To QuanBy Numbers: An Ode To QuanTo Quant:

In his 2006 research report Painting By Numbers: An Ode To Quant (via The Hedge Fund Journal) James Montier presents a compelling argument for a quantitative approach to investinTo Quant (via The Hedge Fund Journal) James Montier presents a compelling argument for a quantitative approach to investinto investing.

Greeted by the world's largest Buddha statue as you approach (and a large family of very extroverted monkeys), the 520 - foot walk up leads to a series of five large caves housing roughly 150 museum - worthy Buddha statues and paintings.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

Romanian - born, identical twin brothers Gert & Uwe Tobias show new ceramcis and paintings in Rodolphe Janssen's solo presentation (A5), while alternative approach to painting, no less informed by historical precedents, can be found in the work of Belgian - Syrian Farah Atassi, whose stand François Ghebaly Gallery (D1) is dedicated to.

«JACK WHITTEN: Five Decades of Painting» Museum of Contemporary Art San Diego, La Jolla, Calif. Sept. 20, 2014 — Jan. 4, 2015 Jack Whitten's approach to abstraction is distinct, defined by his career - long commitment to evolving his practice.

Brennan conceives each new work by first mixing a specific color, which then determines his particular approach to making the painting.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

Hill's approach to painting — layering lines, shapes, and swathes of color — is informed by traditions of collage as well as digital artmaking tools.

Hofmann's celebrated rectangle - and color - filled paintings, influenced by Cubist approaches to form, are a significant part of the collection.

School of London was a term invented by artist R.B. Kitaj to describe a group of London - based artists who were pursuing forms of figurative painting in the face of avant - garde approaches in the 1970s

The artists are each represented by a particular body of work made in series, demonstrating different approaches to the painting process and using different formats and supports.

As a student in the mid to late 1920s Rothko was influenced by Max Weber, Arshile Gorky, and Milton Avery, from whom he learned very different ways of approaching painting.

Continuing the Warholian reference, on show will be a series of large scale unique silkscreened portraits of the artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based on Warhol's urine oxidation paintings, abstract works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.

Using light as a conceptual manifestation of the physicality of paint itself, works such as Three Fluorescent Tubes (fluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculptural impulses.

This exhibition brings together paintings and works on paper by Jane Freilicher and Jane Wilson — two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing traditional definitions of landscape and still life painting.

This will be followed at 4:00 p.m. by a panel discussion with artists Mike Hoolboom, Willie Doherty and Uwe Wittwer about their approaches to documentary through film, painting, and installation.

Bibi Katholm's work is characterized by an expanded approach to painting resulting in various mix media experiments and driven by a constant curiosity about materiality and recycling.

Investigating approaches to painting, the use of medium, the way we paint, challenging easel painting by holding the structure freely in one hand and applying paint through the other — this allows a more fluid approach to painting, an almost organic process in which artist, support, media and brush work in unison without normally rigid intervention of easel or wall.

The energy that imbues these pieces is infectious, and necessarily so: the viewer participates in the work by physically moving around the gallery: circling the glass sculptures to watch them sparkle from all angles; gazing up and peering down; approaching the paintings and inspecting them from sniffing distance, to reveal the secret symbols that construct their artful chaos.

Influenced by representational artists such as Fairfield Porter and Alex Katz, during her studies Fish was not always encouraged in her realistic approach, considering the fact that prestigious university's art programs advocated the idea of inferiority of the figurative painting in relation to abstraction or conceptual work.

Admiring the directness of Picasso's artistic approach and strongly influenced by both Abstract Expressionism and Francisco Goya's overwhelming black paintings, he set out to explore the language of composition and colour.

The son of architect Ernst Freud and grandson of Sigmund Freud, Lucian Freud's early artistic practice was characterized by a meticulously realistic approach to painting.

The point of departure for the exhibition is a particular shade of violet that all three artists coincidentally found themselves using, with this coincidence inspiring an interest in seeing their work side by side, to draw a line between their practices and their innovative approaches to painting.

Cubism: Cubism was a revolutionary new approach to representing reality invented in around 1907 by artists Pablo Picasso and Georges Braque who aimed to bring different views of subjects together in the same picture, resulting in paintings that appear fragmented and abstracted.

Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach such as Chantal Joffe, Neal Tait and Dinos Chapman.

All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.

Entitled Tworkov Paints a Picture, the piece walked readers through Tworkov's approach to painting and demystified abstraction by presenting it as a deliberate process in which an artist uses color, line, and flame - like brushstroke to express a subject, much like in figural representation.

Influenced equally by music, storytelling, and individual history, McArthur Binion has described his approach to painting from the position of a «rural Modernist» and one through which he «abridges the lyricism of colour with a Black rural sensibility.»

Quiet, reflective and mysterious, paintings by the Brooklyn - based artist continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological landscape.

Through his investigational approach, Otero combines the traditional act of painting with his innovative creation of «oil skins,» produced by layering oil paint on glass and then peeling it off in «sheets» before transferring it to canvas.

Quiet, reflective and mysterious, new paintings by Brooklyn - based artist Jules de Balincourt continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological landscape.

Associated in the 1960s with Nouveau Réalisme alongside Arman, Christo, Yves Klein and Jean Tinguely and inspired by the designs of Gaudi, Saint Phalle is remarkable for her multi-media approach, from large - scale painted sculptures to enamelled jewellery.

«By the early 1980s, Brodsky's approach involved an exploration of flattened pictorial space built up from layers of pigment that create an overall surface pattern of light and shade, the whole animated by energetic ribbons of color that dance across the canvas as a record of the artist's spontaneous gesture, attesting to his engagement with the process of painting itself,» wrote ChaliBy the early 1980s, Brodsky's approach involved an exploration of flattened pictorial space built up from layers of pigment that create an overall surface pattern of light and shade, the whole animated by energetic ribbons of color that dance across the canvas as a record of the artist's spontaneous gesture, attesting to his engagement with the process of painting itself,» wrote Chaliby energetic ribbons of color that dance across the canvas as a record of the artist's spontaneous gesture, attesting to his engagement with the process of painting itself,» wrote Chalif.

WalkingStick, a citizen of the Cherokee Nation, is best known for her distinctive approach to painting and for her diptychs, side - by - side square paintings in which she portrayed landscapes inspired by her home and travels alongside abstract panels representing spiritual or «mythic» memories.

By the mid-1950s, Calderara began to move away from figurative painting to embrace a more geometric approach, radically reducing both the scale and the compositional elements of his paintings through use of simple forms and flat blocks of nebulous and subtle colour.

A citizen of the Cherokee Nation, she is best known for her distinctive approach to painting and for her diptychs, side - by - side square paintings in which she has portrayed landscapes inspired by her home and travels alongside abstract panels representing spiritual or «mythic» memories.