Sentences with phrase «approaches to painting today»

Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL DOGMA, Metro Pictures, New York, NY, USA Contemporary Painting, 1960 to the Present, Selections from the SFMOMA Collection, San Francisco Museum of Modern Art, San Francisco, CA, USA Mix / Remix, Luhring Augustine, New York, NY, USA The Painting Factory: Abstraction After Andy Warhol, The Museum of Contemporary Art, Los Angeles, CA, USA (catalogue) Print / Out: 20 Years in Print.

2012 Phantom Limb:: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL 2012 Paintings from the Rubell Family Collection, Fundacion Banco Santander, Madrid, Spain (cat.)

Bringing together a broad range of painters of different countries, 5x5: Other Voices, seeks to address various approaches to painting today.

Bringing together a broad range of painters of different countries and of different generations, the exhibition seeks to address various approaches to painting today.

2012 Pothole, Salon 94, New York, NY, United States Cellblock I & II, Andrea Rosen Gallery, New York, NY, United States California, Charles Riva Collection, Brussels, Belgium Spheres 2012, GALLERIA CONTINUA / Le Moulin, Boissy - le - Châtel, France Crossing Mirrors, Rosenblum Collection & Friends, Paris, France Americas, Modern Collections, London, England Sõida tasa üle silla (ride gently over the bridge), ART IST KUKU NU UT, Tartu, Estonia The Mash Up: Collage from the 1930's to present, L&M Arts, Los Angeles, CA, United States Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL, United States The Painting Factory: Abstraction After Warhol, Museum of Contemporary Art, Los Angeles, CA, United States, (cat.)

Exhibitions such as Paint Things (January 27 — April 21, 2013) at deCordova Sculpture Park and Museum and Phantom Limb: Approaches to Painting Today (May 5 — October 21, 2012) at Museum of Contemporary Art Chicago have brought together artists working through resuscitated painting traditions to rebrand process, materiality, and form in ways that are not easily labeled.

Approaches to Painting Today, an exhibition on view through Oct 21, 2012.

Not exact matches

«Among the wildly disparate features of today's art - world landscape, two modes of pictorial thought with venerable lineages have recently re-emerged: materials - oriented abstract painting, and a linear approach to the investigation of the third dimension that may conveniently be referred to as «drawing in space.»

The disaster paintings also veer into abstraction, an approach that continues to interest Sultan in his work today.

Kardon would like to see the «whatever» attitude so pervasive in contemporary painting today give way to a more rigorous, mindful approach.

On the occasion of Frank Stella: A Retrospective, this roundtable discussion with artists Walead Beshty, Keltie Ferris, Jordan Kantor, and Sarah Morris explores key aspects of Stella's heterogeneous approach to painting and its significance for younger generations of artists working today.

International in outlook, it draws together artists from every continent and documents the unprecedented variety of approaches and mediums used by today's artists — from oil paintings and bronze sculptures to video installations and performance.

Featuring the work of 21 artists from eight different countries, this exhibition will trace many different approaches to the practice of painting today.

To those who know his work today, it may come as a surprise to learn that his early work, resulting from the more introverted approach, consisted mainly of very small paintings done in egg tempera and entirely with brushes, somewhat in the manner of Vermeer, whom he still greatly admireTo those who know his work today, it may come as a surprise to learn that his early work, resulting from the more introverted approach, consisted mainly of very small paintings done in egg tempera and entirely with brushes, somewhat in the manner of Vermeer, whom he still greatly admireto learn that his early work, resulting from the more introverted approach, consisted mainly of very small paintings done in egg tempera and entirely with brushes, somewhat in the manner of Vermeer, whom he still greatly admires.

The artist was praised by the judges for her «uncompromising tackling of issues including colonial history and how racism persists today» as well as her «expansive and exuberant approach to painting, which combines satire and a sense of theatre».

The contemporary art prize is named after Turner because while today he may be considered one of Britain's greatest traditional artists, in his time his approach to landscape painting was controversial, and often reviled, yet had a lasting impact on art.

In part, a survey of the discipline of painting today, the works display a range of approaches, styles and conceptual concerns, and point to painting's continued relevance.

The diversity of approaches in the exhibition — drawings, watercolours, prints, paintings, texts, videos, performance, and photographs — attests to the expanded view of landscape for today's artists.

«Among the wildly disparate features of today's art - world landscape, two modes of pictorial thought with venerable lineages have recently re-emerged: materials - oriented abstract painting, and a linear approach to the investigation of the third dimension that may conveniently... read more... «The backstory: Poons and Taylor»

While each artist's approach to the discursive nature of painting is unique, the exhibition as a whole asks how painting today is distinct from its art historical predecessors.

Approaching the complexities of gender and sexuality, Dawn Mellor explores the painful aspects of female experience, often linked to today's obsessions with celebrity, while John Kirby's paintings describe, allegorically, the suffering of people squeezed into the straightjackets of religious, sexual and social norms.

Perhaps reflecting the wide range of approaches artists engage today, the Whitney rejected a team approach and selected three separate curators: Anthony Elms, Associate Curator at the Institute of Contemporary Art, Philadelphia; Stuart Comer, Chief Curator of Media and Performance Art at MoMA; and Michelle Grabner, artist and Professor in the Painting and Drawing Department at the School of the Art Institute of Chicago; to organize their own independent sections of the show.

«The artists in Where We Are point to the complexity of voices and richness of approach among African artists today, working as they do in video, photography, painting, mixed - media, sound installation, and sculpture,» says East.

The painter and professor talks about her feminist, artist - first approach to the Biennial and the women driving abstract painting today.

According to Robin, Gear's approach is quoted (though probably unconsciously) in much contemporary abstract painting today which is the poorer for it.

One of the most acclaimed artists working today, Alex Katz (b. 1927) surprised the American art world during the 1950s with his refreshingly innovative approaches to painting portraits, landscapes, and still lifes.

Like so many abstract painters of today, including the omnipresent Brice Marden and monastic Jake Berthot, Jensen seems to have a deep fascination with Eastern culture, where at least a philosophical stance and an approach towards the handling of paint — the tension between freedom and control — are still seamlessly unified.