Sentences with word «appropriationist»

The character of Flood's work is not the critique of a detached and ironic appropriationist, but rather more a tirade of extreme opinion in a heated argument about culture.

While Craven's candy - colored canvases have drawn formal comparisons to Elizabeth Peyton's and Alex Katz's, her project is more closely aligned conceptually with ace appropriationists Sturtevant and Sherrie Levine.

Roberta Smith (the New York Times, September 5, 2013) wrote: «Rodriguez is a latter - day Conceptual artist with a preference for physical perfection similar to appropriationist precursors like Sherrie Levine, Louise Lawler and Sarah Charlesworth.

The bright side, art - critically speaking, is that Richard Prince's appropriationist Instagram portraits help foster awareness by putting a patriarchal face on this exploitative capitalist ontology which subjugates us all.

The case has been one of the most - closely watched in the art world, because the matter at the heart of the legal quarrel is whether Prince, a famously provocative appropriationist, was within his rights as an artist to freely use Cariou's work as fodder for his own art.

References or «quotations» are drawn from the history of Abstract Painting, particularly Abstract Expressionism and 1980s Abstracts Appropriationists, which are nourished by source materials including graphic design, advertising and pop culture.

A devoted collector and bibliophile — as one might expect of a celebrated appropriationist who found his calling while working on the Time - Life clippings desk — Prince has on display rare, beat - era publications and ephemera, pulp paperbacks, and even a few copies of Art - Rite, the goofy newsprint art magazine I helped put out in the 1970s.

It echoes proto - appropriationist Elaine Sturtevant's photographic revisiting of another Man Ray image, Adam and Eve, but this collaged, thrown - together female form — reflecting allusively, perhaps like Another Interlude, on the place of women in art history — has a power to disconcert and disquiet that is entirely its own.

Appropriationist strategies are associated with multiple generations of artists in the 20th century alone, each of whom have approached the idea of «appropriation» in different ways.

Michele D'Aurizio: Your painting practice is grounded in appropriationist tactics.

In the»60s Pettibone began making copies of new art in different scale by artists such as Andy Warhol, Roy Lichtenstein and Frank Stella, making him a precursor of such later post-modern appropriationists as Sherrie Levine.

Malcolm X (Spike Lee, 1992) and Lumumba (Raoul Peck, 2000) are discussed from the important perspective of whether they represent racial - colonialist «appropriationist» or «assimilationist» narratives, and Bingham uses specific textual details (including cinematic techniques), extensive background production research, and his own logical argumentation to substantiate his opinions on these significant issues.

Sturtevant says that her own work continued to be largely misunderstood but adds that Levine and the appropriationists were crucial in helping to clarify it, because she was able to define herself in opposition to them.

In these works, political paraphernalia commingles with cartoons, corporate logos, and art - about - art verging on the appropriationist: references to Bruce Nauman and Ed Ruscha appear alongside paraphrases of Philip Guston's well - known drawings of Nixon and large - scale versions of figures by Jean Dubuffet.

Prince is not just an appropriationist, though he first appeared on the New York scene in the mid-1970s as just that, and as the then partner of Cindy Sherman, for whom success came much more quickly.

Following in the footsteps of his appropriationist forbears from the 1970s and 80s such as Sherrie Levine and Richard Prince, and staking a claim for the hand - produced in today's digital world, Dávila starts with structures so well - known they're often taken for granted, and reformats each with a renewed awareness occurring as a result.

Labeled a «lipstick feminist» by the art world — she once recast Yves Klein's «Blue Venus» in cherry - red lipstick, and frequently uses cosmetics in her work — Lachowicz's art falls under many headings: appropriationist, conceptual, feminist, postminimalist.

Richard Prince at Gagosian This new painting by the appropriationist maestro shows us a new side of his cowboy hero, off the job and sidled up to the bar — a country - Western version of Manet's A Bar at the Folies - Bergère, let's say.

For the July - August - September 2015 issue we delve into the appropriationist, realist and photorealist tendencies that characterize the practices of several emerging figurative painters.

«When the appropriationists came, it gave me negative definition, which is great because it gives you the ability to come in,» Sturtevant said at Gavin Brown.

Call Guyton and Walker «neo-formalists» or «appropriationists» or just remarkably accomplished, but their photo - label paint - can pyramids, their use of Ketel One Gothic - lettered ad copy and their serrated knife serial paintings seem Warholian without being derivative.

Julia Wachtel, a New York painter born in 1956, came of age with the appropriationists, but until recently her multi-panel compositions of found photographic images juxtaposed with cartoons and prehistoric icons have remained relatively obscure.

Standing apart from most Pop artists or Appropriationists, Salle insists that his work «has absolutely nothing to do with popular culture... there are very few real references in the work; and the references are not to popular culture or to art, but perhaps to art - like things.

His new mystical abstract paintings are mesmerizing, like technicolor Forest Bess's, without any appropriationist irony.

My sense of entitlement as someone who creates original work certainly played into this sentiment, but as the saying goes «I didn't speak up when they came for the appropriationists...»

On my Saturday excursion, Margo Leavin was showing new work by the queen of the appropriationists, Sherrie Levine; Stuart Regen was showing a new batch of nasty joke paintings by Richard Prince; Manny Silverman was hosting a modest retrospective of paintings by Sam Francis; and the Kohn Turner Gallery was showing new work, based on Brancusi and Ezra Pound, by Richard Pettibone.

For Making History: 2009, Wilner decided to utilise British newspapers for the entire year as source material for his appropriationist draftsmanship, primarily The Guardian, but also The Times, The Daily Telegraph, The Independent and even The Sun.