Sentences with phrase «aquatint -lsb-»

Image: Lot 164 Brice Marden, Cold Mountain Series, Zen Studies 2, etching and aquatint, 1991.

HELEN FRANKENTHALER A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and pochoir in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, a crease at the upper right sheet corner, otherwise apparently in good condition, not examined out of the frame P. 5 x 21 1/4 in.

Helen Frankenthaler American - New York (born1928 --RRB- Aquatint «Ganymede» Circa 1978.

She also works with numerous mediums including pencil, ink, conte, oil pastel, gouache, drypoint, aquatint, screen prints, woodcuts, and lithography.

Wayne Thiebaud, Delicatessen, from the book Delights, 1964 / published 1965, aquatint on paper, Smithsonian American Art Museum, (c) 1965, Wayne Thiebaud, Gift of Mr. Frank Lobdell, San Francisco, 1992.43.16

HELEN FRANKENTHALER A Page from a Book: I - III three etchings with aquatint in colors, 1997, on TGL handmade, all signed and dated in pencil, all numbered 11/60 (there were also 16 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, all with full margins, very minor surface soiling, a few lightly skinned areas in the margins, one with a very pale moisture stain at the upper right margin edge, otherwise all in very good condition all P. approx. 4 1/8 x 18 1/4 in.

Artist: Tighe O'Donoghue, American (1942 --RRB- Title: The Winds - Il Sirocco Year: circa 1979 Medium: Etching with Aquatint, signed in pencil Edition: I / XV Size: 30 x 22 in.

Available at VFA: Frank Stella Egyplosis Relief, 1996 Relief etching and aquatint in colors on handmade TGL paper, 31.5 X 31.5 in., Edition of 36

HELEN FRANKENTHALER Round Robin etching, aquatint and mezzotint in colors, 2000, on TGL handmade, signed and dated in pencil, numbered 12/30 (there were also 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, traces of extremely minor surface soiling in the margins, otherwise in excellent condition, framed P. 6 7/8 x 16 1/4 in.

HELEN FRANKENTHALER (b. 1928) Frankenthaler Deep Sun (Harrison 119) etching and aquatint in colors, 1983, on White St. Armand handmade, signed and dated in pencil, numbered «A.P. 13/16» (the edition was 54), with the Tyler Graphics blindstamp, with full margins, in very good condition, framed S. 30 x 39 in.

HELEN FRANKENTHALER Plaza Real (H. 139) soft - ground etching and aquatint, 1987, on Rives BFK, signed and dated in pencil, numbered 59/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., the full sheet, the palest mat staining, very minor soiling showing only in the margins and on the reverse, otherwise in good condition, framed P. 20 x 26 1/2 in.

Jasper Johns Untitled — from the Geldzahler Portfolio, 1998 Aquatint / Etching 29-3/4 X 22 inches Edition of 75 For Sale at VFA

In addition to popular favorites Francis Bacon, David Hockney, Alex Katz and Roy Lichtenstein, there is a selection of prints by Wayne Thiebaud featuring his iconic candies and treats, as well as two rare landscapes: Freeway Curve, color aquatint and etching, 1979 - 80 and River and Farm, color direct gravure with drypoint, 2002 ($ 6,000 to $ 9,000 and $ 3,000 to $ 5,000, respectively).

Helen Frankenthaler (American, b. 1928) Spring Veil, 1987; Aquatint with drypoint in colors; Signed, dated and numbered 12/51; 17 1/4» x 25 3/4» (sheet); Publisher: 2RC Edizioni d «Arte, Rome; Literature: Harrison 125; Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York

HELEN FRANKENTHALER A Page from Book III, from This is Not a Book etching, aquatint, mezzotint and stencil in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 20/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, pale time staining, traces of pale foxing, otherwise in good condition, framed P. 4 x 17 3/4 in.

HELEN FRANKENTHALER Earth Slice (H. 59) etching and aquatint in colors, 1978, on mauve HMP handmade, signed and dated in pencil, numbered 9/46 (there were also 12 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, with wide margins, in very good condition P. 8 3/4 x 19 5/8 in.

Etching, aquatint, spitbite, and sugarlift with engraving.

Etching with aquatint, sugarlift, spitbite, and drypoint.

Helen Frankenthaler Sunshine After Rain 1987 Etching, aquatint and drypoint in colors, on Fabriano paper, with full margins, I. 33 3/8 x 27 3/8 in (84.8 x 69.5 cm); S. 46 1/4 x 36 1/2 in (117.5 x 92.7 cm) signed, dated «87» and numbered 62/67 in pencil (there were also 8 artist's proofs), published by 2RC Edizioni d'Arte, Rome (with their blindstamp), minor soiling in the margins, otherwise in very good condition, framed.

A highlight of the sale was Cold Mountain Series, Zen Studies 2, a 1991 etching and aquatint by Brice Marden, which sold for $ 60,000, a record for the print.

Julie Mehretu, American born in Ethiopia, 1970 Auguries, 2010, a 12 - part color etching with liftground aquatint

Etching, drypoint, aquatint, and burnishing on wove paper.

Set of four etchings with aquatint in colors on Somerset paper 26 1/4 x 19 1/4 inches each Edition of 73 Each signed & dated in pencil «J Johns» 87» lower right Each numbered in pencil lower right Printed by John Lund, Hitoshi Kido, Craig Zammiello, Keith Brintzenhofe Published by Universal Limited Art Editions, 1987, with their blindstamp

Featuring more than 100 works dating from 1972 — 2002, Chuck Close Prints illustrates the artist's range of invention in etching, aquatint, lithography, handmade paper, direct gravure, silkscreen, traditional Japanese woodcut, and reduction linocut.

Original Etching, Aquatint and Carborundum on wove paper.

Christ on the Cross (1936) aquatint on paper, private collection.

The sugar lift aquatint, incorporates carborundum and hand painting on 5 hand - torn sheets of Moulin de Gue paper and measures 96 x 240 inches.

The Jasper Johns Seasons Set of Four etchings with aquatint that Joseph K. Levene Fine Art, Ltd. is offering for sale is exceptionally fresh and bright and in overall excellent condition.

They created more than 70 editions together, mostly using etching and aquatint.

It was only from 1963 that she began to explore various techniques (screen printing, lithography, offset, aquatint), which enabled her to develop her research into abstraction.

Gillian Ayres - Finnegan's Lake, 2001, liftground & aquatint with carborundum (Silicon carbide) & hand painting on paper, 55.9 x 45.7 cm, © Gillian Ayres

Naves notes that «In Resika's intaglio prints, gritty fields of aquatint are emboldened by staccato hatching; clubby lines dance upon zooming, milky expanses; and dense swaths of texture both set off and engulf Resika's motifs: boats, lighthouses and nudes on the beach.

She writes: «Though printmaking has been an important means of expression for many artists of his generation, it was a brief endeavor for Twombly... That said, he worked in nearly all traditional printmaking techniques... including line etching, mezzotint, aquatint, lithography, and screenprinting... Many of them were issued as portfolios, in keeping with his mode of painting and drawing in cycles.»

Jasper Johns, The Seasons (Spring, Summer, Fall Winter), 1987, complete set of four etchings with aquatint.

Color aquatint and hard ground etching, 11 3/4 x 11 1/2 inches [Cat.

Artist: Adolph Gottlieb Title: Imaginary Landscape I Year: 1971 Medium: Aquatint Etching, signed and numbered in pencil Edition: 73/90 Image Size: 17.5 x 24 inches Size: 26 x 32 inches

Brice Marden Zen Studies 1 - 6: Plate 1 1990 (Tate 42) Etching and aquatint Sheet: 27 1/4 x 35 1/4 inches Framed: 31 1/2 x 39 1/4 inches Edition 1 of 35 Signed, dated, and numb...

In the project space Stephanie Graegin exhibits a new suite of etchings with aquatint «Twelve Thoughts on Family and Other Incidents» that explore both the whimsy and the dark mystery of childhood.

Jennifer Melby Editions: Andrew Spence, Untitled, 1996, Etching and aquatint, Paper size: 29 x 18 in., Image size: 22 x 11 in., Edition of 25

Brice Marden Untitled 2012 Etching and aquatint on Somerset paper Plate: 11 3/8 x 13 1/4 inches (28.9 x 33.7 cm) Sheet: 21 1/2 x 22 1/2 inches (55 x 57 cm) Framed: 26 x 27 inch...

Working primarily in series in intaglio mediums such as etching, drypoint, and aquatint, Samuel has invited artists to create prints in his Santa Monica studio but has also traveled internationally to collaborate with artists in their own studios.

Martin Puryear, Quadroon (1966 — 67), soft ground etching and aquatint with plate tone monotype on paper, 22 1/4 x 22 inches.

David Hockney, Myself and My Heroes (1961), etching in black with aquatint, 10 1/4 x 19 3/4 inches.

Richard Tuttle, Cloth (2002 - 2005), series of 16 etchings (conceived in groups of four) with aquatint, spitbite, sugarlift, softground, drypoint on fabric collé.

Pace Prints is pleased to present an exhibition featuring James Turrell's Suite from Aten Reign, the artist's newest suite of three aquatint etchings.

• WAYNE THIEBAUD (B. 1920) Van drypoint and aquatint in colors, hand - worked by the artist in colored pencil, on wove paper, 1989 $ 10,000 - 15,000

Artists working in the Crown Point studio bring their unique approaches to the medium, using hard ground etching, drypoint, sugar lift aquatint, and photogravure to name a few techniques.

Among the art chosen by Anderson and acquired especially for the space are Works by Edmund de Waal, Richard Smith, Gloria García Lorca and perhaps most prominently, a wall - spanning handpainted aquatint print by Sir Howard Hodgkin on the theme of past present future.

Brice Marden produced several editions among them Focus I - V (1979), a portfolio of five etchings with aquatint on paper, as well as the After Botticelli series and the Han Shan series (1992).

Etching with aquatint and carborundum printed in colours, with hand - colouing by Jack Shirreff, on wove paper