The first room kicks off with a good «wow» factor from the overseas department of Honourable RAs - eight stunning Ellsworth Kelly lithographs, a bright, shaped - paper
aquatint by Frank Stella, Rauschenberg, Tapies and Paladino.
An artist creates
an aquatint by first covering a metal plate with a fine, even layer of powdered rosin — made from dried pine tree sap.
Until 12 April, the highlighted work is Reims 1914, an etching and
aquatint by Raoul Varin that examines the damage caused to Rheims Cathedral by German shelling during the First World War.
A highlight of the sale was Cold Mountain Series, Zen Studies 2, a 1991 etching and
aquatint by Brice Marden, which sold for $ 60,000, a record for the print.
An etching /
aquatint by American artist James Rosenquist.
This is an abstract etching and
aquatint by American artist James Rosenquist with colorful red, blue, green, and yellow shapes.
Nohow On,
aquatints by Robert Ryman, text by Frank Ohara, 1989 10.5 x 7 inches published by Limited Editions Club, etchings printed by Wingate Studio
Limited edition hand - painted carborundum reliefs and sugar - lift
aquatints by Turner Prize - winning British artist Howard Hodgkin (b. 1932)-- on view for the first time in the United States — will be showcased at Alan Cristea Gallery.
Etchings and
aquatints by Julian Schnabel and George Segal.
Not exact matches
From left, Lot 80, «Snow Storm,» circa 1950 - 55 (charcoal on wove paper) and Lot 81, «The Junk Man,» circa 1955 (etching and
aquatint on cream wove paper) both
by Aaron Douglas.
They range from a vibrant sixteenth - century engraving
by Renaissance artist Hieronymus Wierix to a large - scale
aquatint from 2010
by artist Julie Mehretu.
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, drypoint, and hand coloring 25 x 19 inches edition of 30 published
by Wingate Studio Purchase / Inquire
Violet Geodesic, 1995 etching and
aquatint 30 x 22.5 inches edition of 30 published
by Wingate Studio Purchase / Inquire
Untitled, 2005 set of five hard ground and spit bite
aquatint 21 x 18 inches edition of 20 published
by Wingate Studio Purchase / Inquire
Day for Night State II, 2012
aquatint, sugar lift, white ground, burnishing, and hand painting
by the artist 27.5 x 22.5 inches edition of 30 co-published
by Smith College and Wingate Studio, printed
by Wingate Studio SOLD OUT
Laylah Ali, Untitled, 2002 etching and
aquatint 22 x 22.25 inches edition of 50 collaboration with Paul Kasmin Gallery, printed at Wingate Studio
by Peter Pettengill
Untitled, 2005 set of five spit bite, sugar lift
aquatint, and embossing 21 x 18 inches edition of 20 published
by Wingate Studio Purchase / Inquire
Francis Bacon: Prints features lithographs, etchings and
aquatints, some of which were published
by Marlborough.
Sascha Braunig, Stays, 2016
aquatint etching, soft ground, sugar lift
aquatint, burnishing 39 x 28 inches edition of 25 published
by Wingate Studio
Untitled, 2005 set of five soft ground, spit bite, and sugar lift
aquatint 21 x 18 inches edition of 20 published
by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 five plate color etching,
aquatint, spit bite
aquatint, and drypoint 25 x 19 inches edition of 30 published
by Wingate Studio Purchase / Inquire
Volakis Gallery from Napa and other ports of call showed one of my favorite works in the show
by one of my favorite artists, a 1983 etching and
aquatint with pastel and crayon
by Chilean modernist Roberto Matta.
Blue Tumbler, 2010 three color soft ground etching and
aquatint sheet size 22.5 x 23 inches, plate size 18 x 18 inches edition of 20 published
by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, drypoint, chine collé, and hand coloring 25 x 19 inches edition of 30 published
by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, and chine collé 25 x 19 inches edition of 30 published
by Wingate Studio Purchase / Inquire
It includes lithographs, engravings,
aquatints, photogravures, and woodcuts created
by artists of the late eighteenth, nineteenth, and early twentieth centuries.
Shavasana, 2001 color etching and
aquatint 33.5 x 39 inches edition of 30 published
by Wingate Studio Purchase / Inquire
Untitled, 2005 set of five soft ground and spit bite
aquatint 21 x 18 inches edition of 20 published
by Wingate Studio Purchase / Inquire
Two Part Geodesic, 1995 etching and
aquatint 30 x 22.5 inches edition of 30 published
by Wingate Studio SOLD OUT
Fortune, 1999 color etching and
aquatint 32 x 26.25 inches edition of 40 published
by the artist, printed
by Wingate Studio
Xylor Jane, Third Order Magic Square for Deep Sleep, 2014 three color
aquatint 24.5 x 21.75 inches edition of 22 published
by Wingate Studio Purchase / Inquire Project and Artist Info
Barbara Takenaga, Falling (blue concentrate), 2017 five plate
aquatint etching with soap ground and hand painting
by the artist 33.125 x 25.875 inches edition of 25 published
by Wingate Studio
Orion Martin, H.E.D. (geim n gebult), 2016 five plate
aquatint etching, soft ground, burnishing 42 x 30.5 inches edition of 25 published
by Wingate Studio
Sheet, 2011 etching,
aquatint, spit bite
aquatint, and drypoint plate size 18 x 14 inches, sheet size 17.875 x 13.875 inches edition of 20 published
by Wingate Studio Purchase / Inquire
The French Singer, 1999 color etching and
aquatint 32 x 27.5 inches edition of 60 published
by the artist, printed
by Wingate Studio
John Cage, 75 Stones, 1989; Color spit bite
aquatint with sugar lift
aquatint on smoked paper; 54 x 41 inches; published
by Crown Point Press, San Francisco.
Roger White, Steamed Mirror, 2012 soft ground etching,
aquatint, and spit bite
aquatint 11.5 x 9.5 inches edition of 17 published
by Wingate Studio Purchase / Inquire
Luna, 2005 six color hard ground etching,
aquatint, spit bite
aquatint, sugar lift, white ground, drypoint, and roulette 30 x 22.5 inches edition of 30 published
by Wingate Studio.
Walton Ford, Limed Blossoms, 2007 six plate color etching and
aquatint plate size 12 x 9 inches, paper size 18.5 x 14 inches edition of 100 published
by Paul Kasmin Gallery, produced and printed
by Wingate Studio SOLD OUT
Walton Ford, The Tale of Johnny Nutkin, 2001 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published
by Paul Kasmin Gallery, produced and printed
by Wingate Studio SOLD OUT
There are outstanding works
by at least some of these artists in the Permanent Collection, including Albert Irvin's glorious «Caledonia,» David Nash's «Branch Cube» and «Family Tree,» James Turrell's suite of
aquatints, and a watercolour
by the brilliant figurative painter John Bellany.
Chuck Webster, The Pilgrim, 2014
aquatint, water bite
aquatint, scraping, and dry point 16 x 13.875 inches edition of 15 published
by Wingate Studio Purchase / Inquire
Aquatint published
by Parasol Press, New York, [edition of 40].
Robert Kushner, O Aloe XXII, Harding Family, 2014 chin collé, sugar lift
aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed
by Wingate Studio Purchase / Inquire
Chuck Webster, Fun House, 2015 color etching and
aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20 published
by Wingate Studio Purchase / Inquire
Walton Ford, Benjamin's Emblem, 2000 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published
by Paul Kasmin Gallery, produced and printed
by Wingate Studio SOLD OUT
Views and Mirrors, 1992 set of three
aquatint and line etching plate 21.25 x 21.25, sheet 36.5 x 27.75 inches edition of 35 printed
by Wingate Studio
Untitled, 1997 set of three
aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed
by Wingate Studio Purchase / Inquire
Walton Ford, Swadeshi - cide, 1998 - 99 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published
by Paul Kasmin Gallery, produced and printed
by Wingate Studio SOLD OUT
Chuck Webster, Houses Under the Sea, 2014 three color
aquatint etching, spit bite
aquatint, and sugar lift 38 x 43 inches edition of 15 published
by Wingate Studio Purchase / Inquire