Sentences with phrase «aquatint engravings»

Not exact matches

They range from a vibrant sixteenth - century engraving by Renaissance artist Hieronymus Wierix to a large - scale aquatint from 2010 by artist Julie Mehretu.

The Foley Square Monument New York, 1996 - 97 charcoal, charcoal pencil, and ink with engraving and aquatint on paper 31 1/2» x 24», signed and dated

It includes lithographs, engravings, aquatints, photogravures, and woodcuts created by artists of the late eighteenth, nineteenth, and early twentieth centuries.

Each image combines a variety of techniques and media: charcoal, charcoal pencil, and ink with engraving and aquatint on paper and each measure approximately 31 1/2 x 24 inches.

Richard Hamilton Berlin Interior, 1979 Photogravure, engraving, hard - ground etching, roulette, aquatint and burnishing on Rives paper Paper: 56.3 x 75.6 cm (unframed) 22 1/8 x 29 3/4 in (unframed) Edition of 100 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Marquis de Sade Monument, Charenton, 1997 charcoal, charcoal pencil, and ink with engraving and aquatint on paper 31 1/2» x 24», signed and dated

ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; number 16 from an edition of 20 unique variations).

In the way that an eloquent author's chosen words illuminate a story, Stella's layered printing techniques (lithography, etching, engraving, aquatint, screen printing, mezzotint, relief, collagraph, woodcut, and hot foil stamping) and sculptural forms elucidate the power of a narrative thread to join his works together.

The variety of printmaking techniques on view demonstrates Turner's mastery of serigraphy, linocut, engraving, aquatint, and lithography.

The 150 - plus works in this exhibition will include a comprehensive survey of his career, including copper - plate engravings, woodcuts, reduction linocuts, aquatints, etchings, mezzotints, pulp paper works and tapestries.

The Art of Controversy demonstrates the visual continuity, established by Hogarth's engravings, Goya's aquatint / etchings, and Daumier's lithographs, that fed right into Käthe Kollwitz's woodcuts, and Ralph Steadman's ink drawings, among other examples.

Engraving, etching, aquatint, and drypoint.

Etching, aquatint, spitbite, and sugarlift with engraving.

Together, they combined intaglio, relief screen print, lithography, etching, aquatint and engraving in individual works to create some of the finest art prints every produced.

Unlike the related printmaking techniques of etching, engraving, and drypoint — all line - based — aquatint allows for shading.

He is also an innovative and prolific printmaker — of etchings, engravings, aquatints, silkscreens, linocuts and lithographs — often experimenting with challenging formats and combinations of printing techniques to create highly worked, intensely atmospheric imagery.

Aquatint: A type of engraving that, instead of using a needle to carve a wax ground, precisely spreads powdered rosin (a kind of tar) over the matrix to resist the acid and create various tonalities.

Louise Bourgeois 路易丝 • 布尔乔亚 The Happy House 快乐房子, 2003 Aquatint and engraving 铜版蚀刻与凹雕 Paper size 纸版尺寸: 15 x 17 inches; 38.1 x 43.2 cm Courtesy Harlan & Weaver, New York © Louise Bourgeois Trust

Louise Bourgeois 路易丝 • 布尔乔亚 Male and Female (set of two prints) 男性与女性 (一套两件), 2005 Drypoint, engraving and aquatint with chine collé 中国画仙纸上铜版干刻 、 凹雕与蚀刻制 Paper size 纸版尺寸: 18 1⁄4 x 12 3⁄4 inches; 46.4 x 32.4 cm Edition of 35 Courtesy Harlan & Weaver, New York © Louise Bourgeois Trust

Double elephant folio edition of 103 prints, Hand ‑ colored engravings with aquatint and etching on paper, Dimensions variable.

ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; Number 12 from an edition of 20 unique variations, plus five artist's proofs and four printer's proofs.).

SOLD The Cabin, Ahab and Starbuck (Axsom 209) From the Moby Dick Dome Series 1992 Etching, aquatint and relief engraving on TGL handmade paper 73h X 53w X 6d in.

Frank Stella The Cabin, Ahab and Starbuck from the Moby Dick Domed Series (Axsom 209), 1992 Etching, aquatint and relief engraving on shaped TGL handmade paper 73 x 53 x 6 in 12/20

SOLD Calvinia (Axsom 227) From Imaginary Places 1995 Screenprint, lithograph, etching, relief, aquatint, collograph, engraving on white TGL handmade paper 20.5 h X 52w in.

HELEN FRANKENTHALER Deep Sun (Tyler 201) etching, aquatint, drypoint, engraving and mezzotint in colors, 1983, on St. Armand handmade, signed and dated in pencil, numbered 49/54 (there were also 16 artist's proofs), with the Tyler Graphics blindstamp, with full margins, in excellent condition, framed S. 30 x 40 1/2 in.

SOLD Fossil Whale - Dome from Moby Dick Dome Series 1992 Relief printed etching, aquatint and engraving on shaped TGL handmade paper 74.25 X 53.25 in.

Amongst these selected works, one can admire engravings on fabric as well as drypoints, aquatints, and lithographs on paper that Bourgeois often enhanced with drawings.

Portfolio of sixty photogravure, etching, aquatint, and drypoints with lithography, screenprint, embossing, tattoo - machine engraving, laser cutting, and chine colle; Some with additions of Plasticine, paper collage, enamel, varnish, gouache, pencil, oil, polymer, watercolor, pomade, velvet, glitter, crystals, foil paper, gold leaf, toy eyeballs, and imitation ice cubes

Ellen Gallagher (b. 1965) Deluxe A portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper each: 13 x 10 1/2 in.

Available at VFA: Frank Stella The Funeral — Dome, from the Moby Dick Domed Series 1992 Relief printed etching, aquatint and engraving on shaped TGL handmade paper, 74.25 H X 53.25 W X 6D in., Edition of 20

It includes 75 vividly colored graphic works — etchings, engravings, aquatints, lithographs, collagraphs, screenprints, photo projections, and monotypes — all created over a span of thirty years.

Seventeen color etchings with aquatint are highlighted in the series, along with 82 wood engravings that illustrate the text, written by Rouault.

HELEN FRANKENTHALER Walking Rain lithograph, aquatint, etching and engraving in colors, 1987, on T.H. Saunders, signed and dated in pencil, inscribed «AP» and numbered 12/14 (the edition was 54), with the Tyler Graphics blindstamp, the full sheet, in excellent condition, framed S. 29 1/2 x 22 1/2 in.

This traveling exhibition, organized by the Syracuse University Art Collection, includes all of the aquatints and a selection of the wood engravings and text pages.

HELEN FRANKENTHALER Frankenthaler Blue Current (H. 134) aquatint, spitbite aquatint, soft - ground etching, lithograph and engraving in colors, 1987, on Rives BFK, signed and dated in pencil, numbered 41/52 (there were also 14 artist's proofs), with the Tyler Graphics blindstamp, the full sheet, slight rippling, a faint surface scuff in the bottom left, otherwise in good condition, framed S. 30 x 37.5 / 8 in.