Sentences with phrase «aquatint images»

Robert Motherwell's A la pintura (To Painting) is a sumptuous artist's book of aquatint images and letterpress texts, and one of the most important examples of this genre.

fr.jap.cur, 2008 portfolio of 6 aquatints image: 8 3/8 x 6 in / 21 x 15 cm paper: 16 3/8 x 12 7/8 in / 41.5 x 33 cm edition of 18 distributed by Alexander and Bonin Publishing

Not exact matches

All images: Louise Bourgeois, TOPIARY, THE ART OF IMPROVING NATURE (details), 1998, Portfolio of nine copper plate etchings: drypoint and aquatint, 39 12» x 27 3/4».

Richard Hamilton Patricia Knight II, 1982 Lift - ground and step -, open - bite aquatint, scraper and burnisher on Rives paper Paper: 37.7 x 28.5 cm (unframed) 14 7/8 x 11 1/4 in (unframed) Edition of 50 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Richard Hamilton Patricia Knight I, 1982 Lift - ground aquatint, scraper and burnisher on Rives paper Paper: 38 x 28 cm (unframed) 15 x 11 1/8 in (unframed) Edition of 50 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Each image combines a variety of techniques and media: charcoal, charcoal pencil, and ink with engraving and aquatint on paper and each measure approximately 31 1/2 x 24 inches.

Richard Hamilton Berlin Interior, 1979 Photogravure, engraving, hard - ground etching, roulette, aquatint and burnishing on Rives paper Paper: 56.3 x 75.6 cm (unframed) 22 1/8 x 29 3/4 in (unframed) Edition of 100 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Etchings with sugar lift aquatint and scraping, image 12 x 9 inches each, sheet 15 x 11 1/2 inches each.

image: Kerry James Marshall, Untitled (Handsome Young Man), 2010, hardground etching with aquatint, 24.5 x 19 inches.

Far wall, from left: Richard Smith, image and info below; Dorothea Rockburne, Locus, 1972, series of six relief etching and aquatints on folded paper, each app.

© Paula Rego / Lullaby / Etching and Aquatint / 2009 / edition of 35 / 110 cm (h) 110 cm (w) / Estimate # 2,000 - # 3,000 / Generously donated by the Artist and Marlborough Fine Art / copyright image the artist and Marlborough Fine Art, London MORE DETAILS: HERE

Featured image: Jasper Johns — Seasons, 1987; four etching and aquatints plate: 19 3/8 x 12 7/8 ″ (49.3 x 32.7 cm); sheet: 26 1/8 x 19 5/16 ″ (66 x 49 cm); Gift of Emily Fisher Landau.

Jasper Johns, The Seasons (1990), aquatint and etching, image (irreg.)

Image: Julio Larraz American (b. Cuba, 1944) Magic Eye, 1989 Colored etching and aquatint on paper Museum Purchase with funds donated by Hanna Koch

Jennifer Melby Editions: Andrew Spence, Untitled, 1996, Etching and aquatint, Paper size: 29 x 18 in., Image size: 22 x 11 in., Edition of 25

Artist: Adolph Gottlieb Title: Imaginary Landscape I Year: 1971 Medium: Aquatint Etching, signed and numbered in pencil Edition: 73/90 Image Size: 17.5 x 24 inches Size: 26 x 32 inches

Image: Lot 164 Brice Marden, Cold Mountain Series, Zen Studies 2, etching and aquatint, 1991.

Helen Frankenthaler (1928 - 2011) Spring Veil etching, aquatint and drypoint in colour, 1987, Fabriano Rosaspina paper, signed and dated»87 in pencil, inscribed Bon à tirer, an impression aside from the standard edition of 51 (there were also eight artist's proofs), published by 2RC Edizioni d'Arte, Rome, printed by Vigna Antoniniana, Rome, with their blindstamps, in good condition, framed Image 233 x 355 mm., Sheet: 438 x 654 mm.

Helen Frankenthaler Broome Street at Night 1987 Etching and aquatint with drypoint Edition 61 of 68 Signed «Frankenthaler» 87» lower right, edition lower left Image: 27» x 28»; Sheet: 32» x 33»

Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper 21 x 16 inches 11 3/4 x 8 inches (image size) Edition of 30 with 8 artist's proofs Signed and dated in pencil «Jasper Johns» 12» lower right, numbered lower left Printed by Doug Bennett and John Lund Published by LeRoy Neiman Center for Print Studies, Columbia University

ROBERT MOTHERWELL: I remember when in the last few years I made a series of aquatints with the Gauloises blue cigarette package — because I love that blue — as part of the image, Helen Frankenthaler looking at me with stupefaction and saying, «I can't imagine you being a Pop artist.»

Aquatints with aquatint and drypoint, sheet: 15 1/2 x 15 1/2 inches each; image: 11 3/4 x 11 3/4 inches each.

Aquatint is a type of intaglio printmaking prized by artists for its ability to create richly toned areas in an image.

Self - portrait Artist: Richard Hamilton 1922 - 2011 Date: 1951 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 300 x 196 mm Purchased 1982 © The estate of Richard Hamilton

from Reaper, Reaper (j) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 99 x 225 mm Purchased 1982 © The estate of Richard Hamilton

from Reaper, Reaper (e) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 175 x 222 mm Purchased 1982 © The estate of Richard Hamilton

Anking Artist: John Hoyland 1934 - 2011 Date: 1979 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 673 x 533 mm Purchased 1981 © The estate of John Hoyland

from Reaper, Reaper (h) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 171 x 247 mm Purchased 1982 © The estate of Richard Hamilton

from Reaper, Reaper (g) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 225 x 325 mm Purchased 1982 © The estate of Richard Hamilton

In addition Smith enhanced these images with other aquatint techniques.

Rankin Artist: John Hoyland 1934 - 2011 Date: 1979 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 689 x 546 mm Presented by Rose and Chris Prater 1980 © The estate of John Hoyland

Structure Artist: Richard Hamilton 1922 - 2011 Date: 1950 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 400 x 303 mm Purchased 1982 © The estate of Richard Hamilton

Spanning from Johns's early gridded and layered numbers of the 1960s to the 2010 etching and aquatint Fragment of a Letter — based on an excerpt of a van Gogh missive and rendered in both stenciled type and American Sign Language pictographs — these puzzles compose a half century's exploration of the complexities not just of image making but of representation itself.

HELEN FRANKENTHALER (1928 - 2011) Pompeii Forte etching with aquatint in colors, on CM Fabriano Classico paper, 1976 - 82, signed and dated in pencil, numbered 3/5, published by Donn H. Steward, Halesite, New York, with his blindstamp, with full margins, in very good condition Image: 12 1/4 x 21 1/2 in.

HELEN FRANKENTHALER (1928 - 2011) Causeway, from Doctors of the World Collection etching and aquatint in colors, 2001, on wove paper, signed and dated in pencil, numbered 5/100, published by John Szoke Editions, New York, with full margins, in very good condition Image: 21 5/8 x 31 1/2 in.

Helen Frankenthaler Causeway (Doctors of the World Collection) 2001 Color etching and aquatint on paper # 18 of 100 Published by John Szoke Editions, New York Signed and dated with edition in pencil lower right sheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5»

HELEN FRANKENTHALER (1928 - 2011) La Sardana lithograph and sugar - lift aquatint in colors on Rives BFK paper, 1987, signed and dated in pencil, numbered 4/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., Barcelona, an area of pale discoloration below the subject, otherwise in good condition, framed Image: 27 1/2 x 18 7/8 in.

Helen Frankenthaler (1928 - 2011) Midnight etching, aquatint and drypoint in colours 1987 Fabriano Rosaspina paper signed and dated»87 in pencil, inscribed Bon à tirer edition size: 71 numbered impressions and eight artist's proofs published by 2RC Edizioni d'Arte, Rome, printed by Vigna Antoniniana, Rome, with their blindstamps Image: 495 x 400 mm., Sheet: 811 x 632 mm.

This portfolio with 9 images ranging between drypoint and aquatints, done in 1998, addresses the theme of topiary, the art of pruning trees.

Gemini G.E.L. at Joni Moisant Wey and Crown Point Press were both selling Julie Mehretu aquatints (the former had 12 framed prints hung together to create a large, frenzied architectural image, almost the size of one of her smaller paintings).

Robert Motherwell (American, 1815 - 1991), «Hollow Man,» etching with aquatint on Moriki hand - made paper colle, pencil signed lower right, proof I / II, artist's embossed blind - stamp lower right corner, image: 3.75 «h x 5 «w, sheet: 11 «h x 12 «w, overall (with frame): 15.5 «h x 16 «w

HELEN FRANKENTHALER (1928 - 2011) Yellow Span aquatint in colors, 1968, on Richard de Bas paper, signed and dated in pencil, numbered 15/75, published by ULAE, West Islip, New York, with their blindstamp, with wide margins, the yellow attenuated, light - staining, framed Image: 14 3/4 x 18 5/8 in.

ADOLPH GOTTLIEB Imaginary Landscape I aquatint in colors, 1971, on wove paper, signed and dated in pencil, numbered 29/90, published by Marlborough Graphics, with full margins, a printer's crease in the image, some creasing and very slight soiling in the margins P. 17 5/8 x 23 7/8 in.

HELEN FRANKENTHALER (1928 - 2011) Comet etching with aquatint in colors, on brown Moriki paper collaged to handmade Zaen linen paper, 1980 - 82, signed and dated in pencil, numbered 6/8 (there were also four artist's proofs), published by Donn H. Steward, Halesite, New York, with his blindstamp, with full margins Image: 15 3/4 x 19 3/4 in.

ADOLPH GOTTLIEB (1903 - 1974) Imaginary Landscape aquatint in colors, 1971, on Fabriano paper, signed and dated in pencil, numbered 36/90, published by Marlborough Graphics, Inc., New York, adhered to the overmat in places at the upper sheet edges, otherwise generally in good condition, framed Image: 17 5/8 x 23 7/8 x in.

color etching and aquatint with hand coloring Hahnemühle copperplate bright white paper paper size: 33 3/4 x 44 1/2 inches image size: 24 x 36 inches edition of 18

etching and aquatint with hand coloring Hahnemühle bright white paper paper size: 13 x 16 inches image size: variable edition of 18

aquatint, etching and drypoint Hahnemühle bright white paper paper size: 30 x 22 inches image size: 16 1/2 x 11 inches edition of 33

CARROLL DUNHAM Untitled, 2008 Etching and aquatint Paper size: 25 x 20 inches; 63.5 x 50.8 cm Image size: 15 x 13 inches; 38.1 x 33 cm Edition 30 of 31

Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C - print mounted on Dibond aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5