Sentences with phrase «aquatint on»

Signed «Louise Nevelson» in pencil l.r., titled in pencil l.c., numbered «8/22» in pencil l.l. Etching and aquatint on paper, plate size 13 3/4 x 20 3/4 in.

Helen Frankenthaler 1928 — 2011 Ochre Dust 1987 lithograph and aquatint on paper 24.25 h x 33 w inches Signed, dated and numbered to the lower right «Frankenthaler 87 36/44».

Pompeii Forte, 1976 - 82; Drypoint, etching, sugar - lift etching, sugar - ground etching and aquatint on White CM Fabriano Classico paper; Signed, dated and numbered 2/5; 12 1/4» x 21 1/2» (plate); 22» x 30 1/2» (sheet); Literature: Harrison 88; Provenance: The artist; Donn H. Stewart, thence by decent; Private Collection Signed, dated and numbered in pencil lower recto.

Robert Motherwell (American, 1815 - 1991), «Hollow Man,» etching with aquatint on Moriki hand - made paper colle, pencil signed lower right, proof I / II, artist's embossed blind - stamp lower right corner, image: 3.75 «h x 5 «w, sheet: 11 «h x 12 «w, overall (with frame): 15.5 «h x 16 «w

Signed and dated «Frankenthaler» 67» in pencil l.r., numbered «54/68» in pencil l.l. Color etching and aquatint on paper, plate size 27 x 28 1/4 in.

Sean Scully, Doric, 2011, etching and aquatint on paper, Smithsonian American Art Museum, © 2011, Sean Scully, Gift of the artist, 2013.75.6

ELDZIER CORTOR, «Trio Assemblage # 1 / Composition III,» 1950s (color aquatint on paper).

Helen Frankenthaler Causeway (Doctors of the World Collection) 2001 Color etching and aquatint on paper # 18 of 100 Published by John Szoke Editions, New York Signed and dated with edition in pencil lower right sheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5»

Color etching and aquatint on TGL Handmade.

Etching and aquatint on photogravure Hahnemühle bright white paper.

Sepia Odalisque III, 1998 Artist: Eldzier Cortor 20 3/16 x 13 3/4 inches Etching and aquatint on cream wove paper; Edition: A / P, signed, titled and numbered

Sepia Odalisque I, 1998 Artist: Eldzier Cortor 20 3/16 x 13 3/4 inches Etching and aquatint on cream wove paper; Edition: A / P, signed, titled and numbered

Right: MLK Elegi, 1968, Soft ground etching and aquatint on shaped plate, with burnishing, printed in brown on ivory wove paper

Etching, aquatint on copper plate and silkscreen print, in 5 colours, on Fabriano paper, 78 x 300 cm.

If he really wants to blurt forth imagery of this kind, he should make it a genuine blurt, not a lithographed blurt on Fabriano Esportazione paper or an etched blurt with aquatint on fawn Stonehenge paper.

Structure Artist: Richard Hamilton 1922 - 2011 Date: 1950 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 400 x 303 mm Purchased 1982 © The estate of Richard Hamilton

Rankin Artist: John Hoyland 1934 - 2011 Date: 1979 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 689 x 546 mm Presented by Rose and Chris Prater 1980 © The estate of John Hoyland

from Reaper, Reaper (g) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 225 x 325 mm Purchased 1982 © The estate of Richard Hamilton

from Reaper, Reaper (h) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 171 x 247 mm Purchased 1982 © The estate of Richard Hamilton

Anking Artist: John Hoyland 1934 - 2011 Date: 1979 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 673 x 533 mm Purchased 1981 © The estate of John Hoyland

from Reaper, Reaper (e) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 175 x 222 mm Purchased 1982 © The estate of Richard Hamilton

from Reaper, Reaper (j) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 99 x 225 mm Purchased 1982 © The estate of Richard Hamilton

Self - portrait Artist: Richard Hamilton 1922 - 2011 Date: 1951 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 300 x 196 mm Purchased 1982 © The estate of Richard Hamilton

Helen Frankenthaler A Page From a Book: I - III (3 works) 1997 Etchings with aquatint on handmade paper; two with mezzotint and stencil # 9 of 60 Each signed, dated and numbered; Tyler Graphics blindstamp Each: 10» x 24.75

Wayne Thiebaud, Delicatessen, from the book Delights, 1964 / published 1965, aquatint on paper, Smithsonian American Art Museum, (c) 1965, Wayne Thiebaud, Gift of Mr. Frank Lobdell, San Francisco, 1992.43.16

Christ on the Cross (1936) aquatint on paper, private collection.

Brice Marden Untitled 2012 Etching and aquatint on Somerset paper Plate: 11 3/8 x 13 1/4 inches (28.9 x 33.7 cm) Sheet: 21 1/2 x 22 1/2 inches (55 x 57 cm) Framed: 26 x 27 inch...

Brice Marden produced several editions among them Focus I - V (1979), a portfolio of five etchings with aquatint on paper, as well as the After Botticelli series and the Han Shan series (1992).

Image: Julio Larraz American (b. Cuba, 1944) Magic Eye, 1989 Colored etching and aquatint on paper Museum Purchase with funds donated by Hanna Koch

NICOLE EISENMAN, Untitled, 2012, limited - edition etching and aquatint on Hahnemühle bright white paper, 13 1/2 x 10 5/8 inches, 34.3 x 27 cm.

Aquatint, lift - ground etching and aquatint on Auvergne a la Main Richard de Bas handmade paper 57.8 x 63.8 cms (22.75 x 25.1 ins) Edition of 34 Signed «Motherwell» in pencil...

This etching and aquatint on Pescia Italia paper was created by the artist in 1978.

Etching and aquatint on paper, 15 1/2 x 11 7/8 inches.

John Cage, 75 Stones, 1989; Color spit bite aquatint with sugar lift aquatint on smoked paper; 54 x 41 inches; published by Crown Point Press, San Francisco.

Marquis de Sade Monument, Charenton, 1997 charcoal, charcoal pencil, and ink with engraving and aquatint on paper 31 1/2» x 24», signed and dated

Each image combines a variety of techniques and media: charcoal, charcoal pencil, and ink with engraving and aquatint on paper and each measure approximately 31 1/2 x 24 inches.

Aquatint on pale blue paper, 26.2 x 40.3 cm.

The Foley Square Monument New York, 1996 - 97 charcoal, charcoal pencil, and ink with engraving and aquatint on paper 31 1/2» x 24», signed and dated

Pablo Picasso Sueno y Mentira de Franco (The Dream and Lie of Franco), 1937 etching, sugar - lift aquatint on paper 12 1/2 x 16 5/8 inches

From left, Lot 80, «Snow Storm,» circa 1950 - 55 (charcoal on wove paper) and Lot 81, «The Junk Man,» circa 1955 (etching and aquatint on cream wove paper) both by Aaron Douglas.

Far wall, from left: Richard Smith, image and info below; Dorothea Rockburne, Locus, 1972, series of six relief etching and aquatints on folded paper, each app.

Not exact matches

My work consists of etchings and aquatints and my subject matter is primarily on architecture, scenes and crowds or groups of people related either to my suroundings or from experiences gained travelling overseas.

«Untitled (LA MoCA portfolio),» 1999 (hard and soft ground etching and aquatint, on cream Japanese paper, laid down on white wove paper - chine collé).

Eighteen etchings from the set of thirty - six, some with aquatint and drypoint, on brown Chine colle laid on Fabriano wove paper

When we first started, my inclination was to try to figure out how to make flat planes, and then we ended up doing this last print with a series of eight to ten aquatint planes, all gray tonalities on top of the hard - ground etching.

Richard Hamilton Patricia Knight II, 1982 Lift - ground and step -, open - bite aquatint, scraper and burnisher on Rives paper Paper: 37.7 x 28.5 cm (unframed) 14 7/8 x 11 1/4 in (unframed) Edition of 50 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Lot 46: RADCLIFFE BAILEY (1968 ---RRB-, «Until I Die / Georgia Trees and the Upper Room,» 1997 (color aquatint with drypoint and burnishing, xerography and chine collé on cream wove paper).

Richard Hamilton Patricia Knight I, 1982 Lift - ground aquatint, scraper and burnisher on Rives paper Paper: 38 x 28 cm (unframed) 15 x 11 1/8 in (unframed) Edition of 50 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Richard Hamilton Berlin Interior, 1979 Photogravure, engraving, hard - ground etching, roulette, aquatint and burnishing on Rives paper Paper: 56.3 x 75.6 cm (unframed) 22 1/8 x 29 3/4 in (unframed) Edition of 100 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Soft ground etching and aquatint, with flat bite, in black and red on white wove paper, 22 1/4 x 30 in.