Sentences with phrase «aquatint printed»
Helen Frankenthaler, Page from a Book II and III Two etchings with aquatint printed in colors, 1997, each signed in pencil and dated, numbered 40/60 and 6/60 respectively (total edition includes 16 artist's proofs), on TGL handmade paper, with the blindstamp of the publisher, Tyler Graphics, Ltd., with full margins, in good condition, framed (2 prints) Each sheet 257 by 629 mm 10 1/8 by 24 3/4 in
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Adolph Gottlieb (1903 - 1974) Imaginary Landscape aquatint printed in colours, 1971, signed and dated in pencil, numbered 87/90, published by Marlborough Graphics, London, on wove paper, with full margins, 610 x 455 mm (24 x 17 7/8 in)
Adolph Gottlieb (1903 - 1974) Untitled (For the Benefit of Phoenix House) Etching with aquatint printed in black andyellow, 1972, signed and dated in pencil, numbered 78/125, published by Brooke AlexanderEditions, New York, on wove paper, with fullmargins, in good condition590 x 450 mm (23 1/4 x 17 3/4 in)
Original aquatint printed in colors on BFK Rives wove paper.
Original aquatint printed in 11 colors on Fabriano wove paper.
Thiebaud Wayne Little Red Suckers Aquatint printed in red, 1971 - 2014.
Drypoint, sugar lift aquatint, and spit bite aquatint printed in black from one copper plate on Zerkall Bütten paper
Etching and aquatint printed in colors on Arches wove paper.
Sugar lift etching and aquatint printed in black on BFK paper, hand - colored by the artist
2015 Portfolio of three aquatint prints published by Jennifer Melby Editions, New York, [edition of 20].
Like many of Isca Greenfield - Sanders» paintings, this photogravure and aquatint print, which borders on abstraction, depicts a serene, idyllic scene — a woman wading out into a florescent blue body of water.
Among the art chosen by Anderson and acquired especially for the space are Works by Edmund de Waal, Richard Smith, Gloria García Lorca and perhaps most prominently, a wall - spanning handpainted aquatint print by Sir Howard Hodgkin on the theme of past present future.
In this aquatint print entitled House of Pictures, artist Peter Doig continues his exploration of memory and dreamscape.
The three - color aquatint print, created during her first collaboration with Wingate Studio, employs larger patterns and blocks of color than the Jane's well - known microscopic dots of oil paint, allowing the viewer a sense of the structure behind her meaningfully configured compositions.
New York artist Richard Tuttle achieves a suspended balance in his minimalist portfolio Purple (2001), a set of seven aquatints printed in greens and yellows.
This aquatint print with chine collé was published by Crown Point Press in a small edition size of 10.
Not exact matches
For her edition for the Whitechapel Gallery Ramsden has made a single gesture or «swipe» directly onto the copper etching plate, which has then been printed to create a varied edition of 35 sugar lift aquatints.
In his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchings.
When we first started, my inclination was to try to figure out how to make flat planes, and then we ended up doing this last print with a series of eight to ten aquatint planes, all gray tonalities on top of the hard - ground etching.
Day for Night State II, 2012 aquatint, sugar lift, white ground, burnishing, and hand painting by the artist 27.5 x 22.5 inches edition of 30 co-published by Smith College and Wingate Studio, printed by Wingate Studio SOLD OUT
Laylah Ali, Untitled, 2002 etching and aquatint 22 x 22.25 inches edition of 50 collaboration with Paul Kasmin Gallery, printed at Wingate Studio by Peter Pettengill
Francis Bacon: Prints features lithographs, etchings and aquatints, some of which were published by Marlborough.
Fortune, 1999 color etching and aquatint 32 x 26.25 inches edition of 40 published by the artist, printed by Wingate Studio
The French Singer, 1999 color etching and aquatint 32 x 27.5 inches edition of 60 published by the artist, printed by Wingate Studio
One of the most ambitious of Frankenthaler's prints is the triptych Book of Clouds (2007) that involved a combination of several printing techniques, employing Ukiyo - e style woodcut, aquatint, and pochoir.
Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.
Viewers will appreciate seeing masterful examples, in contemporary interpretation, of familiar and not so familiar printing techniques — woodblock, etching, silkscreen, lithograph, drypoint and aquatint.
Walton Ford, Limed Blossoms, 2007 six plate color etching and aquatint plate size 12 x 9 inches, paper size 18.5 x 14 inches edition of 100 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, The Tale of Johnny Nutkin, 2001 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Color sugar lift and spit bite aquatints with soft ground etching printed on gampi paper chine collé
Robert Kushner, O Aloe XXII, Harding Family, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio Purchase / Inquire
Walton Ford, Benjamin's Emblem, 2000 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Views and Mirrors, 1992 set of three aquatint and line etching plate 21.25 x 21.25, sheet 36.5 x 27.75 inches edition of 35 printed by Wingate Studio
Untitled, 1997 set of three aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed by Wingate Studio Purchase / Inquire
Walton Ford, Swadeshi - cide, 1998 - 99 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Compromised, 2003 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Visitation, 2004 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Dying Words, 2005 six plate color etching and aquatint plate size 14 x 18 inches, paper size 22.5 x 30 inches published by Paul Kasmin Gallery, produced and printed by Wingate Studio edition of 75 SOLD OUT
Untitled, 1997 set of three aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed by Wingate Studio
, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio Purchase / Inquire
Untitled, 1997 aquatint etching plate size 4 x 6.125 inches, sheet 10.75 x 15 inches Edition of 15 printed by Wingate Studio
Nohow On, aquatints by Robert Ryman, text by Frank Ohara, 1989 10.5 x 7 inches published by Limited Editions Club, etchings printed by Wingate Studio
Drawn from the collections of Jordan D. Schnitzer and his family foundation, this exhibition includes more than 25 prints made from a diverse range of techniques, including lithographs, etchings, aquatints, screen prints, and woodcuts.
Walton Ford, La Historia Me Absolvera, 1999 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Robert Kushner, O Aloe XII, Japan, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio SOLD
2007 six plate color etching and aquatint plate size 12 x 9 inches, paper size 21.5 x 16 inches edition of 75 published by Paul Kasmin Gallery, produced and printed by Wingate Studio Price: Upon Request
The Hockney will be followed by three Alex Katz prints: two lithographs: Ann I (Est. $ 1,000 / $ 1,500) and Caroline ($ 700 / $ 1,000), as well as an unusual color spit bite and aquatint titled Beach Sandals, 1987 ($ 2,000 / $ 3,000) from an edition of 60.
Impure Thoughts, 2009 spit bite, aquatint, drypoint, and chine collé 22.5 x 30 inches edition of 30 co-published by Smith College and Wingate Studio, printed by Wingate Studio Purchase / Inquire
Robert Kushner, O Aloe XIXI, Indian Documents, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio SOLD
Mary Cassatt American, 1844 — 1926 Under the Horse Chestnut Tree, 1896 - 1897 Drypoint and aquatint, printed in color from three plates Anonymous Gift 2011.15