Sentences with phrase «aquatint sheet»

Brice Marden Zen Studies 1 - 6: Plate 1 1990 (Tate 42) Etching and aquatint Sheet: 27 1/4 x 35 1/4 inches Framed: 31 1/2 x 39 1/4 inches Edition 1 of 35 Signed, dated, and numb...

Blue Tumbler, 2010 three color soft ground etching and aquatint sheet size 22.5 x 23 inches, plate size 18 x 18 inches edition of 20 published by Wingate Studio Purchase / Inquire

Not exact matches

Four color aquatints, sheet 29 1/4 x 22 3/4 inches.

Sheet, 2011 etching, aquatint, spit bite aquatint, and drypoint plate size 18 x 14 inches, sheet size 17.875 x 13.875 inches edition of 20 published by Wingate Studio Purchase / InSheet, 2011 etching, aquatint, spit bite aquatint, and drypoint plate size 18 x 14 inches, sheet size 17.875 x 13.875 inches edition of 20 published by Wingate Studio Purchase / Insheet size 17.875 x 13.875 inches edition of 20 published by Wingate Studio Purchase / Inquire

Etchings with sugar lift aquatint and scraping, image 12 x 9 inches each, sheet 15 x 11 1/2 inches each.

Robert Kushner, O Aloe XXII, Harding Family, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio Purchase / Inquire

Chuck Webster, Fun House, 2015 color etching and aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20 published by Wingate Studio Purchase / Inquire

Views and Mirrors, 1992 set of three aquatint and line etching plate 21.25 x 21.25, sheet 36.5 x 27.75 inches edition of 35 printed by Wingate Studio

Untitled, 1997 set of three aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed by Wingate Studio Purchase / Inquire

Chuck Webster, Reach A Call in the Sun, 2015 color etching and aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20 published by Wingate Studio Purchase / Inquire

Untitled, 1997 set of three aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed by Wingate Studio

, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio Purchase / Inquire

Robert Kushner, Blue Iris, 2017 five plate aquatint etching with sugar lift, soap ground, and spit bite plate size 24 x 24 inches, sheet size 30 x 30 inches edition of 30 published by Wingate Studio Purchase / Inquire Project and Artist Info

Untitled, 1997 aquatint etching plate size 4 x 6.125 inches, sheet 10.75 x 15 inches Edition of 15 printed by Wingate Studio

Chuck Webster, Gleemer, 2015 color etching and aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 8.5 x 7.1875 inches, sheet size 15.75 x 14 inches edition of 20 published by Wingate Studio Purchase / Inquire

Chuck Webster, Meet Where It's Big (Parade), 2015 color etching and aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20 published by Wingate Studio Purchase / Inquire

Robert Kushner, O Aloe XII, Japan, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio SOLD

Robert Kushner, O Aloe XIXI, Indian Documents, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio SOLD

Featured image: Jasper Johns — Seasons, 1987; four etching and aquatints plate: 19 3/8 x 12 7/8 ″ (49.3 x 32.7 cm); sheet: 26 1/8 x 19 5/16 ″ (66 x 49 cm); Gift of Emily Fisher Landau.

Photographs: «As Time Goes By (Orange)», unique sugar - lift aquatint with carborundum relief on five hand torn sheets of 35gsm Moulin du Gré paper, by Sir Howard Hodgkin (2009 - 2014).

Brice Marden Untitled 2012 Etching and aquatint on Somerset paper Plate: 11 3/8 x 13 1/4 inches (28.9 x 33.7 cm) Sheet: 21 1/2 x 22 1/2 inches (55 x 57 cm) Framed: 26 x 27 inch...

The sugar lift aquatint, incorporates carborundum and hand painting on 5 hand - torn sheets of Moulin de Gue paper and measures 96 x 240 inches.

Helen Frankenthaler (American, b. 1928) Spring Veil, 1987; Aquatint with drypoint in colors; Signed, dated and numbered 12/51; 17 1/4» x 25 3/4» (sheet); Publisher: 2RC Edizioni d «Arte, Rome; Literature: Harrison 125; Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York

HELEN FRANKENTHALER Plaza Real (H. 139) soft - ground etching and aquatint, 1987, on Rives BFK, signed and dated in pencil, numbered 59/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., the full sheet, the palest mat staining, very minor soiling showing only in the margins and on the reverse, otherwise in good condition, framed P. 20 x 26 1/2 in.

HELEN FRANKENTHALER A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and pochoir in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, a crease at the upper right sheet corner, otherwise apparently in good condition, not examined out of the frame P. 5 x 21 1/4 in.

Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins, on three panels of TGL Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil on the right panel (there were also 10 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

Artist: Kiki Smith Title of Work: Jewel (set of three prints) Year: 2004 Plate Dimensions: 8 1/2 ″ x 11 ″ Sheet Dimensions: 14 ″ x 17 ″ Material: Aquatint and etching on paper Photo Line: Courtesy of Harlan & Weaver Collection Credit: Courtesy of Harlan & Weaver

Helen Frankenthaler (1928 - 2011) Spring Veil etching, aquatint and drypoint in colour, 1987, Fabriano Rosaspina paper, signed and dated»87 in pencil, inscribed Bon à tirer, an impression aside from the standard edition of 51 (there were also eight artist's proofs), published by 2RC Edizioni d'Arte, Rome, printed by Vigna Antoniniana, Rome, with their blindstamps, in good condition, framed Image 233 x 355 mm., Sheet: 438 x 654 mm.

Richard Diebenkorn Folsom Street Variation III (Primaries), 1986 Color aquatint with drypoint, soap ground aquatint and flat bite Plate: 12 x 26 inches Sheet: 26 x 40 inches Edition of 60

Helen Frankenthaler Broome Street at Night 1987 Etching and aquatint with drypoint Edition 61 of 68 Signed «Frankenthaler» 87» lower right, edition lower left Image: 27» x 28»; Sheet: 32» x 33»

HELEN FRANKENTHALER Ochre Dust (H. 133) aquatint and lithograph in colors, 1987, on Rives BFK, signed and dated in orange pencil, numbered 35/44 (there were also 12 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, the full sheet, a tiny crease at the upper left corner, otherwise in very good condition, framed S. 24 1/4 x 32 3/4 in.

Aquatints with aquatint and drypoint, sheet: 15 1/2 x 15 1/2 inches each; image: 11 3/4 x 11 3/4 inches each.

Dorothea Rockburne executed a series of near - sculptural prints by folding and then unfolding large sheets of aquatinted paper.

HELEN FRANKENTHALER (B. 1928) Walking Rain (Harrison 130) lithograph, etching, and aquatint in colors, 1987, on T.H. Saunders, signed and dated in pencil, numbered 47/54 (there were also 14 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, the full sheet, in excellent condition, framed S. 29 1/2 x 22 1/4 in.

Helen Frankenthaler (American, b. 1928) Spring Veil, 1987; Etching and aquatint in colors; Signed, dated and numbered; 17 1/4» x 25 3/4» (sheet); Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York

Helen Frankenthaler Causeway (Doctors of the World Collection) 2001 Color etching and aquatint on paper # 18 of 100 Published by John Szoke Editions, New York Signed and dated with edition in pencil lower right sheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5&rsheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5&rSheet: 28» x 37.5»; Frame: 32.125» x 42.5»

Helen Frankenthaler (1928 - 2011) Midnight etching, aquatint and drypoint in colours 1987 Fabriano Rosaspina paper signed and dated»87 in pencil, inscribed Bon à tirer edition size: 71 numbered impressions and eight artist's proofs published by 2RC Edizioni d'Arte, Rome, printed by Vigna Antoniniana, Rome, with their blindstamps Image: 495 x 400 mm., Sheet: 811 x 632 mm.

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 571 mm.

Artist: Kiki Smith Title of Work: Ginzer Year: 2000 Plate Dimensions: 18 ″ x 24 ″ Sheet Dimensions: 22 1/2 ″ x 31 ″ Material: Aquatint and etching on paper Photo Line: Courtesy of Harlan & Weaver Collection Credit: Courtesy of Harlan & Weaver

HELEN FRANKENTHALER A Page from a Book II, from This is Not a Book (not in Harrison) etching and aquatint in colors, 1997, on TGL handmade, signed and dated in pencil, numbered «P.P. II» (a printer's proof, the edition was 60 plus 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, occasional soft rubbing in the margins, otherwise in good condition, framed P. 4 x 18 in.

HELEN FRANKENTHALER Walking Rain lithograph, aquatint, etching and engraving in colors, 1987, on T.H. Saunders, signed and dated in pencil, inscribed «AP» and numbered 12/14 (the edition was 54), with the Tyler Graphics blindstamp, the full sheet, in excellent condition, framed S. 29 1/2 x 22 1/2 in.

Robert Motherwell (American, 1815 - 1991), «Hollow Man,» etching with aquatint on Moriki hand - made paper colle, pencil signed lower right, proof I / II, artist's embossed blind - stamp lower right corner, image: 3.75 «h x 5 «w, sheet: 11 «h x 12 «w, overall (with frame): 15.5 «h x 16 «w

Pompeii Forte, 1976 - 82; Drypoint, etching, sugar - lift etching, sugar - ground etching and aquatint on White CM Fabriano Classico paper; Signed, dated and numbered 2/5; 12 1/4» x 21 1/2» (plate); 22» x 30 1/2» (sheet); Literature: Harrison 88; Provenance: The artist; Donn H. Stewart, thence by decent; Private Collection Signed, dated and numbered in pencil lower recto.

HELEN FRANKENTHALER (1928 - 2011) Tiger's Eye etching, aquatint, lithograph, and screenprint in colors, 1987, on HMP handmade paper, signed and dated in pencil, numbered 39/56 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framed Sheet: 18 3/4 x 22 1/sheet, in very good condition, framed Sheet: 18 3/4 x 22 1/Sheet: 18 3/4 x 22 1/8 in.

HELEN FRANKENTHALER (B. 1928) Pranzo Italiano (Harrison 44) etching and aquatint in colors, 1973, on White Fabriano, signed and dated in pencil, numbered 34/43 (there were also 3 artist's proofs), published by 2RC Edizioni d'Arte, Rome, with full margins, two pale foxmarks in the lower margin, moisture staining at the lower sheet edge (associated pale foxing, primarily visible on the reverse), occasional pale surface soiling in the margins, otherwise in good condition P. 8 1/2 x 7 7/8 in.

Helen Frankenthaler, Page from a Book II and III Two etchings with aquatint printed in colors, 1997, each signed in pencil and dated, numbered 40/60 and 6/60 respectively (total edition includes 16 artist's proofs), on TGL handmade paper, with the blindstamp of the publisher, Tyler Graphics, Ltd., with full margins, in good condition, framed (2 prints) Each sheet 257 by 629 mm 10 1/8 by 24 3/4 in

HELEN FRANKENTHALER Frankenthaler Blue Current (H. 134) aquatint, spitbite aquatint, soft - ground etching, lithograph and engraving in colors, 1987, on Rives BFK, signed and dated in pencil, numbered 41/52 (there were also 14 artist's proofs), with the Tyler Graphics blindstamp, the full sheet, slight rippling, a faint surface scuff in the bottom left, otherwise in good condition, framed S. 30 x 37.5 / 8 in.

HELEN FRANKENTHALER William Carlos Williams, Valentine for Mr. Wonderful, Mount Kisco, New York, Tyler Graphics, Ltd., 1995 the complete set of seven aquatints with embossing in colors, hors - texte, text and colophon / justification, on TGL handmade, signed and dated on the justification in pencil, copy 34 of 35 (there were also 10 artist's proofs), with full margins or the full sheet, loose (as issued), in excellent condition, original paper wrappers with aquatint and embossing in colors on the front, burgundy cloth - covered portfolio box with gilt - embossed title, artist and publisher's names on the front.

ADOLPH GOTTLIEB (1903 - 1974) Imaginary Landscape aquatint in colors, 1971, on Fabriano paper, signed and dated in pencil, numbered 36/90, published by Marlborough Graphics, Inc., New York, adhered to the overmat in places at the upper sheet edges, otherwise generally in good condition, framed Image: 17 5/8 x 23 7/8 x in.

HELEN FRANKENTHALER Tiger's Eye etching, aquatint, lithograph and screenprint in colors, 1987, on HMP handmade, signed and dated in pencil, numbered 44/56 (there were also 14 artist's proofs), with the Tyler Graphics blindstamp, the full sheet, in excellent condition S. 19 x 22 1/4 in.