Sentences with phrase «aquatints from»

It includes color aquatints from the»80s by Sean Scully, Tony Cragg and Anish Kapoor that, in addition to their own individual virtues, point out the Press» increasingly international outlook.

«Le Corbusier: Unité» will be the next exhibition opening at the Quogue Gallery, featuring etchings with aquatints from the artist's «Unité Portfolio,» number 37 of 130.

Richard Tuttle: Mandevilla — Aquatints from Crown Point Press, Greg Kucera Gallery, Seattle, January 7 — 30, 1999.

They range from a vibrant sixteenth - century engraving by Renaissance artist Hieronymus Wierix to a large - scale aquatint from 2010 by artist Julie Mehretu.

It involved etching and aquatint from -LSB-...]

Not exact matches

Silva moves from student to student, showing them how to wet their brushes with the right amount of water as they begin to fill in the outlines with aquatint.

My work consists of etchings and aquatints and my subject matter is primarily on architecture, scenes and crowds or groups of people related either to my suroundings or from experiences gained travelling overseas.

Lothar Götz has created a new aquatint in an edition of 30 to accompany his site specific wall - painting which spanned the entrance of The London Open 2015, the Whitechapel Gallery's triennial open submission exhibition, from 15 July — 6 September 2015.

Eighteen etchings from the set of thirty - six, some with aquatint and drypoint, on brown Chine colle laid on Fabriano wove paper

From left, Lot 80, «Snow Storm,» circa 1950 - 55 (charcoal on wove paper) and Lot 81, «The Junk Man,» circa 1955 (etching and aquatint on cream wove paper) both by Aaron Douglas.

Untitled (from Daughter of the East), 2008 six plate color etching, aquatint, spit bite aquatint, drypoint, and hand coloring 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire

Untitled (from Daughter of the East), 2008 five plate color etching, aquatint, spit bite aquatint, and drypoint 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire

Volakis Gallery from Napa and other ports of call showed one of my favorite works in the show by one of my favorite artists, a 1983 etching and aquatint with pastel and crayon by Chilean modernist Roberto Matta.

Untitled (from Daughter of the East), 2008 six plate color etching, aquatint, spit bite aquatint, drypoint, chine collé, and hand coloring 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire

Untitled (from Daughter of the East), 2008 six plate color etching, aquatint, spit bite aquatint, and chine collé 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

From - Le Bestiare ou Cortège d'Orphée portfolio of seventeen aquatints; Graham Sutherland — Lion, 1968.

In 1963, less than a decade into his extraordinary period of collecting, Norton Simon purchased his first piece by Spanish master Francisco de Goya — an exquisite working proof from his masterful series of etchings and aquatints, called Los Caprichos.

Robert Havell Jr. after John James Audubon, American White Pelican, 1836, from The Birds of America, hand - colored etching and aquatint, National Gallery of Art, Washington, Gift of Mrs. Walter B. James, 1945

Drawn from the collections of Jordan D. Schnitzer and his family foundation, this exhibition includes more than 25 prints made from a diverse range of techniques, including lithographs, etchings, aquatints, screen prints, and woodcuts.

Kara Walker, no world, 2010, from An Unpeopled Land in Uncharted Waters, etching, aquatint, sugarlift aquatint, spitbite aquatint, and drypoint, National Gallery of Art, Washington, Donald and Nancy deLaski Fund, 2015

Far wall, from left: Richard Smith, image and info below; Dorothea Rockburne, Locus, 1972, series of six relief etching and aquatints on folded paper, each app.

The Hockney will be followed by three Alex Katz prints: two lithographs: Ann I (Est. $ 1,000 / $ 1,500) and Caroline ($ 700 / $ 1,000), as well as an unusual color spit bite and aquatint titled Beach Sandals, 1987 ($ 2,000 / $ 3,000) from an edition of 60.

Mary Cassatt American, 1844 — 1926 Under the Horse Chestnut Tree, 1896 - 1897 Drypoint and aquatint, printed in color from three plates Anonymous Gift 2011.15

Despite a disparate range of formats, including porcelain sculpture, complex wire installations, and color aquatints, this exhibition brings together a wide array of works that originate from a process - based practice and share connections to -LSB-.....]

This exhibition brings together 60 works in a variety of mediums, from printmaking (such as lithograph, etching with aquatint, photogravure, linocut, and screen - print), to wall murals, metal sculpture and shadow puppetry.

ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; number 16 from an edition of 20 unique variations).

Line etching, drypoint, aquatint, emery and soft - ground etching with an impression from Ziegler transfer paper

James Turrell's most recent collaboration with Pace Editions, Suite from Aten Reign — a suite of aquatint etchings based on his Aten Reign installation at the Guggenheim — will be on view at Art Basel Miami Beach December 4 — 7, 2014.

Richard Diebenkorn, # 5, from the portfolio Five Aquatints with Drypoint, 1978.

Also featured are large enamel, collage, and graphic on paper drawings from «Women and Houses and Plants» and «House of Games,» both from 2009, and the provocative etching and aquatint edition Seven Houses and Six Flats, 2006.

P07513 ANKING 1979 Inscribed «John Hoyland 79» bottom right and «BAT» Etching and aquatint, printed at J.C. Editions, published by Waddington Graphics / Bernard Jacobson in an edition of 50, 26 1/2 × 21 (67.3 × 53.2) Purchased from Waddington Graphics (Grant - in - Aid) 1981 These prints [P07513, P07514, P05549, P05550, P05551, P05567] manifest Hoyland's desire to use the etching process as a colouristic rather than linear medium.

• WAYNE THIEBAUD Big Suckers, from Seven Still Lifes and a Rabbit aquatint in colors, on Rives BFK paper, 1971 $ 50,000 — 70,000

Steiger, who has worked in the printmaking medium of aquatint, linocut, screenprint and paper pulp, will show prints ranging in date from 1993 - 2010.

Ten aquatints (Matrix I — X) constructed from single plates carry the silhouette of architectural blocks printed one on top of the other.

Pace Prints is pleased to present an exhibition featuring James Turrell's Suite from Aten Reign, the artist's newest suite of three aquatint etchings.

«Crowd Paintings», Cheim & Read, New York «Paintings from Kunsthalle», Basel, Tony Shafrazi, New York «New Work», Greenberg Van Doren, St. Louis, Missouri «Collage Paintings», Velge & Noirhomme, Brussels, Belguim «New Color Aquatints», Baron / Boisanté, New York «Recent Paintings», Bernd Klueser, Munich, Germany «Sculptures & Drawings», Lars Bohman, Stockholm, Sweden «New Paintings», Thomas Cohn, São Paulo, Brazil «Donald Baechler», Locks Gallery, Philadelphia, Pennsylvania «Globes and More», Thaddaeus Ropac, Paris, France

It was only from 1963 that she began to explore various techniques (screen printing, lithography, offset, aquatint), which enabled her to develop her research into abstraction.

Featuring more than 100 works dating from 1972 — 2002, Chuck Close Prints illustrates the artist's range of invention in etching, aquatint, lithography, handmade paper, direct gravure, silkscreen, traditional Japanese woodcut, and reduction linocut.

HELEN FRANKENTHALER A Page from Book III, from This is Not a Book etching, aquatint, mezzotint and stencil in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 20/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, pale time staining, traces of pale foxing, otherwise in good condition, framed P. 4 x 17 3/4 in.

Jasper Johns Untitled — from the Geldzahler Portfolio, 1998 Aquatint / Etching 29-3/4 X 22 inches Edition of 75 For Sale at VFA

Alongside the survey of 50 years of print - making, BAM is also pleased to exhibit a portfolio of aquatints of fourteen New York poets, originally produced in 1978, alongside excerpts from each poet's work.

HELEN FRANKENTHALER A Page from a Book: I - III three etchings with aquatint in colors, 1997, on TGL handmade, all signed and dated in pencil, all numbered 11/60 (there were also 16 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, all with full margins, very minor surface soiling, a few lightly skinned areas in the margins, one with a very pale moisture stain at the upper right margin edge, otherwise all in very good condition all P. approx. 4 1/8 x 18 1/4 in.

Wayne Thiebaud, Delicatessen, from the book Delights, 1964 / published 1965, aquatint on paper, Smithsonian American Art Museum, (c) 1965, Wayne Thiebaud, Gift of Mr. Frank Lobdell, San Francisco, 1992.43.16

HELEN FRANKENTHALER A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and pochoir in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, a crease at the upper right sheet corner, otherwise apparently in good condition, not examined out of the frame P. 5 x 21 1/4 in.

Helen Frankenthaler (1928 - 2011) Spring Veil etching, aquatint and drypoint in colour, 1987, Fabriano Rosaspina paper, signed and dated»87 in pencil, inscribed Bon à tirer, an impression aside from the standard edition of 51 (there were also eight artist's proofs), published by 2RC Edizioni d'Arte, Rome, printed by Vigna Antoniniana, Rome, with their blindstamps, in good condition, framed Image 233 x 355 mm., Sheet: 438 x 654 mm.

Featuring approximately one hundred works dated from 1972 to 2002, Chuck Close Prints illustrates the artist's range of invention in etching, aquatint, lithography, handmade paper, direct gravure, silkscreen, traditional Japanese woodcut, and reduction linocut.

Six of the seven offered lots by Hockney sold above or within their estimates, including the complete portfolio of Illustrations for Six Fairy Tales from the Brothers Grimm, 1970, with 39 etchings, some with aquatint, as well as an additional six etchings on handmade paper.

HELEN FRANKENTHALER (B. 1928) A Page from a Book II; and III two etchings with aquatint in colors, 1997, on TGL handmade, both signed and dated in pencil, numbered «AP 13/16» and «AP 16/16» respectively (the editions were 30 for both), both with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, both with full margins, traces of extremely minor surface soiling at the margin edges, otherwise both apparently in excellent condition, one examined out of the frame both P. approx. 4 x 17 5/8 in.

Helen Frankenthaler A Page From a Book: I - III (3 works) 1997 Etchings with aquatint on handmade paper; two with mezzotint and stencil # 9 of 60 Each signed, dated and numbered; Tyler Graphics blindstamp Each: 10» x 24.75