Sentences with phrase «arcane world of»

The bulk of the law deals with the arcane world of hedge funds, derivatives markets, and the nuts and bolts of regulating the country's financial institutions, big and small.

Robert L. Mercer worked on a team that revolutionized the arcane world of machine translation.

Neither politicians nor the public respond to nuanced, cautiously worded messages from the arcane world of science...

The tussle over prices in a decentralized electricity market continued last week, as David Roberts deconstructed the arcane world of demand response, in which utilities pay customers to cut their power use during times of peak demand.

His international network of professionals is a powerful asset to our clients when navigating the often arcane world of fine art.

Playing a demo game back at 4TG earlier this year and reading various comments from the developers reveals a very specific idea: Fleet Battles is intended for fans of the Halo franchise who have never really dabbled in the arcane world of tabletop gaming.

Clear, concise with excellent direction on good paths to follow - and bad paths to avoid in the arcane world of authorship and publishing.

Their book gives an interesting view of the curious way in which even the arcane world of the palaeoentomologist can be transformed by the media.

The amendments, however, have sown as much confusion as the original law, at least as it applies to the arcane world of insurance financing.

Without burying you in the arcane world of cost accounting, I'll lay out a simple yet effective approach.

According to John Mauldin, a Texas - based wealth adviser to the rich and author of the popular Thoughts from the Frontlines market newsletter, Solvency II is not on the radar screen of most people outside the arcane world of European pension funds and insurance companies.

Not exact matches

And that billboard was, at the time, one of the most visible examples yet of how even the most arcane aspects of the cryptocurrency craze are now bleeding into the «real» world — accompanying a wave of interest in more «mainstream» digital currencies like bitcoin.

Many airlines around the world feed into this need for prestige by offering arcane top tiers, the best known of which is United's Global Services, which is said to be based not on miles flown but how much you paid for your tickets.

With industry assets under management currently estimated at $ 10 trillion, the alternative investment world now encompasses a dizzying range of asset classes, trading strategies, derivatives and opportunity sets that are as arcane and sophisticated as the technologies that spawned them.

He paused then, at the thought of earthly sorrows, Our sickly past, incarnadine tomorrows, The myriad things that whistle arcane truth To please old minds and to instruct raw youth, And bore down on his broken knees to pray For such a world that had so much to say.

As Bethge put it, «If... non - religious interpretation means identification (with the world), then arcane discipline is the guarantee of an identity».32

Two of Brown's previous best sellers were technothrillers that also delved into arcane worlds — computer encryption in one instance, space science in the other.

At a time when many writers of fiction appear content to spin out tales concocted by marketing firms, or else lose themselves in worlds of arch and arcane wordplay, Murdoch is extravagant, enthusiastic and earnest.

When we place Whitehead in a new relationship with the postmodern world view we realize that what some might claim to be the arcane ravings of an old philosopher actually prophesy the coming of a new age.

What is important to understand in the first step is that those earthquakes will hit at different parts of the world where scientific and archeological teachings have indicated that arcane mysteries have been buried.

In 1921 he also took on the game's greatest star, Babe Ruth, for violating an arcane rule forbidding members of a World Series team from postseason barnstorming.

Johnson, who previously delved into the worlds of librarians and obituary writers, explains in the opening pages that Lives is not about radiocarbon dating or arcane scientific theory.

8/10 — The Metro: «The best Japanese role - player of the generation and arguably the best open world environment of the year, despite a disappointing story and some arcane systems»

There are felicities of design, from glimpses of the arcane world cuisine that Greg's dad experiments with, through the most appealing secondhand book - and - DVD store I've seen in a film for some time (for all I know, it's a real Pittsburgh store), to local touches like the use of that city's blue - and - white - tiled Buhl Building.

Cole, pictured above, stars as the story's hero Don Wallace, a wide - eyed new boy from a modest background forced to navigate a baffling new world of arcane rules and rituals.

War Horse Vauxhall — David Burgess-Wise examines the rôle played by the Vauxhall D - Type in the First World War, and drives the example in the manufacturer's collection / The Pomeroy Trophy at 60 — Peter McFadyen tells the story of the VSCC's event for finding the best sports touring car, and explains the arcane formulae behind it / The 1926 - 27 Grand Prix Talbot - Darracqs, part three — In the third and final part of his series about these famous racers, Simon Moore investigates the fate of each / Auto - biography: Cally Callomon — Matthew Bell visits this art director, Vintage car owner and bicycle fanatic, and learns about his career and hobbies / Peugeot Racing Engineers 2: Louis Verdet Sébastien Faurès Fustel de Coulanges looks at the career of this engineer, whose influence spread far beyond motoring / The Ballot 2LS, part eight — Our Publisher concludes his series on the twin cam Ballot 2LS, listing the cars known to have existed but which have now disappeared

Scientific classification has undergone a revolution in recent decades, and this compelling account introduces general readers to the secrets of an arcane world.

With only a battered wall clock, her dead mother's gold ring, and a barnyard full of miserable animals to call her own, Bess is forced to make her way in a deceptively hostile world, tracing her father's path with arcane maps at the local subscription library and shrinking from the attentions paid to her and her aunt by their peculiar neighbor Elmer Jackson.

Abducted from her manor, Sora is plunged into a world of magical races, arcane jewelry and forgotten lore.

I can't do that with Zexal; huge chunks of it might as well still be in Japanese, yet the arcane rules of the lucrative card game that's kept it alive offer some weird, obscure grounding — a skeleton of RULES — that makes it work, subconsciously, as world - building.

The world of real estate financing may seem convoluted and arcane but, in actuality, it is really only comprised of two distinct types of...

Developed by Anima Project, Anima: Gate of Memories lets players take on the role of The Bearer and Ergo as the two travel through the tower of Arcane and traverse the incredible world of Gaia on a journey filled with treacherous battles and immensely powerful foes.

Adventurers will engage in deadly and punishing combat with other - worldly enemy constructs, and discover a world filled with arcane lore as they unravel the intricacies of the game's various weapon, armor, inventory and level - up systems and mechanics.

These past few years found me receding away from all these, and in conjunction with the exponential growth of individual creators out in the world, the ways games come across my plate is increasingly arcane.

Perfect Stride (Arcane Kids) Perfect Stride is a momentum - based movement game which explores a surreal world of 90's computer graphics through graceful mouse motions & time manipulation to create challenging yet expressive play.

Hard West features compelling tactical turn - based combat where players control 1 - 4 posse members dead - set against a world of satanic cults, arcane rituals, spirits and demons.

The beautiful artwork, the rich and immersive environments, and the strategic depth are all high points that I know will have me coming back for more and more this October when the world will be able to enter the arcane punk wonderland of Battle Chasers: Nightwar.

There's the clunky menus, and the many systems acquired over the years of Monster Hunter's long history that clatter around clumsily together; there are the appendages and offshoots and dead - ends that can still, despite the best efforts of Capcom in Monster Hunter World, make it all seem infuriatingly arcane.

For World, however, Capcom has taken great pains to emphasize how they've sanded down some of the sharper points for a whole new generation of Hunters, simplifying the arcane tracking mechanics and adding in more traditional RPG elements, such as damage numbers and a crude health bar for player characters.

Unique locations: Travel through the tower of Arcane and the world of Gaia across stunning backgrounds and places.

Atsushi Kaga describes his work as existing on, and incorporating the margins of worlds, at once arcane and everyday — posing ``... mundane questions to which there are no particular answers».

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

An arcane «legend,» written on the drawing in the style of olde manuscripts, identifies the Virtual New Media Universe, The Aesthetishop, and the other imaginary battlefronts of these endless art - world wars.

It would also force the country's organized markets to submit compliance filings within 15 days after that — again, an unheard - of turnaround in a world where minute and arcane rule changes take months, if not years, to debate and implement.

Or do you have some arcane twist on catchment areas, evapotranspiration, Manning's equation and hydraulic resistance and other such hydrological fundamentals, that the rest of the world is not privy to?

For people in the developed world, the arcane language and wonky procedures of the United Nations» climate change negotiations can obscure the existential threat global warming poses to low - lying islands and countries that permanently teeter on the edge of drought and famine.

And in 2010, at Cancun, nations agreed on the 2 - degree warming goal, couched in arcane language: that the world recognizes that emissions cuts are needed, «with a view» of limiting temperature rise to 2 C.

This administration includes a number of climate deniers who could try to re-negotiate the Paris Agreement, which could profoundly impact its effectiveness; in a worst - case scenario, these officials would simply try to block any action through the arcane, yet important, United Nations (UN) rules of procedure, or attempt to water down the rules and seriously risk the environmental integrity of the post-2020 world.

I recall that as a very new lawyer pre-Internet, my «practice of law» consisted largely of researching information that was only accessible to those who knew the arcane legal research system — and very little analysis and application to the client's world.