Sentences with phrase «architectonic forms in»

In this way, the hazy white images conspire to suggest architectonic forms in perspectival space.

Tobey C. Moss Gallery presents architectural / architectonic form in works of art by Peter Krasnow, by Jules Engel, by Helen Lundeberg, by Lou Jacobs Jr, by Werner Drewes, by William Dole, by David P. Levine, by Clinton Adams, by Oskar Fischinger, by Leonard Edmondson and others.

Not exact matches

In Reformed Protestantism, it served as an architectonic principle for reading the Bible, shaped ecclesiology and sacramental theology, and contributed to the development of new forms of political organization.

It's fascinating to see these paintings in «the flesh» because you simultaneously take in the strong scaffolding structural design and architectonic, reductive form, explored with very fluid, sensitive brushwork.

Two such stars are the sculptor Satoru Abe, who makes elaborate metal constructions in all sizes from a range of materials with the precision of a jeweller, and the painter Tadashi Sato, who progressed from architectonic or cubist - like compositions to more evanescent forms and the spiritual.

By melding these diverse and humble sources with polyester resin as a binding agent, Mallary sought to reconcile structure, gesture and content, in ways not unlike his abstract expressionist forebearer Franz Kline, whose paintings combined energetic brush work with architectonic forms originally inspired by his surroundings.

Immersed in materiality and process, her linear and geometric sculptural forms create drawings in space, and aim to transform everyday objects and materials into architectonic inventions.

The result is a compact yet liberated primer of Bourgeois's implicitly feminist art, its fecund repeating forms, alternately architectonic and fleshy figures, intimations of pregnancy and birth and, most famously, giant spider sculptures in bronze or steel.

The angular forms of the figure in this drawing recall his portrait paintings, and the vertical, architectonic marks also reference his cityscapes and nonrepresentational abstractions.

By extracting some of the Vitruvian connotations, architectonic forms, and reductive vocabulary of ellipses and squares found in Mangold's prints, we can begin to get a sense of Minimalism's vibrant and important thread connecting artists from the twentieth into the twenty - first centuries.

This selection of drawings and prints traces a range of subjects, including: «Ideas Generation», where artists use the immediacy of drawing as a means to prepare and refine a concept; «Systems, Architectonics and Abstraction», in which predetermined rules, structures and methods govern the form of the image; «Expressions of Anatomy», where intimate portrayals of the figure assume a central position; «Graphic Narratives / Surreal Legacies», featuring imagery from the fantastically bizarre to the comically illustrative; and «Historia», which examines how drawing has been used to question the role of photography in the mediation and construction of historical memory.

Atmospheric conditions — light and weather, plant and other organic forms make a deep impression on me, as well as a parallel interest in architectonic structures that are mysteriously transmitted into my tape drawings.»

These seven sculptures, many of which were first exhibited at the Nasher Sculpture Center, Dallas, in May 2016, continue Shapiro's longstanding investigation of anthropomorphic and architectonic form while challenging the viewer's sense of balance and scale.

Allowing contemporary artists to revisit the museum's history and filter it through their own perspectives, this intermingling of historical and contemporary art emphasized the Albright - Knox's ongoing support of artists working in abstraction in all of its varied forms, from emotive and highly gestural expressions to cool and crisp architectonic explorations of design and structure.

Complex underlying structures caused the canvases to bulge or reach out along the wall or into the room; a sequence of 12, gradually changing forms was based on the pages of a calendar from which successive pages had been torn; and finally, in work from 1972, the architectonic quality of the paintings was discarded in his Kite Paintings, in which unstretched, painted canvases were suspended from rods and interrupted by cords and threads hanging off and passing through them.

Gaba is also well known for his architectonic wigs that reconstruct famous landmarks out of woven hair, looking at the way in which architectural forms are imbued with cultural meaning.

They are reined in by architectonic structures, broad fields of color are interrupted by smaller gestures and idiosyncratic forms... his work has a palimpsest effect, where layers of previous activity bleed through the final layers of paint.»

The rigorous symmetries of his colour forms, which are invariably centered in a unified chromatic field, and the massive sense of space enclosure they convey, give Rothko's paintings an extraordinary architectonic power.

[xii] In a series from 1956, Thomas dispensed with thin paint, giving the picture plane solidity with more densely painted architectonic forms locked in puzzle - like configurations, as in Highway II (1957), whose sage green, grays, and ultramarine blues are suggestive of the heaviness of the approach of dusIn a series from 1956, Thomas dispensed with thin paint, giving the picture plane solidity with more densely painted architectonic forms locked in puzzle - like configurations, as in Highway II (1957), whose sage green, grays, and ultramarine blues are suggestive of the heaviness of the approach of dusin puzzle - like configurations, as in Highway II (1957), whose sage green, grays, and ultramarine blues are suggestive of the heaviness of the approach of dusin Highway II (1957), whose sage green, grays, and ultramarine blues are suggestive of the heaviness of the approach of dusk.

The standard square support and architectonic form provide a heightened sense of rhythm in the paintings as a series.

In the early 1960s, Bishop developed the vocabulary of color and form that would characterize his paintings on canvas for over twenty years: a reduced but rich palette, the employment of subtle architectonic abstractions, and a consistently large, square format that reinforces the viewer's sense of scale and space.

His painting from this time until the mid-1980s was to be characterised by high colour, architectonic structures loosely based in geometric forms, and a richly textured, painterly surface.