Sentences with phrase «architectural drawings from»

Bronstein has also made a very large drawing for the Old Master Cabinet Room, which is on display alongside architectural drawings from Chatsworth's own collection.

* Masterworks of Architectural Drawing From the Albertina Museum by Christian Benedik (Prestel)

Not exact matches

William Binnie and Claude Ferrier, the men behind the project, used the Art Deco style which tries to modernise ancient architectural themes, drawing influence from many eras.

Practice owners considering a new or remodeled hospital can draw inspiration from innovative designs by leading architectural firms.

High Bluffs is an award - winning architectural showpiece, drawing inspiration from Balinese style and accented with local artisanal craftsmanship.

Drawing inspiration from Indonesia's architectural tradition, three - bedroom Amy and four - bedroom Sati provide accommodation across several individual pavilions.

If the original Dark Souls was an architectural folly — a vast crumbling edifice drawn from the dreams and ideals of its creator, Hidetaka Miyazaki — then its sequel is a ghost house: a systematic exploitation of fear and anticipation, with a rock - solid structure at its heart.

The Innovator's Dilemma adopts the architectural typology of the industry tradeshow, staging literal platforms for content drawn from various recent bodies of Denny's work.

These images are drawn from his imagination as well as a range of other sources and also manifest themselves across large paintings on paper, used domestic objects such as batteries, mops and Underground Travelcard receipts, and expansive wall painting installations involving the surrounding architectural elements.

In his artistic practice, Virtmanis creates visually and metaphorically dense drawing environments that combine relics of sentimental imagery from past eras, cryptic texts in the form of obsessive, undecipherable calligraphy, collections of found objects, architectural scale models, and the residue that is accumulated in the process of creation.

In this precise, graphite and coloured pencil drawing, the architectural elements are fused into a single entity; one extremely long building which runs like a snake from one side of the three - metre - long paper to the other.

Alongside these dramatic architectural interventions, the exhibition includes drawings made with India ink on reflective gold - chromed panels from Fernández's most recent series, Golden.

Utilizing a collage aesthetic, her artistic practice draws attention to the way various built environments, ranging from architectural to consumer - oriented constructions, relate to desire and aspiration.

Artists Lorser Feitelson (Lorser Feitelson and the Invention of Hard Edge Painting, The Late Paintings, and The Kinetic Series: Works from 1916 - 1923), Karl Benjamin (Karl Benjamin: Paintings from 1950 — 1965, Drawings from 1950 — 1965, Dance the Line: Paintings by Karl Benjamin, and Karl Benjamin and the Evolution of Abstraction) and Helen Lundeberg (Helen Lundeberg and the Illusory Landscape, Infinite Distance — Architectural Compositions by Helen Lundeberg) have each been featured in extensive retrospective exhibitions.

In the triple portrait of leading members of the Royal Academy of Arts in 1777 by J.F. Rigaud, Sir William Chambers is distinguished from Joseph Wilton and Sir Joshua Reynolds by having his left hand resting on a pair of compasses on top of an architectural drawing while in his right hand is a right - angle square.

For this series, she began redrawing some of his original architectural drawings, plans and elevations from the 1960's and 70's, changed their scale, and using silvered mylar she collaged them to make the buildings take form.

Curated by Shumi Bose, (Curator, RIBA Public Programmes) with support from Suzie Pugh (Curator, RIBA Drawings & Archives Collections) fourteen works are displayed alongside the new drawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural pDrawings & Archives Collections) fourteen works are displayed alongside the new drawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural pdrawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural practice.

The ideas for BASE were drawn from ideas about floors and extended to include bases of all kinds: architectural, social, economic, and chemical.

Brooklyn, NY — March 13, 2018 — Through shifts in scale and substitutions of materials, sculptor Noah Loesberg recontextualizes items from construction trades, architectural details, patent drawings, illuminated manuscripts and for this exhibition, concrete highway barriers.

The films are most often nestled into carefully constructed environments filled with a dizzying assortment of found objects, from sculptures, painting and drawings to signs, furniture and architectural assemblages, that are connected to the overarching narrative yet act like relics.

This new volume is a smaller - format reprint that includes all material from the original book — exceptional color and black - and - white drawings and model photographs — and the original introduction by Ulrich Franzen, along with two new texts, a reintroduction by architectural historian and educator Alberto Pérez - Gómez, and an essay by Kim Shkapich, director of the Architecture Archive at The Cooper Union.

Included exclusively in the National Building Museum's presentation of the exhibition are original drawings, notebooks, and other artifacts from the Lawrence Halprin Collection at the Architectural Archives, University of Pennsylvania, and early drawings from Edward Cella Art + Architecture in Los Angeles.

Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).

These qualities are underpinned and stabilised by the architectural accuracy of his miniature interiors, which draw from broad influences, from classical Palladian or a White Cube gallery space, to the contemporary commercial kitsch of fast - food joints, or even a depiction of his childhood home as in the 18 Fortis Green series.

Through drawings, photographs, video, installations, and architectural models drawn from MoMA's collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways.

Objects will be selected from more than 4,000 works of art and nearly 5,000 architectural drawings, many of which have never before been exhibited.

This show features architectural drawings for prominent buildings such as the Horse Guards at Whitehall and the Treasury, as well as objects and designs from his famed commissions at Chiswick House, Wanstead House and Houghton Hall.

She is responsible for large scale prints, drawings and paintings that are based on heavy layering in order to create images from patterns and architectural photographs — although the end result does not give away what Mehretu used to start creating.

From 1988 to 2005 a programme of restoration within the Museum was carried out under Peter Thornton and then Margaret Richardson with spaces such as the Drawing Rooms, Picture Room, Study and Dressing Room, Picture Room Recess and others being put back to their original colour schemes and in most cases having their original sequences of objects reinstated; Soane's three courtyards were also restored with his pasticcio (a column of architectural fragments) being reinstated in the Monument Court at the heart of the Museum.

Under the rubric of «spaces / places,» holdings range from the works of Gordon Matta - Clark, which intervene in existing architectural structures, through Fred Sandback's Minimalist drawings in thread, to the organically formed objects of Ernest Neto, and include Louise Lawler, Bernd and Hilla Becher, Jeff Wall, Teresa Hubbard and Alexander Birchler, Simon Starling, Janet Cardiff and George Bures Miller, Gabriel Orozco and Loan Nguyen.

The works by Ms. Lee, who is 49 years old and based in Seoul, include 11 drawings on paper and canvas, as well as a few architectural models and sculptures, created from 2008 to this year.

Recognized for a diverse practice that draws inspiration from architectural space and natural materials, Moyer fashions compelling hybrids that abstract the languages of painting and sculpture.

Drawing inspiration from the Earthworks movement, which saw artists such as Walter De Maria, Michael Heizer, and Robert Smithson making site - specific works from the natural landscape, Art on the Beach provided a temporary public venue for site - specific installations that were sculptural, architectural, and theatrical.

Lovely architectural photos from Kira Lynn Harris also verge into abstraction, as do Julie Mehretu and her faded landscape paintings, which can recall Gary Simmons and his memories drawn right on the wall.

From John Currin's old - master - style Playboy bunnies to Elizabeth Peyton's fin - de-siecle portraits; from Julie Mehretu's dizzying, multilayered architectural landscapes to Shahzia Sikander's multipatterned miniature ones; from Yoshitomo Nara's angry and enigmatic little girls to Kara Walker's stereotypical negresses; and from Barry McGee's caricatures of urban graffiti to Matthew Ritchie's cosmological diagrams — drawing is back, if it ever went aFrom John Currin's old - master - style Playboy bunnies to Elizabeth Peyton's fin - de-siecle portraits; from Julie Mehretu's dizzying, multilayered architectural landscapes to Shahzia Sikander's multipatterned miniature ones; from Yoshitomo Nara's angry and enigmatic little girls to Kara Walker's stereotypical negresses; and from Barry McGee's caricatures of urban graffiti to Matthew Ritchie's cosmological diagrams — drawing is back, if it ever went afrom Julie Mehretu's dizzying, multilayered architectural landscapes to Shahzia Sikander's multipatterned miniature ones; from Yoshitomo Nara's angry and enigmatic little girls to Kara Walker's stereotypical negresses; and from Barry McGee's caricatures of urban graffiti to Matthew Ritchie's cosmological diagrams — drawing is back, if it ever went afrom Yoshitomo Nara's angry and enigmatic little girls to Kara Walker's stereotypical negresses; and from Barry McGee's caricatures of urban graffiti to Matthew Ritchie's cosmological diagrams — drawing is back, if it ever went afrom Barry McGee's caricatures of urban graffiti to Matthew Ritchie's cosmological diagrams — drawing is back, if it ever went away.

In every instance, Shapiro's sculpture draws its animating energy not from its grounding or means of support, nor from the volume of architectural space that may surround it, but from its internal tensions.»

From the outset his art was based on space and a constructivist organisation, which led to works of great formal rigour, where drawing, painting and sculpture were integrated into a spatial dimension that was architectural in scope.

The dazzling catalogue, published by Yale University Press, highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.

This is all too apparent in «Frank Stella: Painting Into Architecture,» a small, insufficient exhibition at the Metropolitan Museum of Art that spans a 43 - year evolution with 25 paintings, reliefs, drawings, architectural models and sculptures enlarged from these models.

Also featured is an original, rare drawing fragment of the Foundation Building by Petersen, a digital reconstruction of the architectural evolution of the Foundation Building, as well as images of student exhibitions and publications from 1965 to the present demonstrating the development of the Chanin School's pedagogy — which has influenced the study and teaching of architecture worldwide.

She creates abstract sculptural installations based on architectural interventions which often draw influence from the structural conventions and nuances of space, line, colour and composition.

Reciprocally, the education of architects, from the first drawing classes of 1859 to the full five year undergraduate professional degree program and post-professional master's program, has been informed and structured within the careful design and re-design of its buildings.The exhibition Architecture at Cooper 1859 - 2009 traces the history of architecture and architectural education at The Cooper Union and examines how the evolving pedagogy of the program has been embodied and reflected in the changing architecture of the institution itself.

Moreover, the architectural metaphor is one that was partly drawn from certain pictorial continuities that exist between Rothko's early and late work.

The centerpiece is the Glasshouse, a 40 - foot tall glass and steel structure that draws architectural inspiration from Paris's Saint - Chapelle and the Crystal Palace in London, two of Chihuly's favorite conservatories.

This archive is displayed together with two different architectural models of the Parliament building — one based on found images from the internet picturing the building before renovation, and the other based on the actual architectural drawings taken from the construction company which is in charge of the renovation.

In the same Brera venue, the ELIT PROUN BAR by London - based architectural practice Carmody Groarke shared Gufram's affinity for gleaming metallic surfaces but drew inspiration from a completely different source, this time Russian Avant - garde.

Often referencing rituals, both religious and domestic, Bhuta uses materials, ranging from wax and alum to soap, to transform spaces and to draw attention to its often forgotten corners and architectural details.

Art Deco also drew inspiration from the modern architectural designs of The Bauhaus.

Other important trends in contemporary sculpture include an increasing use of mixed media and the creation of works that draw their meaning and impact from their architectural context and also emphasize the role of the spectator.

The first internationally touring survey show dedicated to the work of one of Japan's leading and most innovative contemporary artists, this exhibition will present works from Ohtake's multifaceted practice which ranges from painting to assemblage, collage, drawing, monumental sculpture, architectural environment and sound — much of which has never been seen in the US.