Sentences with phrase «architectural form through»

Architectural firm MVRDV has revolutionized perceptions of the built environment through the use of digital technologies, such as for Glass Farm in the Netherlands (2008 — 13) that broadens the aesthetics and vocabulary of architectural form through digital experimentation.

Evoking architectural forms through minimal gesture... read more... «Sonya Blesofsky: Pursuing past through present»

Not exact matches

An extensive background and numerous skills in architectural design, a lifelong passion for art, and a penchant for culture has provided Laura Dittrich, a visual storyteller based in Germany, with a keen eye for aesthetics and a unique creative vision materialized through aesthetic visuals such as cinemagraphs and experimental video content in the form of outfit editorials (cinematorials).

[4] Specifically, this took the form of an interactive work titled s.laag, which serves as a game - level replica of the World's Fair held in Brussels in 1958; primarily the player - character takes on the role of a bass clarinet to navigate through various mini-games and around architectural icons.

Through their engagement with specific architectural forms, the works in the exhibition offer insights into distinct cultural contexts, histories and social struggles.

Working with drawing, video, sculpture, and installations, Hüner's practice focuses on constructed narratives and eclectic assemblages which explore the subjects of utopia, archaeology, ideas of progress, and the future through reimagining spatial and architectural entities and organic and artificial forms.

I describe through my process and subject matter a new visual physics were the language and tags become the genetic architectural threads coalescing form and movement.

The Glass House was the start of Johnson's 50 - year odyssey of architectural experimentation in forms, materials, and ideas, through the addition of other structures - the Brick House / Guest House, Pond Pavilion, Painting Gallery, Sculpture Gallery, Ghost House, Library / Study, and Da Monsta — and the methodical sculpting of the surrounding landscape.

Under the rubric of «spaces / places,» holdings range from the works of Gordon Matta - Clark, which intervene in existing architectural structures, through Fred Sandback's Minimalist drawings in thread, to the organically formed objects of Ernest Neto, and include Louise Lawler, Bernd and Hilla Becher, Jeff Wall, Teresa Hubbard and Alexander Birchler, Simon Starling, Janet Cardiff and George Bures Miller, Gabriel Orozco and Loan Nguyen.

Thomas in her photograph of an image of a window, Moments of Place IV, explores the depth and construction of space within the picture frame while masterfully considering color and form and, in depicting an architectural detail and through the work's placement in the gallery, draws attention to spacial relationships.

The story that forms the exhibition tracks the burning down of a quintessential New England colonial home that Cherry was inspired to create after admiring the architectural landscape during her travels through Massachusetts.

Through photography, printmaking, sculpture and installation from the miniature to the monumental, this exhibition engages the social landscape, explores the real and mimetic and deconstructs architectural forms, histories and legacies.

Through a language of architectural and natural forms rendered in resin, bronze, stainless steel and terra cotta, she poetically redefines any logical interpretation of space by confounding interior and exterior, organic and artifice.

Through architectural interventions, videos, and collages, his projects transfer forms from one context to another.

Thanasi is a contemporary figurative sculptor whose work synthesizes classical forms with the conceptual experiential movement of the present through the placement of figurative and architectural pieces in dialogue with one another.

Through a form of rigid physical immobility, the stylite becomes an architectural feature.

Over time layers of interacting colors and form are set into play through scraping and over painting to create organic and architectural forms.

These were reflected through his use of saturated pigments and striking architectural forms in bodies of work such as 1000 Names.

Constructed from wood, brick and mostly concrete, these playgrounds were integrated into the surrounding landscape through their materials and form, often reflecting architectural preoccupations of the time.

Detailed Description: Utilizing inspiration from geological forces, architectural forms and the natural landscape, artist John Ruppert melds distinctions between these influences through his large installations, video projections, photographs and sculptural objects.

Document presents new context - specific works from Alice Konitz, Lasse Schmidt Hansen, and Sterling Lawrence; three artists who each reproduce objects, either through de-contextualization or re-presenting forms of architectural displacement.

Measuring 140 feet wide by 45 feet high, this architectural highlight forms a magnificent diagonal and is highly visible from outside in Flushing Meadows Corona Park through floor - to - ceiling windows, visually drawing park - goers inside and impacting their experience once they arrive.

The manipulation of objects and material and pushing for invention through process reveals an attempt to balance and study ideas of beauty, form, and structure through an architectural and pragmatic narrative.

Through simple, exacting gestures, the artist renders visible the power dynamics that shape each architectural environment, and points out the structures (institutional, personal) that form and inform our ever - artificial surroundings.

The gallery noted, «Wagner responded to the Bedford Gallery's round architectural shape and seized the opportunity to grow her sculptural forms up through the large skylights and into the theater lobby.

For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation art, one that applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.

Kahn is also interested in the idea of an undefined abstract space: an idea that he feels has emerged through the tension of architectural and pictorial space, and the emergence of a new form of space created in the advent of digital technology.

Fluid forms are juxtaposed with architectural bars and beams, and pockets of bare canvas peek through from behind.

Titled «Model», at White Cube Bermondsey consists of an ambitious construction containing 100 tons of sheet steel forming an architectural installation which challenges the physical possibilities of the gallery space and investigates our experience of architecture through the body and of the body through.

Framing the pure architecture of the Avery Memorial, Soares built a new architectural feature within the gallery in the form of a labyrinthine sculpture zig - zagging through the space.

Through playful and inventive associations of colour, form, texture and meaning the works resemble primitive renderings of emoticons, architectural details or public displays of affection.

Painted fabric over plaster and wood, Nikravan's architectural jigsaw puzzles don't make sense; the objects feel alien, as if one is looking at the backside of a sculpture or through a window — some sit awkwardly on top of plexiglass plinths reminiscent of TV consoles others are pinned on the wall their looping forms unsatisfactorily interrupted.

A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.

This is represented in «pass age» by a skeletal architectural form that is visible only through a small window in the gallery's wall.

The structural grids, beams, sweeping arcs, and planes that comprise Held's architectural scaffolds have been given palpable form, each defined by a single plane of color adjoined with a second plane of a similar or contrasting hue that serves as its «lit» or «shaded» side; the artist modeling through color alone.

Absolute World Towers, which form part of a five - building complex and were designed by the architectural practices MAD and Burka Architects, won over the jury primarily through their unmistakable design: «The way the two structures twist organically by up to eight degrees per floor is not just a superb technical achievement, but also a refreshing change to the set forms of high - rise routine,» says the panel of experts in explaining the choice of the pair of towers, 176 and 158 meters tall, as the winner.