In 2019, The Underground Museum (The UM) will present a solo exhibition of painting and
architectural installations by London and Salvador Bahia - based artist, Abe Odedina.
Phoebe Washburn on October 30, 2012 New York - based artist Phoebe Washburn creates large - scale
architectural installations by amassing together cardboard, wood planks, and other varied building materials.
On the exterior of the gallery is
an architectural installation by artist Howard Goldkrand.
Not exact matches
(iv) a failure to remove
architectural barriers, and communication barriers that are structural in nature, in existing facilities, and transportation barriers in existing vehicles and rail passenger cars used
by an establishment for transporting individuals (not including barriers that can only be removed through the retrofitting of vehicles or rail passenger cars
by the
installation of a hydraulic or other lift), where such removal is readily achievable; and
Overview: Inspired
by the great
architectural skyline of Chicago and the work of sculptor,
installation / performance artist and urban interventionist, Theaster Gates, campers will make bas relief sculptures from found objects and create their own skyscrapers.
Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized
by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil -
Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron,
Architectural Body as Interface.
Zigzags and Diagonals is the inaugural wall painting in a new and ongoing series of wall - based
installations by contemporary artists in MOCA's unique and visionary
architectural spaces.
Represented
by Greene Naftali, New York, Harrison combines a wide range of mediums including photography, painting, sculpture, video,
installation and
architectural interventions.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform
architectural spaces into massive dreamlike environments enhanced
by hypnotic musical scores, according to the museum.
As the exhibition title indicates, Bell approached the
installation in an improvisational way insofar as he had no preconceived plan other than wanting to respond to the given
architectural situation
by employing a maximum of 39 glass panels - the number of panels at his disposition.
Some recent examples include: Milwaukee Art Museum 2010 where Gates invited a gospel choir into the galleries to sing songs adapted from inscriptions on pots
by the famous 19th century slave and potter «Dave Drake»; the Whitney Biennial, 2010 when the Sculpture Court was transformed with an
architectural installation functioning as communal gathering space for performances, social engagement, and contemplation.
This fully illustrated catalogue was published to accompany the exhibition, Alexander Calder: MULTUM IN PARVO and features archival material,
installation photography, and original sketches
by Santiago Calatrava that reveal the
architectural process in response to Calder's ideas and work.
These possibilities included engaging the floor, ceiling and corners of the exhibition space; taking advantage of
architectural features such as doorways and moldings; fencing off segments of the exhibition space with «barriers» of light; and,
by the time of his 1969 retrospective at the National Gallery of Canada, developing special
installations, or «situations,» consisting of specially constructed
architectural spaces containing room - filling light.
Recent exhibitions presented
by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the
Architectural Association (co ‑ organized
by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized
by the Yale School of Architecture with additional support provided
by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and
by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (
installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).
Influenced
by the speculative intersections between language, science fiction, culture and technology, Jess Johnson's practice encompass drawing and
installation that conjures up dystopian spaces that combine densely layered patterns, objects and figures within
architectural settings.
It interacts with Mexican artist José Davila's public art
installation Untitled (The Space Beneath Us), an
architectural intervention made of ceramic tiles that was installed in front of the Bass Museum of Art and that translates the Homage to the Square series of paintings
by the German - born American artist Joseph Albers into sculpture.
It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform
architectural spaces into massive dreamlike environments enhanced
by hypnotic musical scores.
Installation: Facistol (pine lectern inspired
by Luis Barragán, mounted reproductions from Luis Barragán's personal archive),
architectural model.
The ramp, formed
by a variety of materials that range from generic folding chairs to conventional industrial building materials and scrap wood from a previous
installation, is not fixed, so that the substructure can compress into spaces, against walls, into corners, and wrap around
architectural details.
Through
installations — vitrines, display cases,
architectural models — packed notes, items, and information, Denny, who made a splash at the Venice Biennale this year, questions the means
by which products and ideas developed in institutional contexts are sold back to us.
Beginning with early 20th century paintings
by French artist Suzanne Valadon and ending with works
by up - to - the - minute figures such as Japan's Mariko Mori, Switzerland's Pipilotti Rist and England's Rachel Whiteread, «elles» will offer an international array of paintings, sculptures,
installations, drawings, photographs, prints, videos, furniture and
architectural models.
While «The Universal Adversary» is the first exhibition of this magnitude in the gallery, Ritchie has been working on an
architectural scale for the last five years, beginning with Games of Chance And Skill in 2002, a permanent
installation created for MIT, and to be followed this summer
by Stare Decisis, a GSA - commissioned
installation for a new Federal Courthouse in Oregon, designed in conversation with Pritzker prize - winning architect Thom Mayne.
Spanning exhibitions, publications, films, new media, and site - specific
installations, funded projects include «Incense Sweaters & Ice,» an immersive
installation by Los Angeles - based artist Martine Syms; «Bond: Race and the Modern City,» which is described as the first book - length study of the architect J. Max Bond Jr. (at right, on far left); «Sacred Stoops: Typological Studies of Black Congregational Spaces,» an investigation of the porch and its role in the African American community; and research exploring «emerging paradigms» in
architectural education across sub-Saharan Africa.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform
architectural spaces into massive dreamlike environments enhanced
by hypnotic musical scores.
The works on display spanned from painting to
architectural projects,
installation, sculpture, video, and performance, with projects like a pair of Tuk Tuk taxis
by Rirkrit Tiravanija and Navin Rawanchaikul.
Yellow Peril Gallery will soon open Still
by Snow Yunxue Fu, featuring an indoor
architectural video projection
installation, video monitor
installations,...
The central space of the Hungarian pavilion at the 14th Venice Architecture Biennale is occupied
by an «in progress»
architectural installation
«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform
architectural spaces into massive dreamlike environments enhanced
by hypnotic musical scores.
Hauser and Wirth, Somerset, 21 March — 21 June 2015 I'm looking forward to visiting Hauser & Wirth Somerset this weekend for the opening of its Architecture Season, which features various site - specific /
architectural interventions and events, from a sound piece from Turner Prize - winner Susan Phillipsz to the
installation of last year's Serpentine Gallery Pavilion, designed
by the Chilean architect Smiljan Radic, in the site's idyllic grounds.
6018North was an Affiliate Partner of the Chicago Architecture Biennial and 2 of its 4
architectural - based exhibitions remain on view — at 6018North, Chapel
by Rodrigo Lara Zendejas and Its Elemental, a large group show of
installations throughout the house.
The photographs are displayed in an
architectural installation specially conceived
by the artist and inspired
by histories of display.
Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question
by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various
architectural planes.Sonnier's
architectural neon
installations in public spaces have earned him wide acclaim in an international context.
Art
installations,
architectural interventions, design objects or social - oriented projects, the works
by Elisasson, developed in his multidisciplinary Studio, always demonstrate a great formal sensitivity, a profound knowledge of physics and technology, a great capability to understand the spirit of place, and an exemplary interest in people, who often become part of his works as actors, instead than being passive spectators.
Installation view June 5 — 26, 2010 Opening: Saturday, June 5, 2010, 5 — 7 pm Open
by appointment only:
[email protected] Location: 1019 Alexander Street, Houston, TX 77008 (in the Heights)(v) = variable presents a collaboration with Jim Nolan as the first in a series of works addressing the re-use and reconfiguration of pre-existing
architectural structures as temporary «exhibition» spaces.
Even Antoine's Organ — likely the standout piece with an occasional live performance
by jazz pianist Antoine Baldwin inside the
installation's structure — is just a larger version of Johnson's plant and shea butter bust - filled, fluorescent - lit
architectural grids.
The exhibition features an
installation for multimodal engagement designed
by acclaimed Japanese
architectural firm Atelier Bow Wow.
Installation The exhibition featured an installation for multimodal media and social engagement designed by acclaimed Japanese architectural firm Atel
Installation The exhibition featured an
installation for multimodal media and social engagement designed by acclaimed Japanese architectural firm Atel
installation for multimodal media and social engagement designed
by acclaimed Japanese
architectural firm Atelier Bow Wow.
PAMM's double - height Project Gallery will serve as a unique
architectural context for a newly commissioned sculptural
installation by the Bangalore - based artist.
A focal point of the
installation is a carving of a monkey within an
architectural setting, completed
by carver Stephen Burke in the style and ethos of O'Sheas.
The exhibition entitled Finite Disappointment / Infinite Hope is «composed of three elements — photography, sound and
architectural installation — that Gediyon Kifle says are meant to inspire viewers
by reflecting King's principles of love, justice, democracy and hope,» states the announcement.
For its 5th edition CHART will bring an expanded network of the most prominent Nordic art galleries accompanied
by a bespoke programme of talks, events and
architectural installations.
The inaugural exhibition, Dawn in the Basement
by Zurich - based artist Thomas Julier, featured a mixed media
installation that challenged spatial and
architectural constructs.
This first UK solo exhibition
by Donna Huanca at the Zabludowicz Collection is also the first performance - led commission in the space, with daily performances from painted models activating a series of new site - responsive
architectural and sculptural
installations in the 19th century former Methodist chapel.
Highlights of his multifaceted oeuvre include Basilica di Siponto (2016), a permanent
installation that merges contemporary art and archaeology
by restoring a Paleo - Christian basilica in Puglia, Italy, Aura, a site - specific, two - part, floating
installation that took over the halls of Le Bon Marché, the prestigious Parisian department store in the autumn of 2017, and Archetipo (2017), a sprawling, indoor «piazza» in Abu Dhabi synthesized from domes, arches, colonnades, and other
architectural fragments of Italian classicism.
Accompanied
by a newly designed
architectural installation, the show provides unparalleled insight into Allied Works's approach to design, while exploring the dialogue between material, technique, and intention that lies at the heart of
architectural practice.
A solo exhibition of Christensen's photographs and large - scale
architectural installation work was on display this fall at the Miller Gallery at Carnegie Mellon University (Your Town Inc., August 29 - November 23, 2008, curated
by Astria Suparak).
Paintings, sculptures, and
architectural - scale
installations are presented in UCCA's Great Hall, organized spatially into an immersive environment that simultaneously contains and is physically structured
by these diverse works.
Join us for a full day of
architectural installations, live demonstrations, water taxis, canal boat lectures, cinema screenings, talks and performances, accompanied
by photo booth, DIY publications, parents» coffee stand, and refreshments.
For 1:1, Mallozzi explores this archeological and emotional material
by continuing his work in site specific
architectural and sonic
installation.
Shaped
by the lines and proportions of the dancers, the
installation repeats and draws out the Madlener House's existing
architectural elements that relate closely to the body — such as thresholds and windows — creating an acute awareness of the body moving through space for both dancers and spectators alike.