Sentences with phrase «architectural lighting as»

About Blog Klaasen Lighting Design is a creative design practice in both architectural lighting as well as in show and events lighting.

On December 1, 1990, Visual AIDS presented the first Night Without Light, cities nationwide turn off their architectural lights as visual reminder of the impact of AIDS.

Not exact matches

Unique architectural features such as ribbons of extra windows, a pair of 10 - story notches that cut vertically into the building, and an extensive system of sensors all help to reduce artificial lighting requirements in the AAAS facility.

«This work not only sheds new light on skeleton formation of animals, but also might inspire interdisciplinary studies in fields such as theoretical biology, bioengineering, robotics, and architectural engineering, utilizing mechanisms of self - constructing architectures that self - adjust to their environments, including remote environments such as the deep sea or space,» the researchers write.

Debuting as the second tallest building in the city, the hotel adds a new dimension to the downtown skyline, with a «lighted crown» programmed with an array of color options and a 170 - foot tall architectural spire that is illuminated in the evenings, making the building visible from throughout Central Texas.

Casa Divina is truly divine... a very spectacular place incorporating many green architectural concepts, such as extensive use of clerestory windows for natural lighting, good airflowthroughout the house, and a salt water pool.

Glass is a main architectural component featured in the moveable accordion - like glass façade as well as in the light - filled interior.

From architectural features such as the large skylight, curved door and living room wall to the light and airy white fitted kitchen; this stunning 2 bedroom, 3rd floor apartment will not fail to..

Founded by Kaleb Jung — who has worked in the animation and game industries as a content producer and graduated with degrees in architectural engineering and animation — the studio aims to be a «visual light» that provides rich, engaging experiences to players from all corners of the world.»

Lehmann Maupin 536 W. 22nd St., [phone] Through June 13 Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.

Μade of sheets of glass, which are held to one another at angles and produce the illusion of - scrap, through their many levels of light diffusion that removes the concept of architectural environment, as we know it, since the wall, the shadows and the light create the sensation of swinging.

Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.

His abstractions take as their inspiration fragments of observed reality: the way shadows on a stairwell establish their own staccato rhythm or afternoon light falling on an architectural detail creates random angles.

After working as a studio manager with sculptor Thomas Sayre and Clearscapes architecture for five years, he founded McConnell Studios and for 16 years has been producing sculpture, lighting, architectural installations, furniture, and much more at all scales.

«During daylight hours the viewer will really get a sense of Electric Fountain's architectural and sculptural qualities as the lights react with the changing moods of New York City's daily weather conditions.

These possibilities included engaging the floor, ceiling and corners of the exhibition space; taking advantage of architectural features such as doorways and moldings; fencing off segments of the exhibition space with «barriers» of light; and, by the time of his 1969 retrospective at the National Gallery of Canada, developing special installations, or «situations,» consisting of specially constructed architectural spaces containing room - filling light.

Kurt Steger's «floating» architectural construction Scribing the Void at ODETTA (through August 21) uses «soft» materials such as wood to elicit in the visitor an experience of the union between something heavy and something light: matter and spirit.

Huge swaths of colorful washes and brush strokes become animated as the light emanated overhead and from a video projection refracts on various fabric and architectural planes.

And despite the mechanical rigidity suggested by Desmarais» architectural forms, the movement continued as one walked past each piece, the body's motion stirring constant shifts in shape, lighting, and color.

She produced a series of awe - striking images titled «Caryatid» in 1980 as part of her Temple project using the diazotype process — used most commonly for creating architectural blueprints — in which she projected images or negatives made from transparent tissue paper and acetate onto large sheets of light - sensitive paper and exposed (sometimes as long as overnight) to create cyan and sepia - toned figurative photographs.

One of the pioneers of the West Coast «Light and Space» movement, Irwin started out as an abstract painter but is now known for his architectural interventions made with translucent scrims, light tubes, and natural light (one of which, Excursus: Homage to the Square ³, is currently on view at Dia: BeaLight and Space» movement, Irwin started out as an abstract painter but is now known for his architectural interventions made with translucent scrims, light tubes, and natural light (one of which, Excursus: Homage to the Square ³, is currently on view at Dia: Bealight tubes, and natural light (one of which, Excursus: Homage to the Square ³, is currently on view at Dia: Bealight (one of which, Excursus: Homage to the Square ³, is currently on view at Dia: Beacon).

James Casebere first came to notice as a member of the famed «Pictures Generation,» standing out from fellow artists like Cindy Sherman and Richard Prince for his uncanny take on appropriation: instead of lifting images from popular culture, Casebere created tabletop models of architectural settings out of modest materials and photographed them in eerily flat, theatrical light.

And in the case of Nauman's, given their inherent complexity — they may incorporate video, audio, lighting, sound, and / or text in addition to architectural structures, as in the prose / floor piece Cones Cojones, 1973 - 75, installed for the exhibition — they seem doubly inaccessible.

A survey of light art from the 1960s to the present day at The Hayward Gallery considers the way in which we think about architectural space, environments and phenomena as artworks in themselves.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

In his personal project, Shadow Spaces, London artist Owen Gildersleeve collaborated with still life photographer Stephen Lenthall to craft a series of miniature architectural paper spaces, using «light as a map to shape each form».

In the south gallery one marvels at the soft light and silvery sheen of the smooth - as - silk concrete walls, constructed from architectural concrete mixed with titanium: without repeating Kahn's specific effect — that glow of dispersed light — Piano found an equivalent using contemporary materials.

Since the early 1990s, Pedro Cabrita Reis has made masterful use of architectural materials including cement, bricks, wood, steel, metal, beams and actual fragments of architecture, which he juxtaposes with elements from the visual arts such as enamels, pigment and neon light to create poetic, imagination - led works of great political value, capable of revealing memories associated with the context in which they are located and from where they come.

He has also participated in do it Moscow, Garage Museum of Contemporary Art, Moscow (2013), Light Show, Hayward Gallery, London (2013), Aichi Triennale (2010), the Yokohama Triennale (2005, 2008), the International Istanbul Biennial (2005), the Venice Biennale (1995, 2003, 2009, as well as the 12th Architectural Biennale 2010), and Documenta 11 (2002).

Shedding light on persuasive, performative and often duplicitous identities, as well as on architectural objects and history, the work explores the relationship between man and monument as they coexist in the landscape as representations of one another.

Guston's subjects include large heads, hairy legs, clumsy shoes, and all manner of architectural fragments such as walls, doors, and light bulbs reminiscent of 1920s comics, and they often come over as the precursors of «Bad Painting».

Curating Volumes: hearing architecture, light and words This talk considers the curating of sound art works and works with sound as the curation of invisible architectural «volumes».

Flavin's Tatlin «monuments» are combinations of 8», 6», 4» and 2» white fluorescent lamps, suggesting architectural structures through modernist abstraction and a dash of ironic humour; as he explained, «These «monuments» only survive as long as the light system is useful» and they can easily be turned on and off.

Alongside his pictorial explorations of light and shadow, color and construction, and the transparency of planes, Kuitca incorporates elements of past series such as fragmented maps, architectural floor plans, and thorns.

3 Surfaces incorporates the unique sounds, natural light, and architectural details of the space as primary materials.

Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.

Undoubtedly part of the reason for this deterioration was the expectation among his patrons that he paint London in the same style as he had painted Venice, an expectation which - given the totally different light, topography and architectural conditions - was both unrealistic and demotivating.

Ann Lislegaard (b. 1962) uses science fiction as a starting point for video and sound installations that explore surreal and alternative realms, where light interacts with space, time is unregulated, and rigid architectural constructs distort and become fluid structures.

Kunsten's Main Gallery will feature a work, which uses the space as a cathedral of light, while the Sculpture Park will feature a work that enters into a dialogue with the surrounding nature and the architectural setting.

Transforming and identifying space with synesthetic color projections, the solidified colors into corners and architectural narratives create a re-imagined outline for the envisioned light sculptures as a spectral volume in space.

Described by the artist as «an open structure, a laboratory, and an arena for reflection, discussion, and exchange», Radio Vallebona / Transmission # 1 will consist of a single site - specific architectural structure extending throughout the entire space of the gallery made of lumber, plywood, MDF, pegboard, fabric, light, and paint.

Flavin's Tatlin «monuments» are combinations of 8», 6», 4» and 2» white fluorescent lamps, suggesting architectural structures through modernist abstraction and a dash of ironic humour; as he explained, «These «monuments» only survive as long as the light system is useful» and, simply, they can be turned on and off.

With this Pavilion, as with previous structures such as the famous Thermal Baths at Vals, Switzerland, or the Bruder Klaus Chapel in Mechernich, Germany, Zumthor has emphasised the sensory and spiritual aspects of the architectural experience, from the precise yet simple composition and «presence» of the materials, to the handling of scale and the effect of light.

Suh weaves translucent structures made of monochrome polyester, at once architectural, and ephemeral, inviting viewers to wander through their dreamlike interior passageways (often complete with details such as light switches and door handles).

Linda Lentz is a senior editor at Architectural Record, responsible for the Record Interiors issue, the monthly interiors page, the quarterly lighting sections, and such special issue sections as Schools of the 21st Century and Good Design is Good Business.

Artists» approaches vary; from the subtle as found in Alan Saret's ethereal wire clusters or Fred Sandback's floor - to - ceiling extension of acrylic yarn, which delineates the gallery's corner as the sculptural object; to the large - scale, as in Spencer Finch's installation in the front gallery that re-creates the quality of light of a candle - lit interior and Ricci Albenda's video portal into an imagined architectural space.

Taking her cue from spatial and architectural idiosyncrasies (such as overhead lighting racks, electrical sockets, or a bump in the floor) her configurations create complex curves and arcs.

The structural grids, beams, sweeping arcs, and planes that comprise Held's architectural scaffolds have been given palpable form, each defined by a single plane of color adjoined with a second plane of a similar or contrasting hue that serves as its «lit» or «shaded» side; the artist modeling through color alone.

In addition, they can decide to go into other areas such as architectural, industrial or product lighting.

Responsible for implementing design details such as furniture, lighting and / or architectural elements