Sentences with phrase «architectural pieces from»

Not exact matches

Today's look is a themed around a beautiful piece of architectural salvage that my Great - Grandpa Irwin pulled from a condemned old church in Minnesota, a loooong time ago.
You must see my new outfit post sporting Nicholas Ghesquiere for BALENCIAGA pieces from the good ol' days, it's architectural inspired with quirky textures.
Digitally printed, this MASE leather clutch is from a wide host of art infused items (fashion accessories and home pieces, clutches, totes and cushion covers) all of which are high voltage functional creations inspired by Mae Kwan's life experiences, architectural background and boundless positive energy.
From the architectural to the ABSTRACT, the season brings back bold and heavyweight baubles from the early 80s as a STATEMENT piece for minimalisFrom the architectural to the ABSTRACT, the season brings back bold and heavyweight baubles from the early 80s as a STATEMENT piece for minimalisfrom the early 80s as a STATEMENT piece for minimalist...
* Many of our furniture pieces, the boxwood wreaths, architectural pieces, milking bench, Patience / Strength mugs are from Old Glory Antiques.
The list features seven historical sites that let travelers experience a piece of Midwestern history from an architectural perspective.
2015 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA SAIC 150th Anniversary Show, Sullivan Galleries, School of the Art Institute of Chicago, IL Piece by Piece, Kemper Museum of Contemporary Art, Kansas City, MO Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de La Habana, The Bronx Museum, Bronx, NY Bring in the Reality, Nathan Cummings Foundation, New York, NY Pilgrimage Dun Huang — First International City Sculpture Exhibition, Architectural Society of China, Dun Huang, China POP Stars!
Despite being detained in China throughout the planning of the exhibition, the show will feature monumental architectural pieces created for the RA galleries, the artist having virtually navigated the spaces from his studio in Beijing.
Holly Block, the executive director of the Bronx Museum, which commissioned an architectural environment from him in 2009, said: «A lot of people don't understand Vito's turn to architecture, but I think he wanted to be more ambitious and make pieces that lived in the world — and in people's lives — in a different way than artworks usually do, and it was a risky and courageous thing to do.»
The exhibition offers a selection of more than fifty pieces from the 1990s to the present, some of which the artist has especially reconfigured in order to adapt to the Museum's unique architectural spaces while others were created specifically for the exhibition in Bilbao.
Variously comical, stately, architectural and gestural, these pieces erupt from the gallery's expansive concrete floors like unusually well - shaped mesas, turning the totality into an exhilarating indoor landscape.
Imagining what would happen if attempts to contain nature collapsed and plants began to overwhelm these carefully managed interior spaces, Goh layers printed and cut paper onto the Sunroom walls and suspends pieces from the ceiling, surrounding the viewer in an overgrowth of both botanical imagery and architectural forms.
In this excerpt from Phaidon's «Speaking of Art,» British sculptor Rachel Whiteread discusses developing a diverse vocabulary of mediums, how architectural structures inform her works, and the how the installation of a piece can change its meaning.
Bringing together a minimalist structural rigour contrasted with unfolding fields of energy, Altmejd recognizes the primacy of the conceptual approach in shaping the cycles that run through his work: heads, constructed, architectural pieces, werewolves, bird men, giants, bodybuilders, guides, watchmen... The abrupt changes in scale (from the minuscule to the monumental), profusion of materials (crystals, mirrors, synthetic hair and fur, resin, wood, metal) and the various devices he uses to occupy the space (platforms, display cases, oversized cabinets) are all strategies that position the artist as a creator of all possibilities.
The revelation can be architectural - as in his 1973 work at the Galleria Toselli in Milan, where he had layers of paint stripped from the walls to expose the original plaster surface - or functional, as in his piece for the Claire Copley Gallery in Los Angeles, in which he made public the business operation of the gallery by removing the wall dividing the exhibition area from the office and storage space.
Hauser and Wirth, Somerset, 21 March — 21 June 2015 I'm looking forward to visiting Hauser & Wirth Somerset this weekend for the opening of its Architecture Season, which features various site - specific / architectural interventions and events, from a sound piece from Turner Prize - winner Susan Phillipsz to the installation of last year's Serpentine Gallery Pavilion, designed by the Chilean architect Smiljan Radic, in the site's idyllic grounds.
From 2008 to 2010 Silverman collaborated with Nader Tehrani on «Boolean Valley», a conceptual, installation piece that traveled from the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the architectural spaces within which is was instalFrom 2008 to 2010 Silverman collaborated with Nader Tehrani on «Boolean Valley», a conceptual, installation piece that traveled from the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the architectural spaces within which is was instalfrom the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the architectural spaces within which is was installed.
While her amusing architectural pieces hold traces from Minimalism and Land Art, North Carolina - born and South Carolina - raised artist's status as a feminist icon is indisputable.
Two years earlier, at Roche Court sculpture park, near Salisbury, Wiltshire, the couple had shown together for the first time in their marriage: he with a dozen huge, rusted steel pieces from the series called Flats, made in 1974 in Canada with the aid of a crane; she indoors with a sequence of vibrantly coloured canvases painted with architectural forms not far distant from his.
Heddaya writes: «From the outside, Weathersby's pieces straddle the clinical geometry of Op art and the organic architectural character of traditional room dividers and panels, like the Arab mashrabeya or the Japanese screen, and are unobtrusive, orderly, suggestive even of a painterly monasticism... Ken Weathersby is certainly not the first artist to have manipulated painting and denotation, or desecrated the ever - cooling corpse of canvas — the project has a distinctly vintage, Black Mountain College feel to it — but there is a focused and exploratory energy at work in his pieces, a maturity of purpose that stands at ascetic remove from the cloying color and sloppy corporeality that too often comes to the fore in Bushwick.&raFrom the outside, Weathersby's pieces straddle the clinical geometry of Op art and the organic architectural character of traditional room dividers and panels, like the Arab mashrabeya or the Japanese screen, and are unobtrusive, orderly, suggestive even of a painterly monasticism... Ken Weathersby is certainly not the first artist to have manipulated painting and denotation, or desecrated the ever - cooling corpse of canvas — the project has a distinctly vintage, Black Mountain College feel to it — but there is a focused and exploratory energy at work in his pieces, a maturity of purpose that stands at ascetic remove from the cloying color and sloppy corporeality that too often comes to the fore in Bushwick.&rafrom the cloying color and sloppy corporeality that too often comes to the fore in Bushwick.»
This exhibition at The Hepworth Wakefield explores how Caro incorporated architectural features into his work, from the large - scale painted steel sculptures made in the 1960s to his final pieces created using large sheets of perspex.
In her current show at David Zwirner, titled simply Isa Genzken, the artist presents sculptures from her Shauspieler (Actors) series, two new large - scale architectural sculptures, pieces from her Nefertiti series, as well as panel works both on the floor and along the walls.
Among the works included are a number of significant pieces from the series Doric, powerful compositions on aluminium in which the exploration of architectural motifs vies with the intensity of the colour.
The large scale pieces in this show are all from the late 1960's and early 1970's and still resonate with architectural impact.
Since 2008, the Mexican artist has been creating photographic cutouts in which the focal point of an image is stripped away to leave only a blank silhouette — first eliminating notable architectural sites from his own photographs, then later applying the same process to recognizable pieces of modern art.
Two large Pop Art sculptures, two architectural models and a model enlarged into a sculpture - installation piece confirm that one of the greatest American artists of the postwar era doesn't do himself or anyone else any favors when he strays from the wall to work fully in the round.
Shaw's pieces play with the cyanotype process to create images that evoke architectural blueprints, while McGhee's pieces collage images and textures from urban environments.
Primarily working with oils and linen, Hanlon continues to work with large scale pieces and creates different palettes and depth of layers to reflect her subjects, which has changed from architectural subjects to large succulent / plants to dairy cow compositions.
Some works are composed of enormous cast bronze blocks or massive wooden beams that suggest architectural elements, while others, hanging from the wall or ceiling and made of various pieces of wood conjoined with wires, nails, and screws, are delicate and light in their toy - like format — the seemingly spontaneous results of sculptural bricolage.
Using a variety of materials from wood to rope, he created monumental pieces that were architectural in both form and scale.
The exhibition is organized chronologically and across mediums, ranging from the intimacy of a notebook to pieces that test the architectural scale of most museum galleries.
In this piece, Kelley produced, together with his assistants, a blank architectural maquette of all the educational institutions that he attended from kindergarten to his graduate school CalArts.
The found objects incorporated in her sculptures range from architectural remnants such as chair legs and balusters to scrap construction pieces revealing the ravages of tools and time.
This time, I started with the one - hundred - some - year - old window that my great - grandpa salvaged from a church in Minnesota, and then layered in a wooden piece of architectural salvage, my Grandma Beth's old crocks, a few glass bottles (to contrast with the tone of the crocks), a driftwood sailboat, and some faux (and one real!)
Love the architectural piece as a headboard, the headboard that was apparently made from an old door, the whimsical seahorse made from twigs (I assume), the post office painting, and the old corbels under the island overhang.
Lend global architectural appeal to your space with our richly hued, finely detailed decor piece from Indonesia.
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