Sentences with phrase «architectural space of the paintings»

TB Going back to the architectural space of the paintings in the show, is this now a general sense of space, of light, and of rooms?

Not exact matches

Primarily working in drawing and sculpture, he often depicts ambiguous interior spaces filled with books, posters, and paintings, as well as commonplace objects, such as bottles and cigarettes, in a stark, linear style reminiscent of architectural...

Lehmann Maupin 536 W. 22nd St., [phone] Through June 13 Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.

The architectural space becomes an introspective and projective space, silent and welcoming, suitable for meditation: but Stingel's work alters our visual and spatial perception of it, suggesting a new, rarified and suspenseful atmosphere in which the silver, white and black of the paintings stands out like so many other «openings» on Venice, in an another dimension.

Some pieces also include incised and / or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed.

Evoking many definitions for the word «space», paintings throughout her career revisited moon motifs, architectural spatial diagrams, and the optical flattening and deepening of the painterly plane.

Zigzags and Diagonals is the inaugural wall painting in a new and ongoing series of wall - based installations by contemporary artists in MOCA's unique and visionary architectural spaces.

It is to me the most architectural of the paintings in the exhibition, its space defined in perspectival terms.

Created as a synthesis of painting, drawing and collage, the works fuse formal concerns with the representational image, which can be seen in Phillips» inclusion of photographs of exterior spaces and architectural elements.

A Chicago artist who teaches at Northwestern University, Judy Legerwood has for much of her career made paintings that play with a basic quatrefoil floral motif, laying them down in patterned rows or focusing on them solo to explore how the variations interact with architectural space.

She is known for creating installations of large, physical, two sided paintings that establish an architectural environment that addresses the immediate experience of time and space and resists photographic transcription.

In the late 1960s Lynda Benglis became famous for her radical re-envisioning of sculpture and painting through her early works using wax and latex, which she poured on to the ground to take painting off the canvas and into architectural space.

The artist's barbershop paintings from 2007 - 2009 are shot with color, and range from figurative to completely abstracted, color - blocked canvases referencing the architectural perspective of the space.

The irregular shapes of these paintings were determined by the architectural space of the Japanese museum.

Much like her paintings in the past two iterations of NDA, the artist's new series of geometric abstraction becomes even more architectural as she continues her study of visually defining «place», giving the viewer a sense of being able to walk into and inhabit the pictorial «space».

In her grid - like paintings, French - Syrian artist Farah Atassi continues to consider space through an exploration of decorative motifs and architectural models.

The revelation can be architectural - as in his 1973 work at the Galleria Toselli in Milan, where he had layers of paint stripped from the walls to expose the original plaster surface - or functional, as in his piece for the Claire Copley Gallery in Los Angeles, in which he made public the business operation of the gallery by removing the wall dividing the exhibition area from the office and storage space.

In search of that fulfillment, his own work has been steadily expanding in space, from the relief of his Polish Village series, created with collage and layering with cardboard, to the Moby Dick paintings, in which relief gives way to outright three - dimensionality within the context of a picture frame, and of course to his architectural and free - standing sculptural works and now the Scarlatti K series.

It interacts with Mexican artist José Davila's public art installation Untitled (The Space Beneath Us), an architectural intervention made of ceramic tiles that was installed in front of the Bass Museum of Art and that translates the Homage to the Square series of paintings by the German - born American artist Joseph Albers into sculpture.

Abstract geometrical forms seem to dissolve the historical references and translate them into complex spacial concepts: wall drawings and architectural interventions are fragmented continuations of the paintings, sculptures and drawings in the exhibitions space.

Lizandra carves and paints with wax to create imaginary architectural settings, as well as create drawings of those spaces.

The exhibition includes paintings of architectural spaces by Gonzales, which includes Oceana, 2005, depicting high - value resort real estate juxtaposed with Rigolets, 2006, an image of the strait along the boundary of the New Orleans, whose docks and bridges were ravaged by Hurricane Katrina.

In her first solo exhibition at the gallery, Commito will show paintings that, while abstract, also look beyond their own geometric formal language to the world outside them — conveying the artist's interest in architectural space, the materiality of our everyday surroundings, and the productive process by which impressions and recollections are converted into images.

Non-Objective painting (and later Abstract Expressionism), with their focus on matters of the spirit, seem to have flown right past the immediate environs of their creators, thereby sidestepping any significant reimagining of urban and architectural space.

Recognized for a diverse practice that draws inspiration from architectural space and natural materials, Moyer fashions compelling hybrids that abstract the languages of painting and sculpture.

In her first solo show in New York, Litchfield's collaged and painted memory landscape compositions will ramble across the walls of the gallery working directly with the architectural elements of the space itself and calling attention to how we perceive and recall place and time.

Ultimately the pieces push the boundaries of paintings into the architectural realm by activating space.

In this exhibition, Morris creates a site - specific wall painting that explores the structures and boundaries of abstraction, considering the possibilities of paint within an architectural space.

The main gallery spaces showcase Portman's architectural feats and are flanked by smaller rooms filled with abstract paintings and sculptures from his personal collection of his own work.

As you enter the exhibition space located in a beautiful brick building, you find yourself confronted with dark and delicate portraits mounted with a sense of architectural narrative that highlights the already clear references to traditional modern painting, specially Braque's cubism and Arcimboldo's surreal portraits of flowers and fruits.

From the outset his art was based on space and a constructivist organisation, which led to works of great formal rigour, where drawing, painting and sculpture were integrated into a spatial dimension that was architectural in scope.

As with Grosse's previous work, such as her 2003 installation in Toronto's Pearson International Airport, the painting transgresses the architectural boundaries of the space, moving over multiple surfaces and onto adjoining walls in a strong diagonal direction.

Alexa Meade is a Los Angeles based artist that paints on the surfaces of live human subjects, found objects, and architectural spaces in a way that optically compresses 3D space into a 2D plane when photographed.

The works themselves index architectural barriers between outside and inside — a monumental new series of aluminum - cast windows, a large - scale brick - wall painting and a new series of concrete sculptures cast from the corners of urban buildings — collectively comprising the space of an inner world.

His series of paintings of isolated bungalows, passages and angled interiors, with only a subtle hint of a presence of a person, provoke us to think about who occupies these architectural spaces and what life takes place in them.

This first UK solo exhibition by Donna Huanca at the Zabludowicz Collection is also the first performance - led commission in the space, with daily performances from painted models activating a series of new site - responsive architectural and sculptural installations in the 19th century former Methodist chapel.

It is a painting exhibition, but also a coexistence of four spaces in which the viewers can immerse themselves just as in an architectural structure.

The practice of New York - based artist Grayson Cox incorporates photography, printmaking, architectural building, painting and carpentry to create works that «challenge the viewers» notions of space and parameter.»

The first museum survey of the artist's «fallen paintings,» as Apfelbaum calls her floor - bound installations of dyed fabric and other materials that flood architectural space with color.

These compositions appear to focus on painter's spaces rather than architectural spaces, alternately resembling crowded rows of canvases, artist's loft storage with the room subtracted, or paintings falling like a tumbling house of cards.

Also present in the exhibition is a new painting that uses twine to diagram both an architectural stage space and a potentially psychological space on the surface of the linen.

Citing a desire to revisit fifteenth - century Italian painting in which figures are situated within highly detailed architectural spaces, Larsen began to create narrative scenes that upset any sense of the illusory perspectives of traditional representation.

The early works I made were about the power of architectural space; the way that, when they took the frame off paintings, the architecture of the gallery became the frame.

The photographs are staged in the artist's studio and incorporate the remains and evidence of the process of making ceramics, often against a painted backdrop that creates a fictitious depth and architectural space.

Video and architectural Installation with sound / 3 black paintings framing the virtual space of the void

For this project, her second large - scale painting installation and first public artwork, Balco uses the vernacular of painting — form and color — to stage interventions in existing architectural spaces that transform the way we think about public and private space.

Caeiro has recently made a transformative shift from complex paintings of architectural spaces to increasingly abstract compositions that insert imagery from his previous work into the void.

April 2014 Video and architectural Installation with sound / 3 black paintings framing the virtual space of the void 8» x 15» School of the Art Institute of Chicago MFA Show, Sullivan Gallery

Wekua uses an architectural redefinition of the space to create his own viewing plane for the paintings while simultaneously reflecting the centrally - positioned sculpture as an object in space.

Her first UK solo exhibition was a performance - led commission in the space, with painted models activating daily a series of new site - responsive architectural and sculptural installations in the 19th century former Methodist chapel.