Sentences with phrase «architectural studies as»
She is also a visiting scholar at Ryerson University, where she devotes time to the faculty of engineering and architectural studies as well as to the Ryerson Law Practice Program.
http://www.canadianlawyermag.com/ Not exact matches
«This work not only sheds new light on skeleton formation of animals, but also might inspire interdisciplinary studies in fields such as theoretical biology, bioengineering, robotics, and architectural engineering, utilizing mechanisms of self - constructing architectures that self - adjust to their environments, including remote environments such as the deep sea or space,» the researchers write.
After finishing his studies on sound and image engineering and a MSc on architectural and environmental acoustics at the Polytechnic University of Madrid, he received an offer from Seiche Ltd. and the University of Bath to work as a research associate for a period of three years, under the Knowledge Transfer Partnership scheme.
24 year old single mom, legally seperated, studying interior architectural design, also intern as an event planner!
As the ideal candidate, you should be studying architectural or industrial design as a 3rd or 4th year studenAs the ideal candidate, you should be studying architectural or industrial design as a 3rd or 4th year studenas a 3rd or 4th year student.
Set on Maui's lush North Shore, this historic plantation home dates to the 1870s, and the architectural style is still studied as a classic of «Old... Read More
As the only museum - related research facility in the world dedicated to the study of American Modernism (late nineteenth century — present), it sponsors research in the fields of art history, architectural history and design, literature, music and photography.
He studied fine art, but he says he absorbed as much from those around him who were being trained in advertising design, architectural drafting, and textile design.
Much like her paintings in the past two iterations of NDA, the artist's new series of geometric abstraction becomes even more architectural as she continues her study of visually defining «place», giving the viewer a sense of being able to walk into and inhabit the pictorial «space».
Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).
Hotel Palenque Is Not in Yucatán, is a multi-layered exhibition and architectural intervention curated by Montserrat Albores Gleason as the culmination of a three year curatorial fellowship at the Center for Curatorial Studies supported by the Fundación Jumex.
From 1988 to 2005 a programme of restoration within the Museum was carried out under Peter Thornton and then Margaret Richardson with spaces such as the Drawing Rooms, Picture Room, Study and Dressing Room, Picture Room Recess and others being put back to their original colour schemes and in most cases having their original sequences of objects reinstated; Soane's three courtyards were also restored with his pasticcio (a column of architectural fragments) being reinstated in the Monument Court at the heart of the Museum.
Spanning exhibitions, publications, films, new media, and site - specific installations, funded projects include «Incense Sweaters & Ice,» an immersive installation by Los Angeles - based artist Martine Syms; «Bond: Race and the Modern City,» which is described as the first book - length study of the architect J. Max Bond Jr. (at right, on far left); «Sacred Stoops: Typological Studies of Black Congregational Spaces,» an investigation of the porch and its role in the African American community; and research exploring «emerging paradigms» in architectural education across sub-Saharan Africa.
Tim Maldonado has an active private architectural practice covering a wide range of residential and commercial projects, as well as master planning and feasibility studies.
Also featured is an original, rare drawing fragment of the Foundation Building by Petersen, a digital reconstruction of the architectural evolution of the Foundation Building, as well as images of student exhibitions and publications from 1965 to the present demonstrating the development of the Chanin School's pedagogy — which has influenced the study and teaching of architecture worldwide.
Varied subjects, such as figural fragments, drapery, and architectural relief appear on a typical single Baroque study sheet for the sake of economy and for the rehearsal of an image.
I had studied as a sculptor at Maine College of Art and worked in architectural iron before studying in the Metals program at Cranbrook Academy of Art.
Over the past 20 years the artist has hyper - realistically rendered pictures of prepubescent boys, non-existent 19th century ethnographic studies and invented architectural spaces, as well as animations of physical forms in motion.
Robert C. Tannen has studied and made art for more than 70 years while working as an instructor at Pratt Institute, Franconia College, and Tulane University School of Architecture, and as a regional planner for research and development, architectural, and civil engineering firms, and exhibiting as a multidisciplinary artist.
Her landscape work has addressed strip malls and freeway junctions in Los Angeles, as well as formal architectural studies in Chicago and New York.
In some works, imagined architectural interiors were laid out as virtual stage sets; in others, close up studies turned floors, walls and furnishings into abstract patterns, and expressive drawings attempted to describe the interior spaces of the mind, those places onto which we project our hopes and fears.
Forecast: Snow at The Renaissance Society presented a selection of paintings, drawings, sculptural studies, and crystal and marble snowflake sculptures, which showcased the artist's idea of snowflake patterns as blueprints for architectural spaces and psychological states.
Prior to this, Dr. Trkulja held academic positions in the United States and Europe, teaching and conducting research in art and architectural history at Princeton and Tulane universities, as well as the Institute for Advanced Study in Princeton, New Jersey.
After studying the exhibition design of Night and Day, budding architects and designers will use the digital programs Google Sketch Up and Architectural Design Studio as well as hand - drafting and model - making skills to design a proposal for a student exhibition.
An MAE degree is offered through Art Education, a MM degree in Music, and Art History offers 3 MA degree options: Architectural Studies, Art Historical Studies or Museum Studies as well as a PhD in Art History (Art Historical Studies or Curatorial).
Her works range from conceptual to commercial and show a particular interest in using dialectical methods to create studies of architectural forms - be that in lines of the human body, manmade structures, or natural scenes - as well as on dynamics between the social and the private, gender rolls and body language.
My architectural studies, as a specialist in applied arts, and my teaching experience helped the creation of a choral project that involves heritage, contemporary arts and cinema as sources of inspiration for fashion and costume.
Although he abandoned his studies, his oeuvre betrays his architectural training, displaying an underlying sense of structural organization as well as discipline in materials, planning of spatial relationships, and scaling of elements.
1996, Haus der Kunst, Munich, Nov. 1996 - Jan. 1997 (5, reproduced in colour p. 87) Masterpieces of British Art from the Tate Gallery, Metropolitan Museum, Tokyo, Jan. - March 1998, Hyogo Prefectural Museum of Modern Art, Kobe, April - June 1998 (92, reproduced in colour p. 152) Literature: Michael Ayrton, «Art», Spectator, vol.174, no. 6094, 13 April 1945, p. 335 Raymond Mortimer, «At the Lefevre», New Statesman and Nation, vol.29, no. 738, 14 April 1945, p. 239 Sam Hunter, «Francis Bacon: The Anatomy of Horror», Magazine of Art, vol.95, no. 1, Jan. 1952, p. 12 Robert Melville, «Exhibitions: The Venice Biennale», Architectural Review, vol.116, no. 693, Sept. 1954, p. 189 (as «Study for a Composition») John Rothenstein, The Tate Gallery, London 1958, p. 116, reproduced John Rothenstein, «Introduction», Francis Bacon, exhibition catalogue, Tate Gallery, London 1962, pp.2 - 3 Ronald Alley, Francis Bacon: Catalogue Raisonné and Documentation, London 1964, pp. 11, 12, 36, pl.16 Mary Chamot, Dennis Farr and Martin Butlin, Tate Gallery: The Modern British Paintings, Drawings and Sculptures, I, London 1964, pp.21 - 2 John Russell, Francis Bacon, London, Paris and Berlin 1971, 2nd ed.
A prolific contributor to the Architectural Review, he illustrated pioneering studies of architecture in and around the Thames as well as of Britain's neglected industrial heritage.
Since Carnegie's subjects range from the relatively benign, isolated nature painting — along with the brooding architectural structures that often occupy the landscape, such as a gateway into a cemetery — to intimate little studies of excellently formed female asses, this is not an unreasonable question.
Prior to joining Gamma as an analyst, Matthew Jacobs was a graduate student at the University of Oxford, having received a fellowship to study architectural history.
It was fun to read and to see the architectural detailing and furnishings that technically define each room as a den, library, study, etc..