Sentences with phrase «architectural works include»

Not exact matches

He selected Warren and Whitmore, a leading architectural firm of the time (works include The New York Biltmore Hotel and Grand Central Station), to design the Condado Vanderbilt Hotel, an exclusive tropical retreat in the heart of the Caribbean.

«This work not only sheds new light on skeleton formation of animals, but also might inspire interdisciplinary studies in fields such as theoretical biology, bioengineering, robotics, and architectural engineering, utilizing mechanisms of self - constructing architectures that self - adjust to their environments, including remote environments such as the deep sea or space,» the researchers write.

wax painting The resource includes: Examples of architectural artists Examples of a student work collages of architecture Resource sheets of architectural photographs of churches to use for studies Resource sheets of different buildings ornamentations to use in collage Learning Objectives To develop a Classical Greek and Roman element in one's work of art at KS3, KS 4 - GCSE Art and A-level Art To study various examples of how artists have used these classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and pen work.

Da Vinci constantly demonstrated his talent and skill through his work, which included paintings (the Mona Lisa, the Last Supper), sketches, inventive ideas, city architectural plans, and sculptures.

Tailored to specific UK regions, the framework offers 10 lots and covers a range of construction related consultancy services including surveying, stock monitoring and appraisal, environmental, architectural, engineering, project management and multi disciplinary works.

She has worked on a number of key initiatives including The Broad Prize for Urban Education, the architectural competition and construction of The Broad museum and the foundation's organizational strategy, design and governance.

Architectural legacies in the capital of Madrid include the Royal Palace, cited as one of the most beautiful palaces in Europe and El Prado, one of the world's largest art galleries featuring works from Goya, Velazquez, El Greco, Murillo, Rubens and Rembrandt.

Special architectural details include a wood - beam ceiling, Saltillo tile floors and wrought - iron chandeliers.

The UI Software Engineer is a part of the game creation process, including architectural design, implementation, and debugging on multiple platforms working on complex problems with Designers, Artists and other Engineers in the domain of user interface, interaction, and experience.

As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.

At Home at the White House Nov. 1: Architectural Digest magazine releases its December issue with a cover story exploring the selection of 20th and 21st century art displayed on the walls of the Obama private White House residence, including works by African American artists Alma Thomas, Glenn Ligon, and William H. Johnson, as well as Susan Rothenberg, Sam Francis, Hans Hofmann, Giorgio Morandi, Robert Mangold, Sean Scully, among others.

Sculpture in the City, the City of London's annual public art programme set amongst some of London's most iconic architectural landmarks, launches on 27 June including works by Paul McCarthy, Martin Creed and Ryan Gander.

The untitled works vaguely imply architectural draftsmanship including abstract floor plans, measurements and landscaping akin to the preliminary drawings of Frank Gehry.

In addition to the significant commission for the Smithsonian Institution in Washington DC, current architectural work in the US includes the new Studio Museum in Harlem, and an arts center for Colgate University.

An exhibition of new work by the British artist, including a major architectural intervention in the gallery's waterside garden.

Built from a renovated warehouse by local designer Margi Glavovic Nothard, the Girls» Club facility boasts stunning architectural elements including re-purposed industrial materials, back - lit resin panels that form an illuminated exterior facade, rotating inner walls that offer flexibility of design and a critically acclaimed collection of over 700 works on art.

High praise from critics and collectors has led to her work being featured in major publications, including Elle Decor, Architectural Digest, Domino, and Southern Living, among others.

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.

While Moore's pieces are perhaps best viewed in situ at Perry Green, Hepworth's outdoor pieces were given new life within the gallery setting at Tate Britain's «Sculpture for a Modern World» in 2015, which included a life - size reconstruction of one of her modern architectural structures in which she showed her work.

The works in the current exhibition incorporate ornament, surface decoration, and architectural references from the famil iar New York City subways, including trompe l'oeil tiles, bare liqht bulbs, dark stairways, barred gates, and silver girders.

His wide - ranging body of work includes unconventional color structures, light environments, street interventions, architectural integration projects, and experimental works that engage the response of the human eye while insisting on the participatory nature of color.

Architectural subjects, including paintings of the weathered barns and buildings on the Stieglitz property that blend the descriptive and the abstract, emerged as a theme, as did a number of panoramic landscape paintings and bold, color ‑ filled abstractions that often visually related to the subjects she was working on at the time.

His works have been reproduced in many magazines, exhibition catalogues, and recent books, including You Are Here and The Map As Art: Contemporary Artists Explore Cartography, both published by Princeton Architectural Press, USA.

The exhibition covers the full range of Stoller's work, including images commissioned by Fortune, Architectural Forum, and House Beautiful magazines in the 1940s and for commercial projects for IBM, Upjohn Pharmaceuticals and CBS in the 1940s and 1950s.

Contemporary sculpture is a broad and diverse field that includes object making, large - scale architectural installation, performance - based work, time - based work, and time - based media.

The works on display at Lynden include «Field Study 15: Bur Oak» (2011), a large - scale sculpture of a branch draped across an architectural steel vessel that occupies much of the gallery floor.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.

Bruce Nauman: Theaters of Experience is a focused selection of works in a range of media, including sculpture, video, holograms, neon and architectural installations, which examine the artist's use of performance devices as a conduit for heightened self - awareness for both artist and audience.

A recent exhibition of the artist's work at the University of South Florida Contemporary Art Museum included architectural models, paper sculptures, light boxes, altered photographs and cut - tape drawings done on rubber cutting mats.

In recognition of his work, Montoya was inducted into the Interior Design Hall of Fame, and has received numerous awards and honor, including being named a World Market Center Las Vegas Design Icon in 2010 and listed as one of Architectural Digest's 30 Deans of Design in 2005.

The month - long exhibition of work at the Museum, titled Noguchi + Pratt: An Exhibition, was featured in Architectural Digest and includes six select student projects in their entirety as well as analyses of Noguchi objects from all of the students.

A shipping palette included within Ian Pedigo's work West Side Chandelier Catacomb lends a sense of mobility to the imagery of an architectural interior and street scene.

The Morse Museum is known today as the home of the world's most comprehensive collection of works by American designer and artist Louis Comfort Tiffany (1848 — 1933), including the chapel interior he designed for the 1893 World's Columbian Exposition in Chicago and art and architectural objects from Tiffany's celebrated Long Island home, Laurelton Hall.

Drohojowska - Philp's monographs include Modernism Rediscovered, the three - volume set of architectural photographs by Julius Shulman and Pedro Guerrero, photographs of work by Frank Lloyd Wright, Alexander Calder and others, as well as Sensual Mechanical: The Art of Craig Kauffman published in 2012.

Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).

The exhibition begins in Gallery 1 with an array of the artist's early paintings, including her works based on the square, the grid and interior architectural details, such as The First Vent (1972) and Little 9 x 9 (1973).

These works evolved into the socially - based architectural projects such as open - air pavilions, including a Skateboard Pavilion in Stuttgart in 1989 and in the same year The Children's Pavilion (with Jeff Wall), and the Star of David Pavilion (Vienna, 1991 - 6).

These works — on view in New Orleans for the first time — span a range of media including collage, drawing, architectural models, animation and short film, and collaborations with other artists on such materials as album covers and children's books.

It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

It examines Graham's entire body of work, which includes designs for magazine pages, drawing, photographs, film and video, and architectural models and pavilions.

One of the newer pioneers in this quest is Letha Wilson, whose work surrealistically combining photography with architectural elements (sometimes printing the images on concrete) gained avid attention when she was included in several well - received group shows last year, such as «What Is a Photograph» at the ICP and «Ain'tings» at Robert Blumenthal Gallery.

Nothing is Destroyed includes architectural artifacts and work by Paul Amenta, Lora Robertson and Nick Kline.

Francis Bacon: Invisible Rooms traces the development of this architectural structure throughout his career; from the first indications of room - spaces in early works including Crucifixion 1933 (Murderme) and Three Studies for Figures at the Base of a Crucifixion c. 1944 (Tate); the 1950s, including Man in Blue IV 1954 (mumok, Austria) and Chimpanzee 1955 (Staatsgalerie Stuttgart); through to the 1980s, Untitled (Kneeling Figure) c. 1982 (Private Collection).

Under the rubric of «spaces / places,» holdings range from the works of Gordon Matta - Clark, which intervene in existing architectural structures, through Fred Sandback's Minimalist drawings in thread, to the organically formed objects of Ernest Neto, and include Louise Lawler, Bernd and Hilla Becher, Jeff Wall, Teresa Hubbard and Alexander Birchler, Simon Starling, Janet Cardiff and George Bures Miller, Gabriel Orozco and Loan Nguyen.

«Seismic Shifts» will showcase artists and architects whose work challenges disciplinary boundaries and raises critical social, environmental and political issues and will include painting, drawing, sculpture, photography, mixed media, video, and architectural models created between 2005 and 2012, with a number of new works featured.

The works by Ms. Lee, who is 49 years old and based in Seoul, include 11 drawings on paper and canvas, as well as a few architectural models and sculptures, created from 2008 to this year.

He is also planning donations of oversize works to several museums, including «Other Voices for a Second Slight,» Vito Acconci's 1974 three - room installation combining speech with lighting effects, architectural elements and photographic collage.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

Working across several mediums including sculpture, drawing, painting and digital art, my work explores correlations between the temporality of place and self, in the hope to capture a more comprehensive understanding of my sexuality, sense of self and place in both the artistic and architectural communities.

From her investigation into the notion of artificial beauty to references of futuristic architectural ideas from the early 20th century, Korean artist Lee Bul has, over the past two decades, garnered international renown with a diverse and intellectually challenging body of work that includes sculptures, performances and installations, while always maintaining an intriguing relationship with modernist ideals.