Sentences with phrase «architecture critic at»

Not exact matches

Catesby Leigh, an art and architecture critic, addressed the spiritual dimension of Reed's labors in a remembrance delivered at the Requiem Eucharist for Reed celebrated at St. Thomas Church Fifth Avenue.

Critics say that, as is, that's simply putting a Band Aid on a larger wound: Just last week, New York Times architecture critic Michael Kimmelman, in a larger critique of the problems at the much - maligned terminal, called that plan «a project born of political expediency,» noting that Cuomo has «brushed off more sweeping proposals that might tackle once and for all the whole panoply of problems that plague Penn Station.»

We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.

The book also includes commissioned essays by Jed Perl, art historian and author currently at work on the first full - length biography of Alexander Calder, and Paul Goldberger, Pulitzer Prize - winning architecture critic, as well as poems by Karl Shapiro and John Updike.

There was certainly something about his collections, which derived from his engineering education and love for architecture that made the critics believe his pieces ware not sculptures at all.

Monument Lab Keynote Conversation: The Futures of Memory Wednesday, November 15 at 6 p.m. Pennsylvania Academy of the Fine Arts A keynote conversation featuring author and professor Michael Eric Dyson, New York Times architecture critic Michael Kimmelman, and scholar and activist Salamishah Tillet on the overarching themes of Monument Lab and the future of memory in public space.

Mo» MoMA, Mo» Problems — In his defense of the Folk Art Museum, which faces impending demolition by its neighbors and new owners at the Museum of Modern Art, New York Times architecture critic Michael Kimmelman suggests that some native New Yorkers are beginning to feel a bit miffed by the nonstop growth and creeping corporatism of the city's beloved repository of 20th - century art.

According to recent studies published by the AIA (the national professional association of architects) and AIGA (the professional association for design) reveal that, while design and architecture programs attract female and minority students, «the professions don't retain them,» explains design critic Alexandra Lange, «and the numbers are particularly small at the leadership level.»

«Äù Vija Celmins «Äô drawings show at the Hammer Museum in Los Angeles (# 3 out of 10), garnered similar hyperbole, as did Puryear «Äôs current retrospective at MoMA (# 5; TIME «Äôs art and architecture critic / blogger Richard Lacayo proclaims Puryear «Äúone of the greatest living American artists «Äù).

DOING IT UP RIGHT: Our former colleague, the late architecture critic David Dillon, is being honored with the establishment of the David Dillon Center for Texas Architecture (pay wall) at the University of Texas at Arlington.

Kazimir Malevich as one of her greatest inspirations and, as a major exhibition of his work is on show at Tate Modern, together with curators and critics Zaha considers the influence of Malevich's avant - garde art on her avant - garde architecture.

Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)

In a review of a 1989 show at the center, Paul Goldberger, then the chief architecture critic for The New York Times, wrote that the Drawing Center «deserves to rank not with the SoHo galleries that are its neighbors, but with the major museums of which it is now virtually a peer.»

BALTIC, Gateshead, until 26 February 2017 The critic Jane Harris, writing in Artforum some years ago, described Italian artist Monica Bonvicini as «something of a heckler», who is «taking aim at the granddaddy of all aesthetic boys clubs: architecture».

James Bishop's relatively rare drawings and paintings — which American poet and art critic John Ashbery once called «part air, part architecture» — combine European and American traditions of postwar art are on view at the Art Institute of Chcago.

On the eve of the opening of the new Saatchi Gallery, our architecture critic and ex-director of the Design Museum looks at the continuing appeal of the big white space

The Heatherwick Studio in London is the subject of a current retropsective at the Hammer Museum, and architecture critic Christopher Hawthorne toured it with the architect.