Sentences with phrase «architecture critic for»

«The term «sustainable city» is becoming cliché,» said Edwin Heathcote, architecture critic for the Financial Times.

In a review of a 1989 show at the center, Paul Goldberger, then the chief architecture critic for The New York Times, wrote that the Drawing Center «deserves to rank not with the SoHo galleries that are its neighbors, but with the major museums of which it is now virtually a peer.»

Sally, David's widow, gave UTA the archives of material he worked on writing books and working as the Dallas Morning News «architecture critic for 25 years.

Lower Manhattan has come so close to normalcy that the architecture critic for The New York Times slammed One World Trade Center for not matching the neighborhood's diversity.

Michael Sorkin, an award - winning architect and the architecture critic for The Nation, wrote a manifesto - length essay in response («Architecture Against Trump») that describes the AIA statement as «temperate, agreeable, indeed feckless.»

Not exact matches

Catesby Leigh, an art and architecture critic, addressed the spiritual dimension of Reed's labors in a remembrance delivered at the Requiem Eucharist for Reed celebrated at St. Thomas Church Fifth Avenue.

Critics say that, as is, that's simply putting a Band Aid on a larger wound: Just last week, New York Times architecture critic Michael Kimmelman, in a larger critique of the problems at the much - maligned terminal, called that plan «a project born of political expediency,» noting that Cuomo has «brushed off more sweeping proposals that might tackle once and for all the whole panoply of problems that plague Penn Station.»

These are the German auto industry's equivalents to Bilbao, intended to be destinations not just for marque enthusiasts but also architecture fans and cultural critics.

He is the editor and creator of the videogames and architecture zine Heterotopias and for the past 5 years he has worked as a games critic, specialising in virtual architecture and games as cultural objects.

In 1946 Motherwell asked Chareau to serve as the architecture editor for his review Possibilities, which he coedited with the critic Harold Rosenberg and the composer John Cage.

We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.

What does that leave for a critic of art and architecture today?

In turn its head critic, Michael Kimmelman, made his reputation by hanging out with well - known artists, then writing favorably about them, before taking on the role of architecture critic without reviewing buildings (other than his hopes for Penn Station).

Contemporary architecture for art has come to be defined by what critic Brian O'Doherty in a 1976 essay christened «The White Cube»: the minimal, white - walled, timber - floored, top - lit room that submits itself to art by stripping itself of almost all architectural expression.

There was certainly something about his collections, which derived from his engineering education and love for architecture that made the critics believe his pieces ware not sculptures at all.

In this traditional paperback, renowned critic and curator Hans Ulrich Obrist teams up with Dutch avant - garde architect and paradigm - shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization.

Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture.

Ruskin became renowned for his rich and flowing prose, and later in life he branched out to become an active and wide - ranging critic, publishing works on architecture and Renaissance art, including the Stones of Venice.

According to recent studies published by the AIA (the national professional association of architects) and AIGA (the professional association for design) reveal that, while design and architecture programs attract female and minority students, «the professions don't retain them,» explains design critic Alexandra Lange, «and the numbers are particularly small at the leadership level.»

DOING IT UP RIGHT: Our former colleague, the late architecture critic David Dillon, is being honored with the establishment of the David Dillon Center for Texas Architecture (pay wall) at the University of Texas at Arlington.

The starting point of this publication is the conceptual encounter between English Pop artist Richard Hamilton (1922 — 2011) and Swiss historian and architecture critic Sigfried Giedion (1888 — 1968), famous for his landmark 1941 book, Space, Time & Architecture.

The Nasher Sculpture Center and Dallas Architecture Forum have announced that the chief architecture critic of The New York Times, Michael Kimmelman, will be keynote speaker for the 2013 Dallas Design Symposium.

Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)

The extraordinary British architect and designer Thomas Heatherwick has been hailed as a genius, lauded by The New Yorker architecture critic Paul Goldberger for the uniquely inventive nature of his work, and praised by esteemed designer Sir Terence Conran as the — Leonardo da Vinci of our times.

The Nasher Sculpture Center is pleased to announce the fall and winter speaker line - up for the 2012 Nasher lecture series, 360: Artists, Critics, Curators, which brings art world speakers to the Nasher for conversations about the ever - expanding definition of sculpture and the thought - processes behind innovative contemporary artwork, architecture and design.

Still more writers think critics Jerry Saltz and Roberta Smith should not be blaming The Folk Art Museum's architecture for its financial woes.

With a previous Ph.D. in Architectural Theory, History and Criticism from Princeton University, Abrams had worked for more than 20 years as an architecture and design critic and editor, organizing numerous conferences and salons, and writing for publications including frieze, I.D. Magazine, Blueprint, and The New York Times.

In 1963 the College Art Association gave Ms. Ashton and the architecture critic Lewis Mumford the first Frank Jewett Mather Awards for distinguished arts journalism.

> 2014 Pulitzer Prize Winners: Inga Saffron of The Philadelphia Inquirer for her criticism of architecture pulitzer > Inga Saffron, Inquirer architecture critic, wins Pulitzer Prize for Criticism philly

The moderator, Toronto Globe and Mail architecture critic Lisa Rochon, asked for questions but the typical Toronto audience would rather make speeches than listen to answers, so she had to field them herself: «In the face of all this sprawl and disaster how do you find the energy to continue?

«The Search for The Perfect Assembly - line House» - That is how John Bentley Mays, architecture critic of the Globe and Mail, describes the work of architectural firm rvtr.

often) languid nation are ecstatic (self included) As a doubter of some — uh — frequent — U.S. polices and architecture / planning critic for The Nation, it's great to see a new look from the old world, as well, as this current U.S. first step!

The Perfect House: A Journey With Renaissance Master Andrea Palladio Written by respected architecture critic Witold Rybczynski, this highly readable book describes Palladio's villas and explains why they have inspired architects for centuries.

And as Edwin Heathcoate, the British architecture critic, pointed out recently, there's something to be said for simplicity and open - endedness in toys.